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by admin_phlax — last modified 02/11/2022 10:24 AM

Historic England awards grant for emergency repairs to Jacobs Wells

by sarah last modified 13/03/2024 12:56 PM
Works are underway to help prevent further deterioration to the building

Historic England awards grant for emergency repairs to Jacobs Wells

by sarah last modified 13/03/2024 12:56 PM

Corinne Fitzpatrick, Conservation Architect and Juliette Butler, Heritage at Risk Project Officer at Historic England, take a tour of Jacobs Wells Baths

Jacobs Wells has benefited from a grant of £56,895 from Historic England to undertake emergency repairs to the Grade II Listed building. The works, which have recently begun, will prevent further deterioration of the external fabric of the building, including the roofs, gutters and downpipes and high-level masonry, in preparation for a phased repair scheme to begin later in the year. The funding will also support surveys of the high-level stonework to inform the main repairs.

We invited Historic England to join Corinne Fitzpatrick - Conservation Architect for the project - on a tour of the building to inspect the works in progress. The tour uncovered the rich social and architectural history of the building, from the lantern roof, side blocks, boiler house, large chimney to its exterior ornate features terracotta dressings. The tour also showed glimpses of the former pump room - a space that has never been open to the public.

“We’re pleased to be one of many partners working to give Jacobs Wells Baths a bright new future. By halting further damage to the building and getting important surveys done now, we hope our investment will give the project the best possible start”. Rebecca Barrett, South West Regional Director at Historic England

During the inspection, Corinne shared that "the emergency phase will prevent any further damage that may increase costs to future phases, and gives us the opportunity to carry out further investigations of the external fabric at height to give us greater cost certainty as we enter the main works phase. This is a great way to start such a major project and lay the foundations for the next planned steps.”

A newly appointed team have been appointed to deliver the first phase of the scheme, including Corinne and Sean Redmond of PH3 Design as well as Richard Ward and Rebecca Gloyn from Burke Hunter Adams.

The first phase of repairs are supported by £1m from the Department for Levelling Up, Housing and Communities’ (DLUHC) Community Ownership Fund, and £400,000 in match funding from local trusts including Nisbet Trust, the John James Foundation and other funders keen to support recovery efforts and revive the building.

The vision for Jacobs Wells is to develop and deliver a £4m regeneration scheme in keeping with the buildings dance heritage which will see the centre reopening as a vibrant community arts hub that will include much-needed youth provision and services.

This is another step in the right direction for Jacobs Wells whose future was uncertain at the start of 2023. Suport is still needed to ensure this space has a vibrant future. Head over to the Fundsurfer and give what you can and help revive this wonderful building.

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Protecting community Spaces

by sarah last modified 13/03/2024 11:22 AM
Trinity, Eastside Community Trust and Windmill Hill City Farm launch joint manifesto calling to protect shared spaces

Protecting community Spaces

by sarah last modified 13/03/2024 11:22 AM
Protecting community Spaces

Igloo

Trinity Garden Party

Trinity's Garden Party. Credit: Alistair Brookes

Trinity join Eastside Community Trust, Windmill Hill City Farm and 13 other organisations to call for urgent action to protect and enhance Bristol’s shared spaces.

The initiative calls for urgent measures to safeguard and improve Bristol’s shared spaces, which are currently under threat due to various challenges, including legislation facilitating council property sales to address budget shortfalls.

“Unfortunately, without changes to how decisions are made about community infrastructure, the future of those spaces will always be at risk. The suggestions we are putting forward will enable us to secure a brighter future for our much-loved community spaces" Steve Sayers, CEO of Windmill Hill City Farm

In a published manifesto we join others in calling for for several changes to ensure community buildings are appropriately valued. This includes:

  • Review the Community Asset Transfer (CAT) process, to enable more community organisations to consider this route.
  • Adopt a target and strategy for increasing the number of community owned assets, in line with the One City Plan.
  • Delegate leadership for community assets to a member of cabinet or committee, recognizing the sector’s role across council departments.
  • Delegate authority to officer level to award CAT leases, for 95 years, when these are up for renewal.
  • Include representation from Neighbourhoods and Committees in the CAT decision-making committees.
  • Create a framework for protection and disposal of council owned assets, including creating a new ‘community’ asset class which prioritises preservation of community spaces.
  • Implement a fair rent structure which recognises the social and investment benefits of community-owned assets.
  • Develop a capital investment strategy for organisations with CAT leases

How you can help:

  • Read the full manifesto here
  • Decisions makers, city and business leaders are invited to talk to us directly, understand more about the work we do and see how these changes could enable us to make a much greater impact across the whole city.
  • People of Bristol are invited to share their thoughts and feelings on what their local community space means to them, by writing on a ribbon or sharing a word, sentence or memory on social media using the hashtag #CommunityRoots.

The Community Anchor organisations who created the campaign and manifesto are:

  1. Eastside Community Trust
  2. Trinity Community Arts
  3. Windmill Hill City Farm
  4. Black South West Network (The Coach House)
  5. Lockleaze Neighbourhood Trust
  6. Knowle West Health Park
  7. Knowle West Alliance
  8. Southmead Development Trust
  9. Redcatch Community Garden Limited
  10. Ambition Lawrence Weston
  11. Bricks/St Anne’s House
  12. Artspace Lifespace
  13. St Werburghs Community Centre
  14. Filwood Community Centre
  15. Voscur
  16. Learning Partnership West

 

 

 

 

 

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Free creative courses for Young People

by sarah last modified 12/03/2024 02:29 PM
Find out more about about Speak Out Free creative workshops for young people

Free creative courses for Young People

by sarah last modified 12/03/2024 02:29 PM
Free creative courses for Young People

Speak Out - Image Credit: Alastair Brookes

Speak Out!

Speak Out Celebration 2023. Credit Alastair Brookes

Speak Out is a programme of free creative courses exploring ways in which creativity can be used to shine a light on Future Proofing (or, thinking about our impact on the planet), Neurodiversity and Injustice.

Delivered in partnership with City of Bristol College, Bristol Refugee Festival and Our Second Home, from Feb - June 2024 Trinity will host a series of workshops delivered by a professional artist or facilitator. The sessions will offer a supportive young people to develop creative and craft skills, be inspired by new ideas and build interpersonal and collaborative skills.

The programme was developed following an in-depth consultation with over 150 young people that took place in 2023. This included Trinity's CYP team visiting further education settings, schools, community organisations as well as an in-person event at Trinity.

