Sunkern Circus perform to crowds to open up our Festival of Light photo @ Khali Ackford

Young people from our Making Tracks project performed at our Annual Festival of Light and, they were great.

Making Tracks is our collaborative music making project with ACE and Basement– giving young people the opportunity to learn new skills in music creation. Trinity offers 121 and small group music sessions alongside industry workshops and opportunities to perform at Trinity events.

Xyzelle, Sealvia and Chantaleaze - students from project partners ACE performed first to a packed room. Photo Khali Ackford

Xyzelle, Sealvia and Chantaleaze from project partners ACE (Aspiration, Creation, Elevation) performed two songs, followed by Trinity student Louis Stone who performed his original songs using both his acoustic and electric guitars.

Great to welcome Trinity student Louis Stone who played tracks he is working on as part of Making Tracks. Photo Khali Ackford

Playing to an energetic and supportive crowd the students performed cracking sets and roused the crowds ready for local dub DJ Dutchie and the ever fantastic Bristol Reggae Orchestra – well done to them.

Dub DJ Dutchie gets the crowd ready for Bristol Reggae Orchestra photo @Khali Ackford

Bit of a squeeze for Bristol Reggae Orchestra on the stage in the main hall! @Khali Ackford

Onj's firework display was a treat for all the family. Photo @ Khali Ackford

This year we welcome over 800 people through the gates who came to watch the aerial performances, the fantastic firework display from Onj, a very warm bonfire from Woodsy, and the live music in our main hall.

Thanks to everyone that makes the event happen, from staff; to volunteers; to artists; to traders and of course all of you who attended.

The Festival of Light is a free event supported in part by public donations. This year we raised over £1100 in donations meaning that we can continue to run events like The Festival of Light so everyone can enjoy.

Area of Effect play Garden Party in 2018 photo @Jessica Bartolini

Garden Party is one of our most popular events - each year we programme family friendly workshops and some of Bristol and the South West's best bands and DJ's.

Our Making Tracks Showcase is an opportunity for young people, from our music making project, to showcase their talent to a 3,000 person Garden Party audience! The Showcase will be on the main stage from 12:00 - 12:30 then, in the main hall from 3pm - 6pm.

Students will join an awesome lineup including Sam Binga,  Rider Shafiue, Dutchie + Indra and Almatic.

We wish them all the luck x

Singer-songwriter Holly Miller performing in Making Tracks Christmas Showcase in 2018

Holly Miller

Holly has been attending the Making Tracks programme for 8 months and has used this time to hone her singer-songwriter craft to create intimate acoustic songs covering universal themes of love, loss and life.

Miss Tee is prime for a summer hit, watch out for her.

Miss Tee

Miss Tee is a multi skilled singer, songwriter and producer who has progressed in leaps and bounds through taking part with our Making Tracks programme, developing her awesome writing capabilities and finding her own distinctive sound.

Sam Neal has been honing his distinctive sound during 121 sessions at Trinity

Sam Neal

Sam Neal is a Making Tracks veteran. This uplifting singer-songwriter's soulful summer sounds are guaranteed to get the crowd moving.

Meghan

Meghan is a multi-discipline drummer / singer. As a performer she is a ball of energy, that can't be ignored - whether it's rocking out on her drum kit or serving fierce vocals Meghan always packs a punch.

Rob B

Rob proves it's never to late to pursue your passion. Having joined 18 months ago his Drum and Bass DJ stylings have thrived producing a mature sound. Area of Effect - Making their return to the Trinity, Garden Party stage Area's of Effect are a young Indie-Rock band - with oodles of talent and buckets of energy.

Making Tracks is a collaborative partnership between Trinity, ACE and Basement Studios. Making Tracks is supported by Youth Music and using public funding by the National Lottery through Arts Council England.

Student writes lyrics during a youth music session

“The Trinity Centre has a proven track record of helping young people channel their energy into music, young people who may have struggled to find their way in school and have a raw musical talent but no way of developing this. We’re delighted to be partnering with Basement Studios and ACE for this important youth music project.” Emma Harvey, Trinity’s Centre Director

We are really excited to announce that we have join forces with Basement Studio at The Station and ACE at Docklands Youth Centre to provide life-changing music-making experiences for young people in Bristol.

