St Pauls Carnival Panel Discussion at Glastonbury Festival 2024 - Image Credit: Khali Ackford

Trinity is committed to creating ways in which citizens can take an active role in shaping arts and culture. As part of this commitment we are connecting with leading voices in the cultural sector to ask them to share their thoughts on the different civic and democratic tools that we as citizens can access. In the second in our series of opinion pieces exploring civic participation LaToyah McAllister-Jones, Executive Director of St Pauls Carnival, reflects on her experiences of using various tools to facilitate democratic decision-making.

Opinion: Voices in Decision-Making, LaToyah McAllister-Jones

I have always been attracted to work and play that enables people to have a voice. To be heard. After years of working with marginalised groups, from managing accommodation services for street homeless people to community organising in Hackney, I have developed an interest in the right to influence decisions being made about our lives.

One of the most interesting things about leading a community arts organisation is just how integral the community is to our work. St Pauls Carnival CIC is merely a custodian for the iconic event; we provide a stage and the community fills those spaces. Carnival celebrates African Caribbean talent in St Pauls and beyond as well as our culture and heritage. Our communities continue the traditions of our ancestors using music, dance and storytelling to share lived experiences and connect to our heritage. This is one of the most important things about our event: it allows us to tell our own stories, in our own words, using our voices.

In 2021, I was asked by Involve to facilitate   Bristol City Council's Citizens’ Assembly supporting policy development in housing, health inequalities and transport as the city emerged from Covid. The process was new to me, and I loved the way it cut through many of the challenges that we often come up against when engaging communities:

• Participants are randomly selected, and usually aren’t experts in the central assembly topic. There is a process to ensure that all participants are able to meaningfully contribute to the discussions, and this is critical to the success of an assembly.
• The process seeks to facilitate consensus, rather than debate which tends to have a winner and a loser.
• Participants are encouraged to explore what their real priorities are and what they might be prepared to forego for those priorities.
• Assemblies bring together a diverse range of people who you wouldn’t necessarily find together in a traditional social setting. This creates an opportunity for vastly differing viewpoints to be heard and influence how others participants might think about a topic.

St Pauls Carnival are currently delivering a Citizens’ Assembly for Culture in partnership with Trinity Community Arts, Citizens In Power and West Of England Combined Authority. The idea developed just as we were coming out of the pandemic and thinking about the lessons learnt; particularly the role of community. Together, we were curious about what it would look like to use the assembly process - democratic, person-centred and thinking about strengths of a place, its people and its assets - to reimagine what the cultural offer could look like in the South West region.

Democratic decision-making allows citizens to actively contribute to the discourse that shapes their communities. We also believe culture is experienced by everyone, in many different ways, and everyone should be able to access the culture that represents them. If this is to be the ambition, it is vital that we put people at the centre of that process. This means understanding how people experience culture, what it means to them and, as cultural leaders, asking ‘how can we reflect this in our approach and programming?’

The new Labour Government expressed an interest in the use of Citizens’ Assemblies earlier this year, and the format has been used to unpack challenging issues like abortion in Ireland. The South West region is already embedding this approach into how we speak to our communities, and we are at the forefront of using assemblies to understand how we deliver for everyone, and not just those who can afford it or who have easy access to culture.

Our Citizens’ Assembly for Culture project offers an exciting opportunity to create a new approach to engaging people in the cultural life of a place. The Assembly will take place in Spring 2025 as a central programme within Culture West, funded by the West of England Combined Authority and Arts Council South West. The recommendations coming from this Assembly will become part of the regional approach to delivering a citizen-led cultural offer.

Find out more about the Citizens' Assembly for Culture project:

• Read the first piece in this series about civic participation: Edson Burton’s exploration of why voting matters
• Sign up to an online information session with the Citizens' Assembly team
• Email Imogen@trinitybristol.org.uk to join our Citizens For Culture mailing list
• Read our blogs to find out more about the Citizens' Assembly project

Nature in Newtown - Image Credit: Alastair Brookes

Throughout the summer, we’ve been working with our Community Connectors to programme activities for the local community. Working with Shanti Pant, our Community Connector for Newtown, we devised a programme that encouraged residents local to Newtown to spend time together, enjoying and learning about local green spaces through gentle exercise and nature walks.