Speak Out Programme:

Future Proofing – Students of City of Bristol College will explore their impact on the planet. Led by Carene, a sustainable fashion expert, the cohort will explore ways in which they can fight against fast fashion. Running Feb - Mar 2024

Neurodiversity - Kabbo Ferdinand, an African Indigenous storyteller and musician, and Natasha Gatward, an immersive performance artist and costume designer, invite 16 – 18 year olds to explore the ways in which movement and expression can explore Neurodiversity. Running April 2024.

Injustice – Hip-Hop artist Moyah, who has lived experience of the asylum system, will lead workshops for young people affected by the asylum system in order to create a performance piece addressing injustice. Running April 2024.

Speak Out Showcase: Young people who have taken part in Speak Out are invited to come together in celebration of their work at a showcase event at Trinity Centre. Each groups’ practitioners will be at the showcase to support the young people and to guide them through the experience of publicly sharing their art (17th June 6-8pm).

If you would like to sign up to the workshops please contact Liam, Youth Services Facilitator on liamc@trinitybristol.org.uk

 

Speak Out! Is supported by the We Move Fund: Youth Social Action aims to empower Black children and young people through Youth Social Action.


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In Conversation: Saláma Kefentse and All Ah Wi Women's Group

by <object object at 0x7fc3fa896580> last modified 06/03/2024 02:23 PM

In Conversation: Saláma Kefentse and All Ah Wi Women's Group

by <object object at 0x7fc3fa896580> last modified 06/03/2024 02:23 PM

 

As part of the celebrations for this year's International Women’s Day, we caught up with Saláma Kefentse from All Ah Wi Women's group ahead of their Saturday 09 Mar event at Trinity. Click here to find out more about Saturday's International Women's Day Celebrations at Trinity.

Q: Hi! Tell us a little about yourself and the All Ah Wi Women's group:

A: My name is Saláma and I started All Ah Wi Women's group last year under my brand name Just Love Hub.

The All Ah Wi Women's group is a space for all women, especially those from the Caribbean and African diaspora. The group offers a sense of sisterhood and freedom to be just as you are without the added titles of mum, daughter, sister, aunty etc. It's an opportunity to spend time focusing on their needs rather than the needs of others.

Q: Where did the idea of the International Womens Day event come from?

After a joint conversation with staff at Trinity the idea was offered for us host an event to celebrate International Womens Day. They offered this opportunity to us and as the women in our group possess such inspiring skills and talents it seemed a great idea to offer them the space to showcase what they can do and show how amazing they are.

The group was developed because we need to have a space to go to with women who looked like me and could relate to the ups and downs life throws at us, have a laugh, a cry and a moan without judgement. Be free to try new things and talk about topics that aren't typical but create awareness and are thought provoking.

Q: What can we expect from the event?

Expect great music from DJ Kissan and DJ Delicious, Essential oil 101 from spiritual healer Michelle Meridith and a workshop on 5 steps to overcoming childhood trauma with Author Carmen Carrol, hosted by the All Ah Wi Women's group.

Q: Why do you think celebrations like International Women’s Day are important?

Events like these give women the chance to shine a light for each other and be seen for who they are and what they do. It brings women together and shares good energy, healing and connection. We get to congratulate our sister's for their hard work and be inspired by them too.

Q: How can people get involved or help All Ah Wi Womens group?

The All Ah Wi Women's group is looking for volunteer session leaders to help organise and run the sessions and board members / trustees to start as a CIC to help with fundraising to bring the ideas these women have created to life.

The All Ah Wi Womens International Womens Day event is on 09 Mar 2024 from 10am – 3pm and features workshops from Michelle Meridith and Carmen Carol, music by DJs Kissan and Delicious and Podcasting form Keep It Real Podcast, click here to find out more.

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Vacancy: Citizens' Assembly Producer

by sarah last modified 06/03/2024 01:06 PM
Apply to join the team for the region wide 2025 Citizens' Assembly for culture

Vacancy: Citizens' Assembly Producer

by sarah last modified 06/03/2024 01:06 PM

Understory

Understory Mapping workshop. Photo Alastair Brookes

Title: Citizens Assembly Producer

Contract type: 12-month contract (with potential for extension) Freelance may be considered.

Reporting to: Citizens' Assembly Project Manager

Hours: Part time 2-2.5 days per week

Rate of Pay: £32, 000 - £34,144.50 (pro-rata)

Trinity Community Arts is seeking an experienced and dynamic Producer to collaborate with us and our partners, St Pauls Carnival, Citizens In Power and West of England Combined Authority, on the successful delivery of the 2024/5 Citizens’ Assembly for Culture.

This ground-breaking initiative aims to bring together citizens from across the region to meet with creative practitioners, cultural providers and decision-makers to shape the future of a cultural delivery plan for the region.

The Citizens' Assembly Producer  is a pivotal role that will successfully plan and oversee the delivery of the Assembly, drive a programme of engagement activities and events and work with the project partners to embed the methodology across the region to enable the planning and delivery of future citizens’ assemblies. ​

We recognise that this role is likely to be suited to candidates with either:​

  • experience of producing large participatory projects in or around the creative and cultural sectors; or ​

  • experience of working on citizens’ assemblies or other forms of deliberative or participatory democracy​

How to apply:

  • Download and read the recruitment pack here
  • Download and complete the application form here and email to info@trinitybristol.org.uk with "Citizens' Assembly Producer" in the subject line.
  • Complete our anonymous Equal Opportunities form here
  • Click here to download a word version of the recruitment pack

Please note we do not accept CV applications.​​

If having read this recruitment pack you would like to ask questions before making an application, then you are welcome to email info@trinitybristol.org.uk with any questions you may have.  ​

 

The closing date for receipt of applications is Tuesday 02 April 2024 at 5pm.

Interviews will be held week commencing 08 April 2024.​

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Opinion: Holding Onto Our Roofs When The Sun Ain’t Shining

by <object object at 0x7fc3fa896580> last modified 21/02/2024 04:30 PM
CEO Emma Harvey asks: In austere times, how do we retain and maintain community buildings?

Opinion: Holding Onto Our Roofs When The Sun Ain’t Shining

by <object object at 0x7fc3fa896580> last modified 21/02/2024 04:30 PM

Jacobs Wells Baths - Image Credit: Sam Prosser

Preserving and maintaining community spaces is proving increasingly difficult as local authorities grapple with continued budgetary pressures. Some local authorities are facing or have already issued Section 114 notices – which means expected income isn’t enough to cover expenditure. In response, the Government is considering making it easier for councils to dispose of publicly owned assets to cover rising costs of essential services. Financial news provider, Bloomberg, sets out how, “The move would mark a sharp relaxation of the current constraints, which prevent councils from using money from asset sales to meet budget pressures from day-to-day services without approval from the central government.”

