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  <item rdf:about="https://www.trinitybristol.org.uk/activities/archive/in-memoriam-phil-a-story-of-change">
    <title>In memoriam: Phil, a story of change</title>
    <link>https://www.trinitybristol.org.uk/activities/archive/in-memoriam-phil-a-story-of-change</link>
    <description>A tribute to Phil, 1948-2020
</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>To reflect on a journey like Phil’s is to take a momentary glimpse at a life of many parts, including parts lost or hidden, or not ours to tell. The parts I know include parts that are difficult, also parts where I don’t recognise much of the man I knew. Phil was a complex, layered person. It was not that he shied away from his past, he just didn’t want to bestow the weight of it onto others.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>In life, we chase rainbows. In death, we want something much simpler. Our own salvation or damnation dependent on the compatibility of our relative goodness to those who mourn our passing. Making saints of those held close and casting aside the sinners, though the space between is the one most of us occupy. Society depends on us all trying to be the best versions of ourselves. Our crimes are committed in the moments where we forget to try. It’s those who touch the extremities of expected behaviour -both good and bad - who create the most ripples.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif">Phil served 13 years in prison for a devastating crime. He came to Trinity in 2004 on a <a href="https://www.trinitybristol.org.uk/about/conservation/news/ex-offenders" class="internal-link">back-to-work ex-offender placement</a>.</p>
<blockquote class="pullquote"><br /></blockquote>
<blockquote class="pullquote">Sometimes there can be no forgiveness. But, in that space between life and death is where we find community. A space for the misfits and the troubled. Beyond the warmth of our family and our friends, a sense of belonging that is unconditional.</blockquote>
<blockquote class="pullquote">Emma Harvey, CEO</blockquote>
<blockquote class="pullquote"><br /></blockquote>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>It was just a shabby shell back then, after a period of closure that many thought would mark its end. A re-imagining, but without any of the resources needed to realise that vision.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>Phil offered us a lifeline. Without him, the building could never have reopened. Nor could it have remained open during those early years, when so much manual work needed doing in order to make it a safe space.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>On Phil’s release, he continued to work at Trinity for no financial or personal gain. He did so much and grafted in a way that was unimaginable. It was his dedication and determination that inspired everyone who met him in those times. Others would try to emulate it, but we’d all be in bed crashed out at a time when he was up and about, working on setting things right so we could open our doors the next day.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>His atonement laid the foundation stone of Trinity today. So many times, he managed to help us pull something unrealistic out of the bag and make the magic happen. H</span><span>is work ethic at times seemed superhuman and </span><span>pushed him to breaking on several occasions. He was so stubborn in his dissent from that ladder, when it came to his retirement in 2016.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>With his cynicism, it was like he hated all that busyness and insanity that gave the place life. When the lock-down started, the team joked that this was the Trinity Phil had always wanted. A quiet space with no people and the building all to himself. </span><span>But, that was his trick on us - he loved the building’s life, he just never felt that he deserved to be a part of it.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>During the Phil years, to walk in and see a weathered old man followed by his faithful hound, you just knew you had found somewhere where you could just be in spite of, not because of, your past self or any future expectations.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>T</span><span>rinity made him feel something in a space someone more poetic might call his heart. He felt enough of a sense of being part of the wonderment though just by being in the background as He who was both church care taker and care giver, whilst never permitting himself to fully become immersed.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>For those who Phil hurt most - as for any victim of crime and their families - the worst thing to have is that sense of the perpetrator’s life being allowed to continue. The fear and anger that they are somehow able to enjoy that which they have taken from their victim. That they get to feel the warmth of the sun on their face.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>The reality is much more complex. Even in our most joyous of times, Phil never basked in that sunshine. There was no absolution, just resolution and resignedness to a life in the shade. To paraphrase Indigo Girls (a band he loved) even if his sweat smelt clean, the glare off the sun would hurt his eyes.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>Father. Husband. Functioning alcoholic. A mask that began to slip more and more with the passing of time. But, what never changed was a deep warmth and an unwavering loyalty beyond reason. Humour in the face of adversity. Cigarettes with Steve when there was nothing else. Amongst the glimpses of joy - guitars and fish and chips and T-shirts and Poppy - there were subsequent losses and drinking alone and fear and loneliness. Life meant life.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>Love. There was so much love and hurt over past wrongs so damaging that they can never be set right, no matter how virtuous any subsequent action. Nevertheless, he was deeply loved by his Trinity family. We reflect on the life of a person who touched and changed lives dramatically and catastrophically. We respectfully mourn and pay tribute to a one of a kind man who inspired us to work hard and do better, knowing he could never be forgiven.