Funded by Youth Music, Making Tracks is a two year collaborative partnership that offers young people from the inner city communities of Easton, Lawrence Hill and Ashley and Central Bristol to take their first steps into their music making journey. Young people can take part in music-making sessions, workshops and showcase events and will have access to 1-2-1 support and performance opportunities - to take the next steps in their own music-making journey.

Young people will have the chance to take part in a range of activities: tailored 121 and small group music making sessions mentoring, peer learning and joint-project activity showcase events and performances live-learning Q&As with artists & industry professionals.

Are you an aspiring musician wanting to get involved ? Would you like to refer a young person? Find out more here or email davet@3ca.org.uk.

@ Paul Blakemore

@ Paul Blakemore

@ Paul Blakemore

@ Paul Blakemore

Making Tracks is a life changing music making project delivered in partnership with Trinity and leading youth providers Basement Studio and ACE.

Making Tracks offers young people who are facing challenging circumstances the opportunity to access music making opportunities. Ranging from 121 music making sessions to opportunities to perform a city-wide festivals (Harbourside, St Paul’s Carnival) to Q&A’s with professional artists. Young people are able to receive support and training bespoke to their needs - so they can take the next step into their future.

"It was interesting to see all the other students performances and it shows how far you can get with Making Tracks. I was pleased to see vegan pizza provided and meet lots of friendly people too." Joan, 15

The end of year celebration event is an opportunity for young people, their parents, careers and friends to celebrate the achievements and hard work of everyone who has taken part in Making Tracks over the year.

Taking place in Trinity's main hall the evening included performances from some of the young people who take part in the project. Performers included Chloe Thorn (Basement Studio), Miss Tee (Trinity), Sam Neal (Trinity) and Tom Meadley (Trinity).

The celebration is also an opportunity to network/ meet others who take part in the Making Tracks project as well as other young people from across the city. We were delighted to welcome 15 young people from Hartcliffe who came along with their youth workers to experience more creative opportunities in the city, joining 60+ others for the evenings activities.

Community members who take part in activity at Trinity also had an opportunity to showcase their talents. Flash-mob style dance interventions came from some of the young women who took part in the Let Us Dance project and liver music was performed by members of WECIL Collective,  whose members attend regular group music sessions with tutors at Trinity.

Making Tracks is supported by Youth Music and using public funding by the National Lottery through Arts Council England, as well as support from match funders.

Eleri is one of Trinity’s part-time music tutors, working closely with young people to help them explore, experiment, and grow through music. Her one-to-one sessions cover a wide range of skills, from singing and music production to learning instruments like drums, always with a focus on building confidence, creativity, and technical ability in a supportive, nurturing environment.

Alongside her individual tuition, Eleri co-runs Move On Music in partnership with Bristol Drugs Project. This weekly group is a progression from BDP’s Beginners Music programme and offers a space for participants to build on existing skills, connect with others with shared experiences, and enjoy making music in a relaxed, judgment-free setting.

And there’s more to come. Beginning in March 2026, Eleri will lead brand new after-school music sessions with Year 6 children at Easton CE Primary School. This marks an exciting next step in strengthening our partnerships with local schools and expanding opportunities for children and young people to get creative through music.

Earlier this month, we caught up with Eleri. Here's what she had to say:

Hey Eleri, what do you enjoy most about teaching music in our community?

I love connecting with people of all ages from all walks of life through the universal language of music. Everyone has something to say, and providing my community with the means to express themselves in their own way, as well as the chance to be heard, is the best part of my job.

What projects are you involved with at Trinity Community Arts?

I have fingers in many pies here at Trinity! I run a weekly session in partnership with BDP's Creative Communities called Move on Music, aimed at anyone with a lived experience of drug and alcohol who would like to build on skills already learnt at BDP's beginner music groups. I also regularly help out with Next Gen, our open-access music group for 14-25 year olds, where young people can do anything from taking part in live instrumental jams to DJing and recording beats. When I'm not taking part in these groups, then I'm facilitating 1:1 music sessions in our studios or working live gigs and events as a sound engineer.