"The choices we make now in response to the challenge of preserving civic and cultural infrastructure in the face of financial uncertainty is a decision that will have lasting consequences for future generations" Emma Harvey

Community groups and charities are collaborating to devise shared solutions to protect civic and cultural assets from disposal and loss; from volunteering to manage local allotments and raising money to invest in parks and play areas, to taking on ownership of local pubs or community buildings and developing their own Neighbourhood Plans.

Whilst there are individual success stories of spaces saved, the challenge lies in how we create a national community asset transfer approach that is replicable, scalable and sustainable. As Brendan Conway, a leading voice in community assets, sets out in a LinkedIn post at the start of the year; “we must not valorise small precedents that have hidden foundations and assume that they are replicable.”

The current model places communities under increasing pressure to do more, though they may not equally hold all the necessary resources to convert short-term passion into sustained success. Existing funding schemes tied to short-term political cycles overlook the complexities of such projects, which require a variety of factors to align. Passionate people who care will inevitably overcommit and inexperienced individuals will underestimate what’s necessary to sustain a recovery effort over time. Some communities may hold the aspiration, but struggle to channel the right energy, investment or efforts consistently and continually. Others may just be overwhelmed, fatigued, or disheartened from past failed efforts to save the things they’ve loved and lost. This could lead to an increasingly disproportionate distribution of social resources, unless we proactively lay the foundations required to enhance success rates equitably across the breadth of UK communities.

The solution as to how we preserve civic and cultural infrastructure amidst financial uncertainty requires a nuanced, adaptable and holistic approach. It’s a delicate balancing act that, if we fail to get right, will leave our communities of tomorrow without the infrastructure they need to allow our more diverse, more densely populated neighbourhoods to function. The more we embark on these ambitious, quirky, complex projects, the more we will see projects fail. Should sites revert back to local authority control at a point where resources and capacity has further depleted, this will only compound risk of future asset disposal, not least because now one might also point to how the community tried, but failed to make it work.

In Bristol, there are a number of organisations driving a community ownership movement and a more strategic approach to community asset management, such as Bristol’s Community Anchor Network who have launched a manifesto to ask for more targeted support and investment to protect the city’s social fabric. More widely, Platform Places are collaborating with councils, community asset managers and owners to repurpose vacant high street properties, whilst Locality are continuing to promote their #SaveOurSpaces campaign by launching a new “community power revolution” to place more power in the hands of communities.

The choices we make now in response to the challenge of preserving civic and cultural infrastructure in the face of financial uncertainty is a decision that will have lasting consequences for future generations. To ensure a resilient and culturally vibrant future for UK communities expanding in diversity and population density, we must adopt a nuanced, bespoke and holistic approach to the assets that underpin our daily lives; one that embraces all the complexities, personalities and idiosyncrasies of our changing social and cultural landscape. And we need to do that pretty soon, before we have no space left to fight for.

Emma Harvey, CEO Trinity Community Arts

#SoldFromUnderYou

#SaveOurSpaces

About this article

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Look Back: Models of Listening and Participation in Culture

by <object object at 0x7fc3fa896580> last modified 19/02/2024 05:00 PM
Reflections on taking part in Isto é PARTIS & Art for Change

Look Back: Models of Listening and Participation in Culture

by <object object at 0x7fc3fa896580> last modified 19/02/2024 05:00 PM

Isto é PARTIS & Art for Change 2024 - Image Credit: Carlos Porfirio

In January, Trinity participated in the Isto é PARTIS & Art for Change 2024 conference held in Lisbon, Portugal, shining a spotlight on the transformative potential of citizen-led approaches in the arts.

The Calouste Gulbenkian Foundation and "La Caixa" Foundation are actively working to platform and support the tangible impact of participatory arts initiatives, reshaping cultural dynamics, and fostering more just and cohesive communities. The conference served as a beacon for continued dialogue and action in the pursuit of a more inclusive cultural landscape.

Featuring panels exploring diverse methods of citizen involvement in cultural dynamics, Trinity Community Arts, represented by CEO Emma Harvey, emphasized the significance of creative community spaces in shaping cultural dynamics in the arts. Emma shared insights into Trinity's work managing the Trinity Centre as a publicly-owned civic arts space, alongside efforts to save another publicly-owned asset, Jacobs Wells.

Trinity shared a panel with Lara Seixo Rodrigues, Marta Silva, and Miguel Atalaia, highlighting examples of collaborative and citizen-led cultural activity, including the Largo Residências in Lisbon and the Bons Sons festival in Tomar. Bons Sons - akin to Trinity's annual Garden Party, the annual community festival involves the entire village coming together to deliver a celebration of music, culture and local pride—an inspirational example of true citizen empowerment.

Trinity's partner, Saad Eddine Said, Co-Director of the Citizens in Power initiative, delivered a keynote speech on avenues for active citizen-led decision-making. Trinity, in is working with Citizens in Power and St Paul’s Carnival, to develop a Citizen Assembly for Culture, supporting communities in the West of England Combined Authority to shape their cultural delivery priorities and plans – funded by Calouste Gulbenkian Foundation (UK Branch) and the West of England Combined Authority. The conference also highlighted Battersea Arts Centre’s social enterprise programme, The Agency, which uses a co-design model to support young people to unlock their creative potential.

This collaborative effort, led by The Calouste Gulbenkian Foundation, amplified initiatives that are unlocking the transformative power of citizen-led approaches in the arts. The Foundation's commitment to fostering partnerships between communities, creatives, and institutions, as showcased in the PARTIS & Art for Change initiative, exemplifies a forward-thinking approach to shaping the future of towns and cities. This conference facilitates key conversations and projects that contribute to the creation of more just, cohesive and culturally vibrant communities.

Further reading:

  • Read our blogs on creating a Citizens' Assembly for Culture 12, 3,  4 and 5
  •  

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    In Conversation: Subira Joy

    by <object object at 0x7fc3fa896580> last modified 13/02/2024 01:53 PM
    We spoke to performance artist Subira Joy ahead of their performance of Kill The Cop Inside Your Head at Trinity on 23 Feb

    In Conversation: Subira Joy

    by <object object at 0x7fc3fa896580> last modified 13/02/2024 01:53 PM

     

    Subira Joy is a spoken-word performer and activist, based in Brighton, UK. Their work weaves together the personal and political, through experiences and imaginations, spoken with rage, softness, and laughter. Ahead of their performance of 'Kill The Cop Inside Your Head' at Trinity on 23 Feb, we spoke with Subira about the themes underpinning the performance, the influence of their queer identity, the Edinburgh Fringe Festival, and much more.