“You just don’t know what is on your doorstep” - Feedback, Nature in Newtown Participant

Newtown is one of three local neighbourhoods that Trinity is working closely with over the course of this year, to develop a greater understanding of residents’ interests and experiences, and how we can offer support to share creative activity. As a Newtown resident, and nature-lover, Shanti was keen to share her experience of how spending time in nature can provide a simple way to support wellbeing and connect with others, so we worked with her to create this project.

Nature in Newtown ran for ten weeks from June - August, led by Subitha Baghirathan, and supported by Shanti. With Lawrence Hill Health Centre as the groups’ meeting point, Subitha shared a range of wellbeing exercises and activities for participants to experience including; tai chi, vagus nerve breathing, mindfulness activities and listening walks. Through rain and shine, we welcomed ten local people over the weeks, enthusiastically sharing their knowledge of the area, and learning new things from each other.

We found out that there is plenty of nature surrounding Newtown, and new places to discover too. A walk through some tunnels - shared by one member of the group - contained beautiful tiles documenting ‘The Industries and Crafts of Bristol’s Rich Industrial Heritage’, a walk along the railway path encouraged group members to use Subitha’s tree book to identify different species by their leaves, and a visit to Trinity’s garden enabled the group to meet Fleur, our garden project facilitator, who showed them around the space and talked about our volunteer programme.

Over the weeks, participants reported an increased feeling of connectedness to their local community, confidence to explore the local area, and confidence to engage with others.

For the second part of this project, we’re inviting practitioners Shanti Sherson (Wellbeing at Wellspring Settlement) and Jon Aitken (filmmaker at Watershed) to join us at Lawrence Hill Health Centre’s community garden, for Filmmaking in Newtown.

Over three sessions in September, Shanti and Jon will lead nature-based activities and help participants create simple short films together that document our connection to nature.

Citizens for Culture is ground-breaking initiative bringing together people from across the region to meet with creative practitioners, cultural providers and decision-makers to create a Cultural Plan for the region.

Delivered in with St Pauls Carnival, Citizens In Power and the West of England Combined Authority, the project will host the first region wide Citizens’ Assembly for Culture in 2025.

We caught up with Producer, Anjali Prashar-Savoie and  Project Manager, David Jubb, to ask some key questions about the project - what is it, why we’re running it and what we hope to achieve.

David and Anjali - what is a Citizens Assembly for Culture all about?

A Citizens' Assembly brings people together to learn about and deliberate issues and together, reach conclusions about what they think should happen.

Our project, Citizens for Culture, will invite citizens from areas in the West of England to create a set recommendations for a Cultural Plan for the West of England Combined Authority Region.

Taking place across multiple sessions citizens will explore how creative opportunities can be inclusive, accessible and representative of the many people living across the region. They will immerse themselves in creative and cultural activities, hear from experts who will share their knowledge about creativity and culture and then, working together, develop recommendations for a Cultural Plan to be delivered across three regions in the West of England.

Following the Assembly, citizens will oversee the implementation of the Cultural Plan with support from funders, local authorities, organisations and individuals, all working together to deliver these citizen-led recommendations.

What is the story so far?

"By using this democratic approach we will hope to inform future cultural policies and priorities for the West of England, creating a legacy that will serve as a model for the UK's continually evolving arts and cultural landscape."

The project was created in response to the partners wanting to explore how using a Citizens Assembly model - a deliberative, democratic and people-centred approach - could reimagine what a cultural offer could look like in the South West.

Each partner brings their own skills to the project - St Pauls' Carnival CEO, LaToyah Mcallister-Jones brings her wealth of expertise and experience in leading and facilitating Assemblies.