What things are you involved with coming up in 2026 that we can look out for?

Trinity will now be putting on after-school music clubs for primary and secondary schools in the area, taking in some equipment such as our new Ableton Push and teaching children how to make music in a fun and interactive way. We also plan on hosting a school holiday club over the summer, which would be building on the same skills. I will also be involved in various BDP Creative Communities Concerts that will be happening throughout the year at Trinity Centre, as well as a couple more projects that we're still developing. It's looking like an exciting year for our music department

Speak Out Workshop - Image Credit: Alastair Brookes

Speak Out was a free creative development programme for young people made possible through funding from the We Move Fund, created by Children in Need and BBC 1XTRA.

As part of the programme rapper/activist MoYah and poet and spoken word artist Sukina Noor delivered a series of workshops for young musicians and poets, offering support with writing and developing music-making skills.  These workshops where primarily aimed for young people who have lived-experience of the refugee and asylum-seeker system.

"As the Speak Out project unfolded, we saw how transformational this was to the participants. I think for me that was one of the most impactful experiences I’ve had working with young people" - Sukina Noor, Speak Out Facilitator

During the workshops the team offered tailored support and one-on-one mentorship to the young people who attended. We connected with translators to work with young people who wished to express themselves through Arabic -and  as a result they where able to use traditional Arabic poetic techniques during the workshops.

The young people involved in the project reflected on how the sessions offered them a safe space where they were able to fully express their identities and be themselves, and channel this into their art. For example, a participant from Brazil who spoke Portuguese was able to express himself better thanks to MoYah's ability to speak Portuguese, something that the young person had not been able to do since arriving in Bristol. Sukina observed the personal growth of the young Brazilian participant due to being able to speak his first language in the sessions, noting, "He could really experiment and let his story be told".

Facilitators, MoYah and Sukina both reflected on the confidence that the young people demonstrated by taking part and performing at Speak Out events, highlighting their creative and personal development throughout the project.

The young people who took part in these Speak Out workshops were given the opportunity to showcase their talents as part of the Bristol Refugee Festival.

In total six young people aged 16-18 took part in eight workshops, facilitated by MoYah and Sukina.

Click here to find out more about Trinity’s programme of events and activities for young people.

Josh has been attending 121 sessions at Trinity as well as workshops and other events delivered as part of Making Tracks (photo Alastair Brookes - KoLAB Studios).

"I had heard Trinity provided people who have had difficult pasts with good opportunities to develop skills with performing and recording music"

Hi, I am Josh I'm 21 and I come to Trinity weekly to attend 121 music sessions that are part of the Making Tracks Project .

As well as the recording sessions I attend I also have been learning skills in songwriting workshops and other music related events at Trinity.

I came to trinity because music is something that I’ve always been passionate about and I had heard Trinity provided people who have had difficult pasts with good opportunities to develop skills with performing and recording music, I mainly work with Al in the studio and greatly enjoy it.

I’ve struggled with mental health problems all my life and being able to record at Trinity has been a massive help with keeping myself positive and active. Taking part in Trinity has benefited me in more ways than I ever would have imagined, it’s enabled me to be able to write and record my own songs and has helped me develop my skills and confidence as a musician. When I first started attending trinity I was very shy and struggled with depression a lot and the friendly atmosphere provided at trinity has really brought me out of my shell and helped me become the strong confident person I am today.

Without trinity I would never have gotten the chance to make my own music or improve my skills as a musician.

If I had to describe my experience at trinity in three words I’d use “truly amazing experiences".