    Please introduce yourself and share a little about how you got into performance arts.

    Hi, my name’s Subira, I’m a spoken word performer, writer and artists and I got into performing through the spoken word and poetry scene, and made my way into the queer theatre scene in Brighton.

    What was the inspiration behind Kill The Cop Inside Your Head?

    The phrase Kill The Cop Inside Your Head shows up in activist circles often, and I found myself going over and over this phrase in my head and thinking about police, police violence and oppression, and the way that it impacts particularly Black and queer, Black and trans communities and how we learn to police ourselves.

    How has your queer identity helped shape this work?

    My identity of being queer, being trans and being a mixed Black person definitely shaped the work insofar as I’m really speaking from my experience as an over-policed body. I think I’m interested in how those of us who live at the intersections of marginalised identities are specifically impacted.

    "I’m interested in how those of us who live at the intersections of marginalised identities are specifically impacted" - Subira Joy

    What are some of the themes that you explore in the performance?

    So one of the themes that comes up in my performance is that of ancestral technologies. I’ve collaborated with some incredible people throughout the process of making this, one of those people was Cole Alvers, who was generous enough to share that language of ancestral technologies and really looking at the way that we can reach back through our ancestries and heritages to find tools to resist the oppression and policing that we’ve taken in. That’s featured a lot in my work – looking backwards to find the tools to move forwards.

    What was it like taking your performance to the Edinburgh Fringe Festival?

    It was a really brilliant experience taking my show to the Edinburgh Fringe Festival. I was supported by Eclipse, a cohort of Black and queer performers, which was brilliant as I think oftentimes Edinburgh can be challenging for artists of colour, but actually I was really supported and had a lot of great people around. I was also supported by my twin because I had recently broken my ankle and couldn’t do a lot of the dancing and physicality which is in the show, so they came through and we reimagined the show for the two of us, and I had a lot of fun with that.

    What can audiences expect from Kill The Cop Inside Your Head?

    Audiences can expect powerful imagery, poetry, dance, movement and fruit, so come through!

     

    Click here to get your tickets to 'Kill The Cop Inside Your Head' at Trinity on 23 Feb.

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    Activities for Children and Young People this Half Term

    by <object object at 0x7fc3fa896580> last modified 12/02/2024 10:58 AM
    See What's On at Trinity this half-term for Children, Young People and Families

    Activities for Children and Young People this Half Term

    by <object object at 0x7fc3fa896580> last modified 12/02/2024 10:58 AM

    Movema Easter Workshop - Image Credit: Alastair Brookes

    This half-term at Trinity, we've got an incredible week full of activities for children, young people and families to get involved with.

    Tuesday 13th Feb - The Neighbours Upstairs: Sensation! (Ages 6-10)

    On Tuesday, we've got a multi-sensory activity storytelling experience for 6-10 year olds, exploring sound, sight, smell taste and touch through lots of curious contraptions made to capture the imagination, with the story of the Neighbours Upstairs guiding us through this 90 minute experience. There are three events throughout the day, at 10am, 12pm and 2pm. This is a free event, click here to find out more.

    Wednesday 14th Feb - Music Masterclass: Crack Magazine (Ages 16-25)

    Our Music Masterclass series continues on Wednesday we have invited Femke and Louise from Crack Magazine to deliver November's Music Masterclass. The workshop will consist of a insight into running a music magazine, personal reflections and time for questions. Music Masterclasses are our series of regular workshops and lectures, inviting top professionals from the music industry to Trinity to share their knowledge and experience, and help highlight entries into the music industry for young people. Sign up is free, click here to find out more.

    Friday 16th Feb - Igloo (Ages 0-3)

    Igloo is a non-verbal, playful experience filled with warmth, sensation and gentle exploration, suitable for babes in arms and pre-schoolers aged 0-3 accompanied by their carers. As part of each performance there will be a facilitated play session. The performance is non-verbal, but the play session contains some words. Audience members will also be given an Igloo picture book and other creative ideas to enable families to continue with creative play at home. Click here to find out more.

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    Vacancy: Finance Manager

    by <object object at 0x7fc3fa896580> last modified 20/02/2024 10:30 AM
    Join the Trinity team

    Vacancy: Finance Manager

    by <object object at 0x7fc3fa896580> last modified 20/02/2024 10:30 AM
    Vacancy: Finance Manager

    Ends and Tales: Duppy Hunter

    Kamal Trinity

    Kamal photo credit Gemma Ordish

    Contract type: Permanent ​

    Job Title: Finance Manager ​

    Responsible to: Deputy CEO ​

    Team: Middle Management​

    Direct reports: Finance Officer​

    Hours: Full time (part time considered)

    Rate of Pay: £35,000-£39,000 TBD (depending on experience) ​

    Annual Leave: The holiday year runs from April to March. ​Full-time employees of Trinity are entitled to 21 days paid annual leave plus bank holidays, based on 37.5hrs/5-day working week. Entitlement will be calculated on a proportional basis in accordance with your hours and duration of contract. ​

    About the role

    We are looking to appoint an ambitious and self-motivated Finance Manager. Working closely with Trinity’s Leadership Team, you will play a key role in helping Trinity to strengthen organisation resilience and deliver against its charitable objectives.  ​

    The role will require someone who is willing to work flexibly and independently. You will have a background in finance, qualification/accreditation in relevant field e.g. ACCA/CIMA or equivalent, confident and able to adapt your skills, whilst managing two critical finance functions, Trinity’s trading and charitable subsidiaries. ​​

    We recognise that not everyone is able to work full-time. As such, we are happy to consider flexible working arrangements including flexible start/finish times or compressed hours​

    How to apply

    • Download the job information pack here
    • Download and complete an application form by visiting here and email to info@trinitybristol.org.uk with "Finance Manager " in the subject line.
    • Complete our anonymous Equal Opportunities form here.

    Please note we do not accept CV applications.​

    This position will be advertised until a suitable candidate is identified.  Our approach to this hiring process is to identify the most suitable candidate; ensuring that we select an individual whose skills, experience, and values align with our needs.