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>Sometimes there can be no forgiveness. But, in that space between life and death is where we find community. A space for the misfits and the troubled. Beyond the warmth of our family and our friends, a sense of belonging that is unconditional.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>That he has passed during such particularly challenging times gives us greater cause for reflection. If a criminal can become such an outstanding citizen then we can hold onto hope that good grows out of even the most darkest of moments. That one might work toward a better future they might not be part of, but which still very much exists because of the part they played.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>Restoration if not of a soul, at least of a building that is still very much here. A space for love, life, death and reincarnation. A place of radical inclusiveness, helping us to see that grace extended - even if it is felt to be undeserved - can take us all to somewhere better.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>Phil. A reminder that who we are at any one moment does not define us. After all, we can always choose to change ourselves.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif">Big love always</p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif">Emma x</p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7f6a2148a580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2020-08-26T08:40:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/activities/ignite/news/open-call-for-artists">
    <title>Open Call for D/deaf or Disabled Artist</title>
    <link>https://www.trinitybristol.org.uk/activities/ignite/news/open-call-for-artists</link>
    <description>£3,000 commission to create work for an online audience</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div class="BCX0 SCXW10599720 Ltr OutlineElement" style="margin: 0px; padding: 0px; background-color: rgb(255, 255, 255); ">
<p class="Paragraph SCXW10599720 BCX0">In these challenging times, Trinity and <a class="external-link" href="https://www.junction.co.uk/">Cambridge Junction</a> have come together to offer a £3,000 commission to a D/deaf or Disabled Artist(s) to create work for an online audience.</p>
<p class="Paragraph SCXW10599720 BCX0">We will commission one new piece of work and want the brief to be as open as possible, so you can respond in a way that best suits you as an artist. We welcome artists of any practice, working in any art-form, to apply.</p>
<p class="Paragraph SCXW10599720 BCX0"> </p>
<p class="Paragraph SCXW10599720 BCX0"><strong>We want to commission:</strong></p>
<ul class="BulletListStyle1 SCXW10599720 BCX0">
<li class="OutlineElement Ltr SCXW10599720 BCX0">
<p class="Paragraph SCXW10599720 BCX0">A brand-new online performance/exhibition that can remain available to experience for a set period of time – we want people to be able to experience your work safely from their homes</p>
</li>
<li class="OutlineElement Ltr SCXW10599720 BCX0">
<p class="Paragraph SCXW10599720 BCX0">One artist who identifies as D/deaf or Disabled, or a collective of artists where at least 50% of the collective identify as D/deaf or Disabled</p>
</li>
<li class="OutlineElement Ltr SCXW10599720 BCX0">
<p class="Paragraph SCXW10599720 BCX0">Work that will be completed and distributed online before the end of October 2020</p>
</li>
</ul>
</div>
<p> </p>
<div class="BCX0 SCXW10599720 Ltr OutlineElement" style="margin: 0px; padding: 0px; background-color: rgb(255, 255, 255); ">
<ul class="BulletListStyle1 SCXW10599720 BCX0">
</ul>
<p class="Paragraph SCXW10599720 BCX0"><strong>We expect applications to include:</strong></p>
<ul class="BulletListStyle1 SCXW10599720 BCX0">
<li class="OutlineElement Ltr SCXW10599720 BCX0">
<p class="Paragraph SCXW10599720 BCX0">A consideration of audience access within the commission fee</p>
</li>
<li class="OutlineElement Ltr SCXW10599720 BCX0">
<p class="Paragraph SCXW10599720 BCX0">Confirmation that artist access costs are covered by the commission fee or by Access to Work or similar</p>
</li>
</ul>
<p class="Paragraph SCXW10599720 BCX0"> </p>
<p class="Paragraph SCXW10599720 BCX0"><strong>We will provide:</strong></p>
<ul class="BulletListStyle1 SCXW10599720 BCX0">
<li class="OutlineElement Ltr SCXW10599720 BCX0">
<p class="Paragraph SCXW10599720 BCX0">A commission fee of £3,000</p>
</li>
<li class="OutlineElement Ltr SCXW10599720 BCX0">
<p class="Paragraph SCXW10599720 BCX0">Producing support: we don’t want anyone to be put off if they don’t have producing capacity at the moment</p>
</li>
<li class="OutlineElement Ltr SCXW10599720 BCX0">
<p class="Paragraph SCXW10599720 BCX0">Marketing and digital content support: we want your work to reach far and wide</p>
</li>
<li class="OutlineElement Ltr SCXW10599720 BCX0">
<p class="Paragraph SCXW10599720 BCX0">The platform for sharing your work: Trinity and Cambridge Junction’s social media platforms and those of our partners are readily available to platform your work</p>
</li>
</ul>
<p class="Paragraph SCXW10599720 BCX0"> </p>
<p class="Paragraph SCXW10599720 BCX0">At Trinity we programme using a ‘Programming Forum’ which you can find out more about <a href="https://www.trinitybristol.org.uk/activities/ignite/more-info/forum" class="external-link">here.</a> The final decision on who receives the commission will be made by a forum made up of local artists and community members from both Trinity and Cambridge Junction.</p>
<p class="Paragraph SCXW10599720 BCX0"> </p>
<p class="Paragraph SCXW10599720 BCX0"><strong>To apply:</strong></p>
<p class="Paragraph SCXW10599720 BCX0"><strong>Applications for this opportunity have now closed. </strong></p>
</div>
<p> </p>
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    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sarah</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>highlight</dc:subject>
    