You helped secure Trinity's past, now play your part in Trinity's future

Children's Adventures in Nature

Mon, Wed & Thu from 27 Jul to 31 Aug, 2pm-4pm

Children aged 6-12 can join the fun at the Trinity Community Garden, where they can connect with nature through all weather activities, like forest school, bushcraft and play. Free  - suggested donation £5. Contact Lisa: lisat@3ca.org.uk / 07791 140 916

Outdoor Adventure Youth Group

Mondays, 6pm-8pm

12-18 year olds can join us every week to learn about bush-craft, fire-lighting, shelter building, foraging, food growing and cooking at the Trinity Garden. No need to book, just come along, its free! Contact Lisa: lisat@3ca.org.uk / 07791 140 916

Holiday Lunch Clubs

Wednesdays: 29 July, 12 & 26 Aug, 10am-12pm

A cookery club for parents and children of all ages. Come and enjoy cooking with other local families, and enjoy your creations in our beautiful garden. Free (donations welcome) - Booking essential, contact Helen: helenw@3ca.org.uk / 0117 935 1200

World's Largest Samba Dance!

Wednesdays 29 Jul; 5, 12 & 19 Aug, 5.30pm-6pm

Help us beat the current Guinness World Record for the World's Largest Samba Dance at the Stapleton Rd Make Sunday Special event on Sunday 23 August. Join the free dance workshop sessions and learn the simple routine created by World Jungle Samba Dancers. Contact Ripley: ripley@3ca.org.uk / 0117 935 1200

Hype Dance Street Dance

Wednesdays, 6pm-7pm and 7pm-8pm

Exciting and vibrant street dance training, which is not only fun but a good way of keeping fit! for ages 5 to 11 and 12 to 25 yrs old. £5 per session (please arrive 10 minutes early to sign in). Contact Natasha: thype@hotmail.co.uk / 0117 935 1200

Little Green Warriors

Fridays, 12.30-2.30pm

A weekly meet for parents, carers & their preschoolers to enjoy seasonal activities and the urban outdoors in our beautiful community garden – Free! Contact Helen: helenw@3ca.org.uk / 0117 935 1200

Music Open Day!

Fri 14 Aug, 10am-4pm

Are you 13-21 yrs old? Try something new for free! Drums, Guitar, DJ, MC, Vocals, Production; followed by a BBQ and your chance to perform on our stage!

Contact Karina: info@3ca.org.uk / 0117 935 1200

Photo @ KoLAB Studios

Joan is a young women who has been home schooled. She struggles being around groups of young people but really enjoys the opportunity to play one to one with a music teacher. Joan now plays the bass and until her introduction to Making Tracks mainly played alone.

“Trinity as a whole seems to be a safe space for Joan. She seems quite nervous when I've seen her mix with people outside, but when she is mixing with people inside Trinity she's really open. So I think it's important for her to have a space like that... it really seems to be benefiting her.” Bridget, Trinity music tutor

Having taken part in group sessions at both Basement Studios and ACE where she struggled in integrate with other young participants she was offered one to one bass lessons at Trinity.

“Even though I have a bass at home I like playing music with people, so it's given me an opportunity to play music with people, which then gives me more inspiration to play at home. I’ve definitely been taught a lot that I wouldn't have learned if I just played on my own. I've got a lot more confident with playing music and I feel like I understand my instrument more than I did before.”

Her experience at Trinity has marked a significant improvement in Joan’s musical ability, her confidence and her motivation.

When she started lessons she described herself as playing “only one song on one string of the bass” whereas now she has mastered “a whole playlist of songs”. She has developed a good relationship with her music tutor, who she feels understands her and responds well to her individual needs.

Making Tracks is supported by Youth Music and using public funding by the National Lottery through Arts Council England, as well as support from match funders.

Jack took part in Making Tracks Summer Music Session Aug 2018 (photo @ Alastair Brookes)

I was 16 when I dropped out of college. I didn't do well at my GCSCE's and ended up on a course I didn't want to be on. I lacked focus and was depressed within that environment. I grew up on a poor estate and the idea of never achieving anything in life was kind of drummed into me.

I was NEET for about a month until I was picked by an agency (LPW) who advised me to start looking at mini courses and apprenticeships. It was through these opportunities that I was eventually referred across to Trinity to take part in the Making Tracks Project.