Using their expertise in citizen-led decision making, Citizens In Power have been securing support for each stage of the project, from the initial research phase in 2022 to the delivery of the final Assembly in 2025 and Trinity's CEO, Emma Harvey, brings over 20yrs of expertise of using arts and culture as a tool for civic participation.

Together, we delivered a research phase for the Assembly, where the principles for the design were shaped by a group of people from across the region, chosen through a random selection process.

Based on these design principles, the Assembly was further developed by people working in the cultural sector. The research phase provided the building blocks for the framework for the planned 2025 Assembly.

Why are you running Citizens for Culture?

The Assembly aims to help shape a regional cultural offer that is relevant, accessible and reflective of diverse voices and perspectives. By co-creating cultural leadership and decision-making with the people who live, work and stay in our region, we hope to build a more democratic approach that will help shape the future direction of culture in the West of England.

What do you mean by “citizens” and “culture”?

When we say citizens, we simply mean the people who live, work or stay in a place.

We feel that the Assembly is best placed to arrive at its practical definition of culture - one that best serves the creation of the regional Cultural Plans.  We want to ensure the people taking part can participate fully and that thoughtful conversations happen that aid in guiding this. By allowing the Assembly process to refine this definition, we hope to ensure that the Cultural Plan has a clear focus and achievable goals, while still acknowledging the richness of cultural diversity across the regions.

"By using this (a Citizens' Assembly model) democratic approach we hope to inform future cultural policies and priorities for the West of England, creating a legacy that will serve as a model for the UK's continually evolving arts and cultural landscape."

How do people get involved?

Citizens will be invited to participate in the Assembly through a sortition process, or democratic lottery, rather than by election or appointment. This ensures that the selection is impartial and includes a wide representation of community voices from across the region.

We're continuing to invite people and organisations working in the cultural sector to help shape plans for the 2025 Assembly.

If this sounds like you, we’d love to hear from you - feel free to get in touch with the Citizens’ Assembly producer, Anjali Prashar-Savoie, at anjali@trinitybristol.org.uk to arrange a chat.

Find out more about Citizens for Culture:

• Read LaToyah McAllister-Jones opinion piece on her experiences of facilitating democratic decision-making in the second part of this series about civic participation

• Read Edson Burton’s opinion piece of why voting matters in the second part of this series about civic participation

• Email Imogen@trinitybristol.org.uk to join our Citizens For Culture mailing list

Citizens for Culture is an initiative from St Paul Carnival CIC, Trinity Community Arts, Citizens in Power and West of England Combined Authority and is supported through funding by Arts Council England, Paul Hamlyn Foundation and Calouste Gulbenkian Foundation (UK Branch).

'Citizens for Culture' is bringing together citizens - people living, working or staying across the West of England - to explore how creative opportunities can be inclusive and accessible for everyone in the region.

Taking place in 2025 this ambitious project aims to co-create a Cultural Plan for the three areas in the West of England Combined Authority.

As part of the successful delivery of the assembly, we are calling out for freelancers, artists, individuals, cultural workers and organisations to sign up to be ‘Assembly Associates’.

Associates will be advocates for citizens-led culture and will support the campaign by:

• Shaping the design of the assembly and associated activities

• Sharing Citizens for Culture opportunities within their networks and communication channels

• Submitting evidence to be presented to citizens in the assembly

• Publicly advocating for the outcomes of the assembly in their own practice, work or organisation

Why sign up?

Becoming an associate of Citizens for Culture offers an opportunity to actively shape the future of citizen-led culture for the region.

By joining Citizens for Culture, you can connect with audiences and others in the sector from across the region more directly. By signing up as an Associate you will have the opportunity to influence cultural policy, expand your networks and advocate for meaningful change in your own communities and sectors.

Find out more:

If you are interested in becoming an associate of Citizens for Culture and would like out find out more please get in touch with Citizens for Culture Producer Anjali at anjali@trinitybristol.org.uk

This autumn, enjoy an amazing programme of film screenings exploring the bredth of talents of African and diaspora filmmakers with Afrika Eye 2024, the South West's biggest celebration of African film and culture.