    
      <dc:subject>arts</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2020-07-03T13:00:00Z</dc:date>
    <dc:type>News Item</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/activities/ignite/news/here-and-now">
    <title>Lottery celebrations showcasing everyday culture</title>
    <link>https://www.trinitybristol.org.uk/activities/ignite/news/here-and-now</link>
    <description>Trinity join 40 community arts centres for the national 'Here and Now' Project</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p> </p>
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<div class="item"><img src="https://www.trinitybristol.org.uk/activities/ignite/news/LullabiesWorkshopEastonCommunityCentreAlexaLedecky23725400.jpg" alt="" class="image-inline" title="" />
<p class="discreet">Photo Alexa Ledecky</p>
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<div class="item"><img src="https://www.trinitybristol.org.uk/activities/ignite/news/RoxanaVilkSharingTrinityAlexaLedecky63725400.jpg" alt="Roxana Vilk" class="image-inline" title="Roxana Vilk" />
<p class="discreet">Photo Alexa Ledecky</p>
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<p>Trinity has been selected to be one of 40 community arts centres to take part in <strong><a class="external-link" href="https://here-and-now.org.uk/">Here and Now</a>,</strong> a national and local celebration of culture within communities running alongside the National Lottery’s 25 year anniversary.</p>
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<blockquote class="pullquote">“After speaking to others who are of mixed heritage, and face a similar challenge of how to keep our mother tongues and cultures alive I realised there was scope to dive deeper into this subject but through music, as music has no borders, can touch us all and unites us rather than divides us.”<i> Roxana Vilk</i></blockquote>
<p>The project, <a class="external-link" href="https://futureartscentres.org.uk/about-us">headed by Future Arts Centres,</a> will see 40 new projects created in community arts centres across the UK, co-created between exceptional artists and community participants.</p>
<p>Trinity will be working with award winning multi-disciplinary British/Iranian <a href="https://www.trinitybristol.org.uk/activities/ignite/news/profile-roxana-vilk" class="internal-link">Roxana Vilk</a> who will develop her project <a href="https://www.trinitybristol.org.uk/activities/ignite/news/lullabies" class="internal-link">Lullabies</a>.</p>
<p>Lullabies celebrates the diversity of cultures who call Bristol home by gathering &amp; sharing songs from across the globe. Lullabies connects communities through the sharing of songs, celebrating the stories and the heritage behind them.</p>
<p><iframe frameborder="0" height="400" src="https://www.bbc.co.uk/news/av/embed/p07w0c98/50551225" width="725"></iframe></p>
<p>Roxana during the sharing of the pilot of Lullabies at Trinity. <br />Credit: BBC</p>
<p>Roxana secured an <a href="https://www.trinitybristol.org.uk/activities/ignite/news/announcing-our-ignite-artists-in-residence" class="internal-link">IGNiTE artist residency at Trinity in 2019</a> where she began collecting Lullabies during her pilot of the project. During her year long residency she delivering a workshop at Easton Community Centre to residents and families living in the BS5 area as well as meeting with Bristol residents to collect recordings.</p>
<p>In 2020 Roxana will be meeting with communities members throughout the year to collect Lullabies alongside hosting workshops, culminating in a celebratory festival event at Trinity later in the year.</p>
<p>If you're interested in getting involved please get in touch on info@trinitybristol.org.uk</p>
<p><strong>About Here and Now</strong></p>
<p style="margin-bottom: 0cm; line-height: 100%; "><span class="discreet">Here and Now: 40 new projects taking place in and around 40 arts centres as part of a national and local celebration of culture within communities.</span></p>
<p style="margin-bottom: 0cm; line-height: 100%; "><span style="display: inline-block; border: none; padding: 0cm; "><span><a href="http://www.here-and-now.org.uk/"><span class="discreet">www.here-and-now.org.uk</span></a></span></span></p>
<p style="margin-bottom: 0cm; line-height: 100%; "><span class="discreet">@HereandNow2020</span></p>
<p style="margin-bottom: 0cm; line-height: 100%; "><span class="discreet"><a name="_GoBack"></a></span></p>
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</div>
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    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sarah</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community</dc:subject>
    