I really enjoy making music and after some time on the Making Tracks course I ended up taking part in a work experience placement going in every Wednesday for a couple of hours and sitting in on various 121 sessions and even in some cases leading sessions with other students (with Trinity's support).

During these sessions I helped other young people to record vocal tracks, produce original beats and assist live rehearsal sessions. I have also attended professional training as part of the team and gained a safeguarding certificate.

Making Tracks is a collaborative project between Trinity, Basement Studios & Aspiration Creation Elevation (ACE@Docklands) and is supported by Youth Music and using public funding by the National Lottery through Arts Council England. Click here to find out more about our projects, helping ensure that everyone in Bristol has the opportunity to access and shape arts and culture.

You help secure Trinity's past, now play your part in Trinity's future

Next Gen Sounds is a new open-access music education session for young people aged 14-25 that offers the chance to gain knowledge and skills from expert tutors in Trinity’s fully-equipped rehearsal room and production studios.

The sessions will be student-led, meaning that young people will be able to shape the programme to suit their interests and ambitions; whether that be learning to play instruments, music production, performing live, or anything in-between.

Trinity’s in-house music tutors, Fern and Pete, will also be on-hand to offer support and guidance to students during the sessions. Students will learn together as a group, offering a chance to work collaboratively and meet other young people.

Next-Gen Sounds is free to-access and is part of Trinity’s ongoing commitment to offering music education to young people that may not otherwise have access to music equipment. There will be free food at the end of each session, provided by Pret a Manger, as well as any travel costs covered (to and from the Trinity Centre) to ensure that the course is accessible to everyone.

The course starts on 9 Feb 2023 with an introductory session, allowing participants to meet the tutors and other students, to take a look at the space and discuss what musical skill students may want to explore.

To find out more about taking part in Next-Gen Sounds, click here.

Students from City Academy at Trinity

We are working in partnership with South Bristol Youth (SBY) to provide opportunities for KS4 students to experience insights into working in the creative sectors as part of their 'insight into apprenticeship' initiative.

Connecting with local comprehensive and community schools we have programmed experiences for students, who may be historically excluded from the arts, that aim to provide insights into the various careers available in the cultural sector.

"Dave and his creative team hosted a high energy, interactive and informative day ... providing a fascinating insight in the creative arts industry in all its many wild and wonderful forms." Mark Nixon, Project Coordinator, South Bristol Youth Consortium for Young People

Recently we hosted students from City Academy, a local school that is situated in Lawrence Hill, one of the most deprived wards in the city whose cohort of over 1000 students have higher-than-average EAL/SEND.

During the visit students were taken on a guided tour of Trinity, detailing aspects of the grade II* listed buildings historic and cultural significance, highlighting the impact Trinity has had on the local community and wider music and arts scene within the city over the years.

They also took part in a series of music workshops, including, DJ, drumming and live performance. Trinity’s Youth Music Activities Manager Dave then led a masterclass session on music events promotion and podcasting.

This exciting partnership will help young people to reach their potential in work and in life, by building the skills, knowledge and confidence to better understand the pathways to apprenticeships, higher education and suitable employment. We will be hosting more schools over the coming months as well as our free-to-access Masterclasses this summer for young people who are interested in working in the music industry.

Young people from Making Tracks project who came along to chat with Dev from IDLES. Photo Lee Ramsay

Adam Devonshire (AKA Dev), bass player with Bristol based UK album chart topping post punk band IDLES, headed to Trinity to share his professional experience with emerging musicians on Trinity's music making project Making Tracks.

"It gave me some great insight into the industry and made me realise what I need to do next." Jasper, Trinity Making Tracks Participant

Dev spoke in great detail about the Idles ethos, song writing, musical inspiration, touring, branding and approach to digital streaming. His main advice to the young people who to 'hone your craft, write loads of songs - then scrap those songs and write better ones, play tons of gigs and build a strong local fan base'. He advised that once this has been achieved this then you can start thinking about moving outwards and attracting more industry attention.