The festival returns to Trinity in a new format - instead of a full-on festival, the team at Afrika Eye have created a season of enticing films to run throughout the autumn months at Bristol venues including Watershed, The Cube, and The Trinity Centre.

"Our programme reaches across genres and aims to bring in new audiences to the festival with a season of films, rich in stories, drama and cultural themes, celebrating and sharing the vibrancy and importance of African culture with a programme appealing to all ages and interests" - Annie Menter, Afrika Eye Festival Director

At Trinity we pleased to welcome three films celebrating Black female action heroes:

Sat 09 No is Gina Prince-Bythewood's 2022 film The Woman King, starring Viola Davis. There will be delicious West African food for you to enjoy as well as a special Dahomey cocktail - click here to get your tickets.

On Fri 15 Nov, step back into the gritty '70s for a double bill screening of films starring the iconic Pam Grier in classic blaxploitation films Coffy and Foxy Brown. Plus stick around for an informal, post-screening discussion with a selections of black female and non-binary guests speakers.

This year’s Afrika Eye festival promises a diverse programme, spanning contemporary African films, spoken word performances, dance, music, and more, appealing to audiences of all ages. Artists from across Africa and within the diaspora bring insights, creative ideas and extraordinary projects to broaden and enrich our knowledge of a continent that has for centuries been part of a shared history, without ever having an equal voice. Head to Afrika Eye's website to explore the full line up.

Photo Alexa Ledecky

Photo Alexa Ledecky

Trinity has been selected to be one of 40 community arts centres to take part in Here and Now, a national and local celebration of culture within communities running alongside the National Lottery’s 25 year anniversary.

Aims

• To get new ideas off the ground
• To help community groups develop and grow
• To provide a wider range of services for our local community
• To support activities that promote social cohesion and inclusion
• To promote and foster partnerships between groups

Who is it for?

• Local, community, charity and voluntary organisations running a free public event or activity
• Individuals who are looking to establish a new community project or activity
• In order to qualify for the scheme your organisation must be a Member and pay the standard annual membership fee (£10 concessions / £20 individuals / £50 groups & organisations) - click here for details about Membership

What space is available?

• Main Hall, Fyfe Hall, Graffiti Room, Meeting Room and/or Garden

TCI subsidises the use of the space only. If you have any other requirements, like equipment (PA, projector, screen) or refreshments, this may incur a fee. See space hire for more information on rates.

How long can an activity run for?

• It will depend on what you're doing, our availability and the demand from other groups wishing to benefit from the scheme*.
• If we need to change your booking, we’ll give as much notice as possible, and try to find other suitable spaces or dates

*Access to TCI is cap at 24 hrs per year. Concessionary rates apply after cap.

How to apply?

Please send us a brief proposal (no more than two pages) outlining:

• An introduction to you/your organisation's mission/purpose
• What activity you’d like to run, and who it’s for
• What space/s you would like to use
• The best dates and times for your activity – if known (including set up and take down times)
• Any other information in support of your proposal

Email your proposal to info@trinitybristol.org.uk with the subject header 'TCI proposal'.

If your proposal is successful, we ask that you become a Trinity Member and to publicly acknowledge Trinity's support by including our logo in all your publicity (i.e. flyers, posters, website).

Please note that in order to overcome any issues surrounding liability to TCA, we request groups a 'peppercorn fee' of £1 for the duration of the activity.

“Being able to use Trinity free of charge has enabled us to keep running the art and craft drop-ins even with a very limited budget, reaching a greater number of disabled people.” WECIL

We believe activities are most successful when they're led by those by who use the services.

Our Community Kickstart scheme supports inspired individuals in our communities who have an idea and the passion to start an activity that is lacking in the community or neighbourhood. The scheme gives local residents free space, support and seed-funding to get new neighbourhood activities off the ground.