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    Celebrating Windrush

    by sarah last modified 02/02/2024 10:22 AM
    Celebrating the stories of the Windrush generation through a year long programme of creative activity

    Celebrating Windrush

    by sarah last modified 02/02/2024 10:22 AM
    Celebrating Windrush

    St Paul's Carnival Film Screening - Image Credit: Donovon Jackson

    Festus market

    Festus Market. Photo credit: KoLAB Studios

    Throughout 2023, we celebrated the 75th Anniversary of Windrush through our community arts programme. Working with key partners including St Paul’s Carnival, Ujima Radio, Eastside Community Trust and the Malcolm X Centre, we created a community-led project to celebrate the communities who moved to Bristol during the 1950s and to give voice to Caribbean elders' experiences, resilience and memories.

    "I had wicked fun. When are you doing it again?" Feedback, Festus

    In partnership with Tamasha Theatre and Coney, we supported the creation of 'Duppy Hunter', an audio adventure set on the streets of St Paul’s. The script was developed during the summer of 2023 with the support of current and former St Paul’s residents and members of Malcom X elders. The listening experience went live in October to coincide with Black History Month. We organised a special listening party in November for the Malcolm X Elders who were unable to experience the walking tour due to their access needs.

    In partnership with Eastside Community Trust, we programmed a screening of 'Barrel Children' at Easton Community Centre. The film explores the challenges of Black families separated by migration during the Windrush era.

    In December, we hosted 'Festus' - an all-day event celebrating Caribbean/Black British culture. During the day we open the door for an indoor craft market led by Black traders and invited acclaimed, locally-based poet, Zaykia Mckenzie to perform to traders and visitors. Alongside this, Ofeila Balogun from Irie Dance Company led a Caribbean/African dance workshop.

    As part of the evening's celebrations we screened 'Inna Wi Carnival', a documentary film commemorating the role of Bristol’s Caribbean elders in establishing the first St Paul’s Carnival. This was followed with a quiz, party games, dance floor 'foolery' and a performance by rapper/spoken word artist Jonny Steel.

    Across the year the project connected with over 500 people - using arts and entertainment to share, explore and celebrate the history and experiences of the Windrush generations in Bristol. Due to the success of the Festus market, we will be working with stakeholders to bring additional events in 2024 - watch this space.

    National Lottery community fund

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    Celebrating Independent Venue Week

    by <object object at 0x7fc3fa896580> last modified 30/01/2024 01:28 PM
    Independent venues in Bristol and their vital contribution to the local music scene

    Celebrating Independent Venue Week

    by <object object at 0x7fc3fa896580> last modified 30/01/2024 01:28 PM

    Bristol's Idles filmed their video in independent venues

    Trinity is proud to be an grassroots music venue and this Independent Venue Week Marketing Assistant, Sam Prosser, shines a light on some of the other brilliant independent venues the city has to offer and how gig-goers can support the venues in Bristol.

    Strange Brew

    Strange Brew, located on Fairfax Street in Central Bristol, is one of the city’s newest independent venues. Having opened in September 2020, Strange Brew has quickly become of the city’s key locations for DIY bands and promoters, providing an eclectic mix of club nights, gigs, exhibitions and talks. We’re very excited to be bringing Bristol’s own Waldo’s Gift to Strange Brew on 02 March as part of our in-house music programme, Trinity Presents.

    The Louisiana

    The Louisiana is a 140-capacity, family-run venue that takes pride in putting on the best musicians from Bristol and beyond for the last 35 years, becoming a vital space for emerging artists, as well as hosting some of the UK’s biggest artists in their early years, such as Coldplay, Muse and Idles. The Louisiana is now a key part of Bristol’s music scene, as part of Dot To Dot Festival and Harbour Festival.

    Exchange

    Located a stone’s throw from Trinity at the bottom of Old Market, Exchange is a Community Benefit Society focused on supporting a wide range of musical projects and creative endeavours. Exchange opened it’s doors as a Live Music / Club Venue in August 2012. Since opening they have played host to a wide array of artists including The 1975, Haim, Four Tet and many more.

    How you can support independent venues:

    It’s never been more important to recognise the massive contribution of independent venues and their role in the music scene. 2023 was the UK’s worst year for venue closures, with Music Venues Trust reporting that 125 grassroots venues closed over the last 12 months. More than ever, it is vital that we recognise and support the independent music venues that contribute so much.

    Buying tickets directly from venues: By buying tickets directly from a venue’s website, or from a local ticketing platform, you are ensuring that a higher percentage of the ticket price goes directly to the venue, supporting their operational costs and staff. In addition to this, early ticket purchases also make a significant impact, providing venues with crucial upfront revenue and helping them plan and execute events seamlessly.

    Supporting venues through bar sales: Bar sales are one of the primary sources of income for independent venues, so make sure you get down early and buy a drink or two to support your favourite venue. Choosing to enjoy refreshments at the venue, whether it be a locally brewed pint or a signature cocktail-for those who don’t drink, there’s never been more options for non-alcoholic drinks, with many venues providing a wide range of alcohol-free drinks.

    Spreading the word: Many venues depend on word-of-mouth support to promote their events. Without the substantial marketing budgets of larger venues, it is crucial to actively express your support for your favourite independent venues. Sharing photos online and telling your friends about your favourite shows at local independent venues  boosts their visibility and can act as a vital lifeline for these independent establishments.

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    Music Sessions for Young People

    by <object object at 0x7fc3fa896580> last modified 26/01/2024 04:36 PM
    Find out more about our 1-2-1/ small group sessions for young people

    Music Sessions for Young People

    by <object object at 0x7fc3fa896580> last modified 26/01/2024 04:36 PM

    Next Gen

    Image Credit: Alastair Brookes

    As part of our Children and Young People's programme we offer one to one or small group (up to three people) music sessions for young people aged 11-25yrs. These sessions are tailored to help young people develop skills, build confidence and support to take their next steps, whether it be to access further music-making provision or to re-engage with the educational system.

    We work with professional music tutors who use a trauma informed approach to support young people to identify the areas they are interested in exploring in the sessions. This could involve anything from learning guitar or piano to recording an original rap track. Tutors facilitate and encourage young people to express themselves in whatever way they feel inspired to.

    ‘I love coming here, it’s a home away from home’ - Feedback, young person, 1-2-1 sessions

    Sessions take part in our fully equipped studio rooms. Our live rooms feature two drum kits, a large electric piano and a collection of bass, electric and acoustic guitars. Our digital studio allows young people to access synthesisers, drum machines and a professional level microphone set up for recording, ideal for vocalists or those interested in music production. Both studios are capable of making high quality recordings which can be shared with the individual (or group) at their request.

    If you are supporting a young person who would benefit from accessing our music provision please contact the Children and Young Peoples team for further information including prices for sessions on info@trinitybristol.org.uk.