    
      <dc:subject>project</dc:subject>
    
    
      <dc:subject>Lullabies</dc:subject>
    
    
      <dc:subject>performance</dc:subject>
    
    
      <dc:subject>highlight</dc:subject>
    
    <dc:date>2020-01-08T16:30:00Z</dc:date>
    <dc:type>News Item</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/about/conservation/news/new-digs-at-trinity">
    <title>New 'Digs' at Trinity</title>
    <link>https://www.trinitybristol.org.uk/about/conservation/news/new-digs-at-trinity</link>
    <description>Find out more about works to provide more community space from the Centre site</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="https://www.trinitybristol.org.uk/about/conservation/news/TRINTYGARDENFAMILYDAYAUGUSTPB63.JPG" alt="" class="image-inline" title="" /></p>
<p><span class="discreet">The Trinity Digs project will enable Trinity to host and support more community activity at the centre. Photo Paul Blakemore</span></p>
<p>We have been awarded a grant of £231,818 from <a class="external-link" href="https://www.powertochange.org.uk/">Power to Change</a> to deliver ‘The Trinity Digs Project’ to carry out capital improvements to the site so can host and support more community activity at the centre.</p>
<blockquote class="pullquote">“We want to make sure Trinity’s ongoing development continues to be shaped and informed by those who use it. As part of the project we’ll be running a community activity programme so that people can get involved, have their say and kick-start their own ideas. More news on this coming soon - watch this space” Glyn Everett, Chair of Trustees and local resident</blockquote>
<p>The project will install customised container-units on site, to provide affordable, low-cost, sustainable hot-desk space as a base for community partners, emerging artists and local start-ups.  Improvements to the ‘<a href="https://www.trinitybristol.org.uk/booking/spaces/graffiti-room" class="internal-link">Graffiti Room</a>’ will also mean more activities can be hosted, such as neighbourhood meetings, rehearsals and workshops.</p>
<p>Match funding has been generously provided from local funders including <a class="external-link" href="https://www.nisbettrust.co.uk/">The Nisbet Trust</a>, who have donated £20,053 toward the capital project, alongside generous donations from members of the public. The project has also been supported by <a class="external-link" href="https://www.derbyshire.gov.uk/community/lottery-funding/environmental-trust/derbyshire-environmental-trust.aspx">Derbyshire Environmental Trust</a> who have supported with a grant of £28,315 towards costs of the container units. A £25,000 individual gift and a grant of £7,624 from the <a class="external-link" href="https://www.postcodelocaltrust.org.uk/">Postcode Local Trust </a>to improve accessibility to our <a href="https://www.trinitybristol.org.uk/activities/families" class="internal-link">community garden</a>.</p>
<p>The design scheme was produced thanks to support from Backstage Trust who helped us to revise and update our Feasibility Study, 2018-2019, to work out the next priority for capital works. Alongside the capital works we will be helping support people who have ideas within the community to get involved and set up their own initiatives through the Community Kick Start Project. We are particularly interested in working with small voluntary and residents groups with limited or no budget to support getting new ideas off the ground.</p>
<p>Set up to grow and support community businesses in England, Power to Change provides grants to community businesses run by and for the local community. Our aim through the Trinity Dig’s Project is to continue to invest in the Trinity Centre as a key cultural and community asset, and to build a varied and sustainable participatory community arts programme, that reflects the interests of Bristol’s diverse communities and cultures.</p>
<p><strong>View the latest Trinity Digs plans on www.bristol.gov.uk planning portal application ref: 21/05771/F</strong></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7f6a2148a580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>project</dc:subject>
    