Dev gave insight to Idles early days - playing tiny local bars to virtually no one to supporting the Foo Fighters, touring the world and playing the Park stage at Glastonbury Festival - something which had been a dream for the band right from the very start.

"I’ve had to sacrifice a lot to get to this point. The band has always come first. Even when no one seemed interested in us. We just kept on working hard, learning our craft and believing we could achieve and do what we love." Dev, IDLES

To finish off Dev took a quick fire round in which we learnt his favourite ice cream is mint choc chip, the first single he bought was, ‘Boom! Shake the Room’, by DJ Jazzy Jeff and that one of his favourite films is Shane Meadows bleak cult classic, ‘Dead Man’s Shoes’.

This exciting opportunity was co-created in direct response to feedback from a cohort of students involved in the Making Tracks Steering group. This group empowers young people within the project to have their voice amplified and opinions heard, providing them with autonomy and agency helping them to shape and design the Making Tracks’ programme.

About Making Tracks

Making Tracks is supported by Youth Music and using public funding by the National Lottery through Arts Council England, as well as support from match funders Youth Sector Support Fund.

Next-Gen Sounds - Image Credit: Alastair Brookes

Trinity offers young people aged 14 - 25 a programme of activities to give them the opportunity to take part in drop in music-making sessions, 1-2-1 or small group music sessions in our studios. Through our Next-Gen Sounds programme, Trinity offers a supportive and creative space for young musicians of all disciplines and abilities to meet like-minded musicians, develop their craft and work on their musical projects.

"His confidence and self-esteem have moved on significantly, and I think lot of that is about him being successful at something. His ability to communicate effectively has definitely improved throughout the music sessions" - Support Worker

We caught up with Pierre, a young musician who has been participating in Trinity’s Next-Gen Sounds programme, to see how access to music education has made a positive change to his skills, ability and overall mental wellbeing.

Pierre is a young man who experienced significant positive changes in mood, behaviour, sense of belonging, self-confidence, and communication skills through 1-2-1 music sessions and Next-Gen Sounds at the Trinity Centre. Pierre had been without an educational program for approximately five years, and he lacked a sense of community and routine in his life. These factors contributed to his difficulty in engaging with other activities outside of the music sessions. However, the 1-2-1 sessions and Next-Gen Sounds became the focal points of Pierre's weeks, bringing about a significant change in his mood and motivation.

According to Pierre's support worker, the sessions made a tremendous difference in his overall mood. He arrived focused and left feeling positive and fired up, expressing a desire for other similar opportunities to engage with music-making.

Next-Gen Sounds improved Pierre's sense of belonging and social interactions. He now considers the people he interacts with as friends, and he actively engages in discussions, particularly about music. This newfound confidence extended to other areas of his life. Participating in the sessions boosted Pierre's self-confidence, while performing and producing his music increased his belief in succeeding at something he loves, elevating his self-worth. Pierre's ability to express himself and communicate improved through the music sessions, he became more connected to the present moment, and progress in freestyling showed his growing understanding of appropriate language usage.

Attending 1-2-1 music sessions and Next-Gen Sounds positively impacted Pierre's overall well-being and happiness. He consistently expressed a strong attachment to the sessions, where he found a platform for self-expression.

Pierre's story demonstrates the positive changes that occur when individuals facing challenges find a passion and a supportive community. The 1-2-1 music sessions and Next-Gen Sounds at the Trinity Centre empowered Pierre to develop self-confidence, communication skills, and a sense of belonging, highlighting the transformative power of music and community engagement.

Making Tracks Tutor Pete is a drummer, keyboard and piano, backing vocalist and percussion player who has industry skills and experience in live performance, touring, street performance, studio work, event promotion, sound engineering, stage coordination, festival booking and organisation.

Pete plays in Bristol based Hip Hop outfit Almatic, as well as hot jazz and swing band the Gin Bowlers, and Bluegrass and Country band Feral Mouth. As well as multi tasking the management of several projects including running a rehearsal studio, providing PA and backline to events around Bristol and Norfolk, he teaches drums from his studio in Bristol.