    These sessions are supported through funding from NIMBUS Sounds, a partnership between Creative Youth Network (CYN), Aspiration Creation Elevation (ACE), Basement Studios and Trinity Community Arts.

     

    LOGO

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    In Conversation: Waldo's Gift

    by <object object at 0x7fc3fa896580> last modified 26/01/2024 01:08 PM
    We spoke to Bristol experimental Jazz trio Waldo's Gift ahead of their show at Strange Brew on 02 Mar

    In Conversation: Waldo's Gift

    by <object object at 0x7fc3fa896580> last modified 26/01/2024 01:08 PM

    Waldo's Gift - Image Credit: Khali Ackford

    Ahead of their Trinity Presents show at Strange Brew on 02 March, we sat down with Bristol experimental trio Waldo's Gift to chat influences, improvisation, what's next for the band, and much more.

    How did you guys meet and form Waldo’s Gift?

    James: You two met at university, and we all met at a jam and we got together and made music for ages.

    Alun: We formed for the residency at the Gallimaufry. So our first five years of being together was playing every week to an audience, which was pretty special.

    For those who don’t know, how would describe your sound?

    Alun: I’ve heard our sound described in a cornucopia of ways, but I would say it’s not math, and not jazz. Maybe that’s the genre; not-math-not-jazz.

    James: It’s weird

    Harry: I like to think it’s a cross between Flying Lotus and Mahavishnu Orchestra.

    Alun: It’s modern music, it’s genreless, we draw from everything.

    James: Let’s remove all the labels – label-free.

    Who are some artists that have influenced your music?

    Harry: Flying Lotus, Aphex Twin, Olivier Messiaen, Johnny Greenwood.

    Alun: Sergei Rachmaninoff, the Russians in general.

    What do you think it is about Bristol’s music scene that sets it apart from other cities?

    Alun: It’s small and dense.

    James: The city’s big enough to support a unique blend of different styles, but it’s small enough to harbour a community and for you to really feel that sense of belonging.

    Alun: The perfect place to go and start a band, which is what we did.

    James: Yep, cheers Bristol

    Alun: I think it’s the amount of stuff going on in a small space. It has pros and cons but lots of lovely stuff burgeoning, frothing, bubbling all the time.

    What role does improvisation play in your creative process?

    James: A large role, a non-negliable role.

    Alun: Improvisation is at the heart of our creative process, because we used to do entirely improvised gigs, because of our residency improvising every week, and it formed our sound that we have now responded to and we have now tried to sculpt it.

    Harry: And monetize it.

    Collaborating with other artists seems to be an important part of your music – which artists would be your dream collaboration?

    Harry: Sergei Rachmaninoff

    Alun: For me, dream collaborator, The Punch Brothers or Chris Heel. Amazing progressive bluesgrass band. It’s them or Johnny Greenwood.

    James: A gig that I saw recently that really moved me was Christine And The Queens at Glastonbury, it wouldn’t be just a musical collaboration it would be theatrical, visual, everything collaboration.

    On the topic of collaboration, we’ve been enjoying your Beat Tape collaboration videos on Instagram – what was the idea behind them?

    James: Thanks! The idea behind them was, because we improvise them a lot, we’re actually very lucky and gifted because we can make a lot of music in a very small amount of time, and what if we played the social media game and created a lot of songs in a very small amount of time, ie one day, record them all and give them out to the world over a large period of time and really encourage collaboration with people and see how other people could augment those arrangements in an online digital context.

    Harry: And to make some bangers

    James: And to serve the algorithm...

    What’s next for Waldo’s Gift?

    Alun: Album. Tour. Another album. Another tour. We’re going abroad. We’re going to places. We’re growing.

    James: Building on the foundations of friendship that we already have.

     

    Waldo's Gift will be performing at Strange Brew on 02 March as part of our in-house music programme Trinity Presents - click here to get your tickets.

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    Coming up: Theatre and dance this Spring

    by sarah last modified 25/01/2024 02:08 PM
    Get involved with theatre and dance at Trinity

    Coming up: Theatre and dance this Spring

    by sarah last modified 25/01/2024 02:08 PM

    We are excited to launch our Spring Theatre and Arts programme at Trinity that offers audiences an exciting exploration of themes around counterculture and alternative lifestyles, queer untold stories, creative play and the power of movement.

    The programme kicks off with Igloo on 16 Feb. Igloo is a non-verbal, playful theatrical experience filled with warmth, sensation and gentle exploration, suitable for babes in arms and pre-schoolers aged 0-3 accompanied by their carers. As part of each performance there will be a facilitated play session. The performance is non-verbal, but the play session contains some words. Audience members will also be given an Igloo picture book and other creative ideas to enable families to continue with creative play at home. Igloo is originally a Travelling Light and Bristol Old Vic co-production. Spaces are very limited, click here to sign up.

    Later in February, on 23 Feb, we have Kill The Cop Inside Your Head, a theatre piece from spoken word and performance artist Subira Joy, exploring their experiences of being targeted by the police as a Black, queer and trans person in the UK. Combining striking visual imagery with powerful language, this new work examines the impact of the police in our communities and how we internalise their role to repress and suppress ourselves into submission. This is a rescheduled event, originally scheduled for November 2023. Click here to get your tickets.

    Full Bloom Festival of dance for and by older people returns to Trinity on 16-17 Mar. Throughout the day, participants can take part in artistic workshops and dance performances including matinee and evening performances showcasing the work of Gerry's Attic Dance Company, a resident dance company who run weekly sessions at The Trinity Centre. Click here to get your tickets.

    Closing out our Spring Theatre and Arts season, we have Roadside on 05 April, a solo theatre show inspired by interviews with roadside dwellers across the South West and drawing on the musical history of this new traveller community, from festivals to free parties, to songs around the fire. Click here to get your tickets for Roadside.

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    Invitation to tender: Architect-Led Design Team

    by sarah last modified 26/01/2024 11:56 AM
    Tender open for the Jacobs Wells Baths Project

    Invitation to tender: Architect-Led Design Team

    by sarah last modified 26/01/2024 11:56 AM
    Invitation to tender: Architect-Led Design Team

    Jacobs Wells Baths

    Jacobs Wells Baths

    Jacob Wells Baths photo Sam Prosser

    We are inviting tenders from relevant specialists to provide an Architect-Led Design Team for the 'Save Jacobs Wells Baths Capital Project'. This should include the following: architect services delivered by an architect accredited in building conservation (AABC/ RICS or similar) either as lead or as a consultant, mechanical & electrical consultancy, and structural engineering consultancy (including civils).