Kickstart is open to groups that are not in receipt of funding and do not have access to regular space to deliver their activity. Activities can include a dance, arts or fitness class, a community meeting or network event, a regular tea morning or an advice group or workshop.

Through Kickstart, we've launched new regular groups and classses such as Gentle Dance, which was set up in 2010 with support from LinkAge Bristol. With Trinity’s support, the group has become self-managing and sustainable, with 30+ regular participants each week, helping to improve health and well-being for over 55s through regular dance activity.

To qualify for our Kickstart scheme you have to be:

We are what you make us, so #makethespace and #getinvolved

Team Trinity, pre-lockdown

The Trinity Centre, Old Market, has been given a grant of £35k as part of Arts Council England's £160m emergency package to support the arts sector during the Covid-19 pandemic.

Over 80% of Trinity's revenue is earned income from live music, bar sales, a pay and display public car park, plus hall hire for a range of community events and activities. Trading has ceased since the pandemic and the venue is anticipating a slow recovery once restrictions begin to lift, due to potential extended restrictions on public gatherings.

The grant from Arts Council England will be used to support Trinity through its recovery plan as well as help us to adapt existing projects and move activities online. As this is also a very difficult time for artists and freelance practitioners, Trinity is committing 20% of its grant to pay independent artists and community members for contributions to 'Trinity Presents'. This will include online workshops with Trinity's Associate Artist and local resident, Roxanna Vilk.

"Never have the Arts been more important than now, in these peculiar times. Singing, dancing, painting, drama, poetry - people are reaching out to all the art forms for nourishment, comfort, entertainment & wisdom. We mustn’t starve our imaginations & Trinity has a part to play in refreshing & delighting its followers. I’m thrilled to be one of them." Miriam Margolyes OBE, Trinity Patron

Trinity will be releasing information about an open-call commission for an independent D/Deaf or disabled artist to create a new piece of digital work.

Speaking of the recent support, Tom Marshman, Board Member and Local Artist said:

“Not really a time for a massive celebration party, more of an opportunity to take a breath and pause whilst we all stabilize ourselves and look forward to life after isolation. With this promise of the Emergency Arts Council Grant, Trinity can feel more assured that they will continue to be at the heart of Bristol culture and community engagement that is always people centred”.

Since we began our lockdown Trinity has been working hard to ensure that we continue to reach out to our community and support the independent artists that we work with. We have been providing a digital platform via Trinity Presents. Arts Council support at this crucial point, means we can continue this offer as well as find new ways to support artists to connect communities with relevant and much needed cultural experiences.

In these challenging times, Trinity and Cambridge Junction have come together to offer a £3,000 commission to a D/deaf or Disabled Artist(s) to create work for an online audience.

We will commission one new piece of work and want the brief to be as open as possible, so you can respond in a way that best suits you as an artist. We welcome artists of any practice, working in any art-form, to apply.

We want to commission:

• A brand-new online performance/exhibition that can remain available to experience for a set period of time – we want people to be able to experience your work safely from their homes

• One artist who identifies as D/deaf or Disabled, or a collective of artists where at least 50% of the collective identify as D/deaf or Disabled

• Work that will be completed and distributed online before the end of October 2020

Trinity Presents Garden Sessions. Design by Adam Menzies

Drum roll please… We are ready to welcome you back music lovers! In a specially erected tent in the historic grounds of Trinity, we will be running weekend sessions throughout the Autumn and we cannot wait.

Trinity Presents Garden Sessions will run throughout October, launching its first weekend with Bristol's experimental trio Waldo’s Gift (Oct 16), Livity Sound's Hodge & Danielle (Oct 17), and Dubkasm meets Ashanti Selah (Oct 18).

With Saturday & Sunday being powered by Sinai Soundystem.

“We cannot wait to welcome our music-loving audiences back to Trinity and have worked hard to make sure that we can provide a safe space for our audiences to come and enjoy what they love most - music. We cannot wait to bring well-loved artists, from Bristol and beyond, back to Trinity.” Jamell Ackford, Venue Manager

Ticket buyers can book a table for up to 6 people (from £48 +bf). Drinks will be served via Love My Local and there will be options to purchase food.