    The team will be integral to delivering Phase 1 of a 2 phased project to repair and reopen Jacobs Wells, a Grade II Listed Building in Hotwells. Phase 1 will include the main hall and South Wing access as well as urgent works to the roof generally and in the North Wing .It is anticipated that this phase will bring the greater part of the building back into beneficial reuse and result in a financially sustainable operation, whilst Phase 2 will bring all the remaining areas back into use and enhance overall sustainability and viability.

    Built in 1889 to serve the working poor, Jacobs Wells in the Clifton & Hotwells Conservation Area is a building that holds within its walls a wealth of architectural and social heritage - from its time as a public swimming bath to its 30-year history as a dance hub. Sadly, the building’s future came under threat in December 2022, when plans to reinstate an indoor pool and convert into a leisure facility fell through.

    Following an appeal to secure the future of building, backed by community stakeholders and Bristol City Council we have to date, secured over £1.4million from the DLUHC Community Ownership Fund (COF), John James Foundation, Bristol-based Nisbet Trust and match funders to bring the building back into beneficial public use. You can read about the mission to save Jacobs Wells here.

    Tender information

    1. Please read the tender information pack here
    2. Supply the following information in your proposal(including subconsultants):
    3. Methodology of how you would approach the project (20%)
    4. Details of who will be working on the project, including their experience, e.g. CVs (10%)
    5. Estimated fee outline; showing your daily rate, number of days spent on each task, and including all fees and expenses (60%)
    6. Three relevant examples of similar work / Two client references (10%)
    7. Details of Professional Indemnity and Public Liability Insurance
    8. A Form of Tender (see Appendices 4.1)
    9. Send your proposals to toby.hitchins@greenwoodprojects.com. Any questions about the brief, or requests for further information or documentation, should also be sent to this email address. If you intend to tender please register your interest this address in order to ensure that you receive a schedule of queries and responses as they arise.

    Site visits:

    Deadline for proposals: Monday 12th February 2024, 9am

    Appointments confirmed: w/c Monday 4th March 2024

    Funded by the UK Gov Logo

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    Invitation to tender: Project Manager & Quantity Surveyor

    by sarah last modified 30/01/2024 11:59 AM
    Tenders sought for heritage building restoration

    Invitation to tender: Project Manager & Quantity Surveyor

    by sarah last modified 30/01/2024 11:59 AM
    Invitation to tender: Project Manager & Quantity Surveyor

    Jacobs Wells Baths

    JWB

    Jacob Wells Baths photo Sam Prosser

    We are inviting tenders from relevant specialists to provide Project Manager & Quantity Surveyor services for the ‘Save Jacobs Wells Baths Capital Project’.

    The team will be integral to delivering Phase 1 of a 2 phased project to repair and reopen Jacobs Wells, a Grade II Listed Building in Hotwells. Phase 1 will include the main hall and South Wing access as well as urgent works to the roof generally and in the North Wing .It is anticipated that this phase will bring the greater part of the building back into beneficial reuse and result in a financially sustainable operation, whilst Phase 2 will bring all the remaining areas back into use and enhance overall sustainability and viability.

    Built in 1889 to serve the working poor, Jacobs Wells in the Clifton & Hotwells Conservation Area is a building that holds within its walls a wealth of architectural and social heritage - from its time as a public swimming bath to its 30-year history as a dance hub. Sadly, the building’s future came under threat in December 2022, when plans to reinstate an indoor pool and convert into a leisure facility fell through.

    Following an appeal to secure the future of building, backed by community stakeholders and Bristol City Council we have to date, secured over £1.4million from the DLUHC Community Ownership Fund (COF), John James Foundation, Bristol-based Nisbet Trust and match funders to bring the building back into beneficial public use. You can read about the mission to save Jacobs Wells here.

    Tender information

    1. Please read the tender information pack here
    2. Supply the following information in your proposal:
      1. 60% - Fee based
      2. 20% - Methodology
      3. 20% - Details of Professional Team (experience/EDI info))
      4. Details of Professional Indemnity and Public Liability Insurance
      5. Send your proposals to sarah@trinitybristol.org.uk with ‘Jacobs Wells Baths Proposal’ in your subject header

    Site visits:

    Deadline for proposals: Tuesday 6th February 2024, 9am

    Appointments confirmed: w/c Monday 4th March 2024

    Funded by the UK Gov Logo

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    Investment in culture for the West country

    by sarah last modified 08/01/2024 03:36 PM
    Trinity are key delivery partners in new South West initiative

    Investment in culture for the West country

    by sarah last modified 08/01/2024 03:36 PM

    Community stakeholders take part in Understory a digital mapping session by Onion Collective and Free Ice Cream. Photo credit: Trinity Community Arts/Alastair Brookes

    A £3.1million investment package has been secured by Mayoral Combined Authority from Arts Council England and match funders to deliver a two-year programme that will open up the creative sector to more diverse talent, to create opportunities for more communities take part and create arts experiences and build a resilient sector that will drive economic growth in the West of England.

    'Culture West' will include the creation of a citizen-led cultural delivery plan for the West of England region in 2024 through our Citizens' Assembly project that we developed in collaboration with St Paul's Carnival and David Jubb (Citizens in Power).

    The Citizens' Assembly pilot took place in 2023 and was funded by the Celeste Gulbenkian UK Branch. As part of the partnership project, we delivered a series of exploratory workshops that included inviting South West residents to take part in sessions. The pilot project has helped shape the delivery for the 2024 project region-wide Citizens' Assembly.

    Alongside the Citizens' Assembly. 'Culture West' will also offer support for creative professionals, mentoring and business advice, commissioning new festivals and offering industry-led skills training. The project will also see the region's schools have increased access to inclusive cultural experiences, with support for museum and theatre visits, artist residencies, and skills sharing.

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    £1m investment means we're one step closer to saving Jacobs Wells

    by sarah last modified 22/12/2023 01:32 AM
    The investment from Department for Levelling Up, Housing and Communities Community Ownership Fund will help to deliver plans to revive the space

    £1m investment means we're one step closer to saving Jacobs Wells

    by sarah last modified 22/12/2023 01:32 AM
    £1m investment means we're one step closer to saving Jacobs Wells

    Jacobs Wells Baths

    Jacobs Wells Baths

    Amy Hutchings, with the support of Anna Haydock-Wilson, created a bespoke artwork for Jacobs Wells as part of the Fundsurfer appeal. Photo: Alastair Brookes

    Thank you Bristol - we wouldn't have achieved this milestone without you!

    Jacobs Wells – formerly known as Bristol Community Dance Centre in Hotwells – is one step closer to being revived in 2025 following a £1,050,000 grant from The Department for Levelling Up, Housing and Communities’ (DLUHC) Community Ownership Fund. The investment will help to deliver plans developed in response to a community campaign to transform the derelict space into a vibrant community arts hub.

    Since the start of 2023, the race has been on to save the Grade II listed building following news that Bristol City Council had listed the asset for disposal. Backed by community stakeholders including Hotwells & Cliftonwood Community Association, artists and local councillors, we set out on a mission to raise the funds needed to repair and restore the building.

    "This is another massive step in a hugely ambitious recovery effort and the Trinity Board would like to extend our huge thanks to DLUHC, match funders and supporters for sharing our vision." Trinity Trustee Dr Fidel Meraz

    This latest investment builds on Bristol City Council's 35-year Community Asset Transfer offer to Trinity and ongoing survey work funded by Nisbet Trust and match funders to assess and scope the repairs scheme and undertake emergency measures to stop further damage.

    The grant from DLUHC matches over £400,000 pledged in support of the project from local funders Nisbet Trust, John James Foundation and match funders including individuals who have been donating to an online Fundsurfer appeal.

    The journey so far...

    The Grade II Listed building has sat dormant since 2018 and faced an uncertain future at the start of 2023 when plans to reinstate it as a pool fell through. A petition was launched to save the building by the Hotwells & Cliftonwood Community Association, with the help of Trinity and it was subsequently listed as ‘At Risk’ by SAVE Britain’s Heritage due to its dilapidated condition.

    We are actively progressing detailed surveys to the fabric of the building to assess the building’s condition and viability; this includes essential surveys to scope and cost works to inform decision making and capital-works. Subject to these, Trinity’s vision is to secure an estimated £4 million for a two-phased capital project and bring the building back into use in 2025 as a home for dance and community activity. See more about our plans, here.

    Trinity Trustee, Dr Fidel Meraz who has been working with staff and community supporters to drive the appeal said:

    "We want to take this opportunity to share a heartfelt thank you to all who contributed to the mission so far. From the encouraging letters from residents to the dedicated volunteers who generously shared their time to help campaign to restore the building, your support has been invaluable. We wouldn't have achieved this milestone without each one of you."

    Dan Norris, Metro Mayor who recently visited Jacobs Wells for a behind-the-scenes tour said:

    “Jacobs Wells Baths is full of potential, and I know many local people are really behind getting this building restored and opened again for the benefit of the community. I’m delighted that the hard work of Trinity Community Arts has paid off to secure this cash.

    "As I’ve seen when I looked around, there’s a lot to do to before Hotwells residents can enjoy this facility again, but the potential is amazing. This is another important step on the journey.”

    “Each step in this journey paves the way for the next and this latest grant from DLUHC brings us ever closer to building's revival. Its success is still very much dependent on your support - we invite you to join us and show you care by giving to our Fundsurfer". Emma Harvey, CEO

    Councillor Craig Cheney, Deputy Mayor for Finance, Governance, Performance, and Culture, Bristol City Council said of the news:

    “It was brilliant to see the new artwork at Jacobs Wells Baths last month, after we awarded a 35-year Community Asset Transfer lease in July to bring the Grade II listed site back to life.

    "Congratulations to everyone at Trinity for securing this major £1 million investment in Jacobs Wells Baths. We hope that it will be a giant leap on the journey to delivering a thriving community arts hub.”

    Our CEO Emma Harvey said:

    “The success of a project like this is less about one thing and more about overcoming a series of interconnected challenges - from addressing immediate liabilities and securing funding to galvanising support from local stakeholders, alongside showing that the building has a long-term, viable future.

    “Each step in this journey paves the way for the next and this latest grant from DLUHC brings us ever closer to building's revival. Its success is still very much dependent on your support - we invite you to join us and show you care by giving to our Fundsurfer".

    Read more about the Community Ownership Fund here.

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    Thanks For Your Support

    by <object object at 0x7fc3fa896580> last modified 14/12/2023 04:05 PM
    How your support has helped us in 2023

    Thanks For Your Support

    by <object object at 0x7fc3fa896580> last modified 14/12/2023 04:05 PM

    Garden Party: Voyages - Image Credit: Alastair Brookes

    Thank you to everyone who has donated to Trinity and supported the work we do - your support throughout 2023 has enabled us to uphold our values to respond, amplify, and empower communities through arts and culture.

    This year, with your support, we have taken the first steps to shape a new future for Jacobs Wells Baths, the Grade II former dance centre in Hotwells, in which we are driving a collective vision to restore and reopen the space for this and future generations.

    As part of our children and young peoples programme we created pathways for some of the youngest members of the community to take part in creative provision, through free-to-access sessions for children such as Carnival Dance workshops with Movema, summer garden sessions, and music-making workshops for ages 16-25.

    With the support of the Heritage Lottery Fund we uncovered 100 years of radicalism in Bristol, creating an interactive timeline and publishing a book about Bristol’s history of activism, through oral testimonies and first-hand accounts from people who were part of, and shaped by, protest movements in Bristol. These testimonies are part of our online archive.

    We programmed a diverse range of arts and music as part of our in-house programme ‘Trinity Presents’, offering a platform for local up-and-coming artists and collectives such as RepresentAsian, as well as putting on shows with legendary artists such as Donae’o. We welcomed over 3000 people to our free community Garden Parties over the summer, programming a range of activities with the community in mind, as well as platforming a number of incredible local artists, bands and DJs.

    In collaboration with Tamasha Theatre Company and Coney we created an interactive theatre piece ‘Duppy Hunter'. The piece was inspired by the stories shared by residents of St Paul’s during workshops within the community, in which participants reminisced over the old shops, nightlife, community movements and music which filled their younger years, which informed the narrative of Duppy Hunter.

    As part of our Communities and Neighbourhoods programme we have been collaborating with organisations and the neighbourhood surrounding Trinity to celebrate and build the social connections within our locality. We linked with Onion Collective to create a digital map of unseen community connections, we supported communities who may be traditionally underrepresented to host community led events, from a regular Equality Dance event to a disco for the over 55’s to a celebration of Caribbean and Black British Culture in Festus Market and Party.

    We're really excited for 2024, where we'll continue using the arts to celebrate and connect with local communities. We hope you can join us too!

    Thanks for your support this year – we couldn’t do it without you.

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