Tickets go on sale Sep 16, 10am.

Image Colin Moody

Art of Resistance is a 2-year project exploring 100 years of social activism, protest, and civil disobedience in Bristol, and the art that underpinned each movement.

We're looking for people who have artifacts or stories they would like to share to help build this picture of Bristol as a city of art and activism.

Whether your #resist story or art relates to Workers Rights, Women’s Equality, Anti-Racism, Anti-Fascism - or something else we haven't thought of - we'd love to hear from you.

In particular, we're really interested if any artwork, including poetry, textiles, posters, banners and ephemera, music and performing arts that were used to support and capture the spirit of different movements throughout the ages.

#GetInvolved

If you have digital material you can upload it here: Art Of Resistance Submission form.

If you have a physical item or would like to discus taking part in an interview to tell your own story, please contact info@trinitybristol.org.uk

Keep up to do with the project and other Trinity news and event sign up to our mailing list here.

The project is funded by The National Lottery Heritage Fund.

Vicki Hearne is part of this years cohort of  IGNiTE artists in residence (photo @Megan Ashton)

Alexa Ledecky, our very awesome project assistant on our IGNiTE programme, went along to IGNiTE resident artist Vicki Hearne's sharing of the work she is developing here at Trinity - sharing's are an opportunity for artists to receive feedback about their work.

Read on to find out Alexa's thoughts about 'Practically Perfect'.

Last month, Vicki Hearne and her Untold Dance Theatre fellow female performers brought their work in progress to Trinity for a sharing session. Audience members were invited to attend the performance for free and encouraged to share their feeling and impressions about the ideas that have been developed so far. Vicki has been working on “Practically Perfect” as part of her IGNiTE residency with Trinity since early September.

"Unity definitely shone through the dancers and musicians during the performance."

The show uses dance and theatre to explore how most women are often pushed to mould their body into an idea of perfection that society dictates. As the performance began, the lights dimmed and two musicians sat by the side of the scene set the atmosphere with an acoustic guitar and synth live soundtrack. The dancers entered, carried by the ethereal melody and began to tell us their story. A recurring theme became apparent: the female body being objectified with harsh humour and sarcasm.

Vicki had several solid scenes to present to the audience. To mention a few without giving too much away; robotic Barbie dolls, a restaurant serving perfect female bodies on a platter, a “cooking” class on how to make a flawless woman. All those scenes involved folding, crushing bodies and treating them like objects, quite literally making them submit to society’s vision of perfection. The audience was also very receptive to the challenging subjects tackled and invited Untold Dance Theatre to go deeper and make them feel even more uncomfortable. The exploration of a serious subject did not cut out artistic creativity. Each scene was different and the audience stated it will be interesting to see how the “chaos binds with the more flowy parts” in the final performance. Discussing the overall tone of the show, a viewer pointed out: “There are kitsch moments, but those were so precise and clean. The comedy helps with the more earthy parts”.

Vicki and the cast listened to the audience with poise, eager to use this sharing session to develop “Practically Prefect” further. Some open expectations were expressed: “The rhythm was building into something that was establishing. I would like to see everyone go completely wild at some point”. The viewers repeatedly showed excitement about finding out the answers in the finished piece: “What happens the the reject; are they ‘put right’ or are they ‘celebrated for being imperfect’?”.

A woman concluded the discussion by encouraging to celebrate our imperfections rather than to condemn them: “We don’t have to be whole as an individual, we’re whole as a group”. One thing is for certain - unity definitely shone through the dancers and musicians during the performance.

The sharing of the work took place in Trinity's Ffye Hall (photo @Megan Ashton)

Stay tuned for updates on Vicki Hearne and our three other artist residents here on our website.

IGNiTE is supported using public funding by Bristol City Council and by the National Lottery through Arts Council England