    
      <dc:subject>glyn</dc:subject>
    
    
      <dc:subject>renovation</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2019-12-21T09:00:00Z</dc:date>
    <dc:type>News Item</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/activities/workshops-classes/wecil-creative-challenge">
    <title>WECIL Creative Challenge - Postponed</title>
    <link>https://www.trinitybristol.org.uk/activities/workshops-classes/wecil-creative-challenge</link>
    <description>WECIL’s Peer Support Project, every last Thursday of the month</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>The West of England Centre for Inclusive Living (<a href="http://www.wecil.co.uk/">WECIL</a>) is holding monthly Creative Challenges at Trinity every last Thursday of the month.</p>
<p>Open to any disabled adults over 18 in Bristol and the surrounding areas.</p>
<p>Creative Challenges are short creative tasks that help everyone   become more creative! Each challenge is different, and helps you think   of different ways to do something creative. We'll have a selection of   challenges for people to choose from, and lots of different materials to   use. You can make pictures using card, fabrics and glues, draw  in ink   and pencils, and even write poetry!</p>
<p>Art, writing, discussing, making, drinking cups of tea and creating!</p>
<p>Free refreshments</p>
<p>No need to book, just pop-in!</p>
<p>To find out more please contact the WECIL team on 0117 947 9942 or email <a href="mailto:peersupport@wecil.co.uk" rel="noopener noreferrer" target="_blank">peersupport@wecil.co.uk</a></p>
<p>WECIL Peer Support activities are free and transport can be provided.</p>
<p><strong>Upcoming dates: </strong></p>
<p>Nov 28 1 - 4</p>
<p>Jan 30 1 - 4</p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>aprilh</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>workshops</dc:subject>
    
    
      <dc:subject>class</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2019-11-20T14:25:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/activities/archive/trinity-community-insititute">
    <title>Trinity Community Insititute</title>
    <link>https://www.trinitybristol.org.uk/activities/archive/trinity-community-insititute</link>
    <description>The birth of Trinity as a community centre</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>It's 1978 - The community group now in charge of Trinity is the Bristol Caribbean Community Enterprise group (BCCE).   Over the year, community events take place with a strong Caribbean influence - sound clashes, dub, reggae nights and the start of Trinity's sound-system heritage.</p>
<p>In their annual report of 1978, BCCE chairman writes "our aims and objectives are clear - a centre for youth and community activities; the philosophy is a multi-racial multi-cultural centre. The project is part of this community, and if it is to progress then the community must believe in it." (As quoted in Venue Magazine, no.70).</p>
<p>1 July 1978 - 'Trinity Community Institute' as it was then named - is officially launched, with a grand opening to coincide with St Paul's African-Caribbean Carnival to reflect the group's drive to embrace and celebrate Caribbean culture. The Centre is used every evening of the Festival week.</p>
<p>20 September 1978 - Official notice is given by the Church Commissioners that an Order in Council came into operation on 21st December 1977, allowing Holy Trinity building and its land to be used as a community centre.</p>
<p>October 1978 - The Easton Christian Family Centre newsletter contains an update on Trinity Church building: "The old Holy Trinity Church has been taken over by the Caribbean Community Association, who are a division of the West Indian Community. They have made extensive alterations, putting in a stage in the main auditorium for a theatre, and changing the side aisles into separate small rooms.  The  vestries have been changed into offices.  They are currently negotiating plans to turn the graveyard into a large play area including tennis courts."</p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7f6a2148a580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2019-11-15T12:50:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/activities/archive/repairs-1990s">
    <title>Repairs 1990s</title>
    <link>https://www.trinitybristol.org.uk/activities/archive/repairs-1990s</link>
    <description>NTCA carried out extensive repair and renovation of Trinity in the early 1990s</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="https://www.trinitybristol.org.uk/activities/archive/page008.jpg/@@images/c2251b87-4894-416c-b36d-3de4106edf45.jpeg" style="float: left; " title="" class="image-inline" alt="" /></p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p>In 1992 Trinity was reopened by the New Trinity Community Association.</p>
<p class="western">The new tenants and a dedicated team of volunteers   began a second round of development and renovations, which included the   installation of the sprung wooden floor downstairs.</p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7f6a2148a580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2019-11-15T12:45:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/activities/archive/trinity-reopens">
    <title>Trinity Reopens</title>
    <link>https://www.trinitybristol.org.uk/activities/archive/trinity-reopens</link>
    <description>In 1991, almost a decade after the BCCE group ceased to exist, Trinity was leased to the New Trinity Community Association who reopened the building in 1992</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><span class="discreet"><i>DJ Derek, pictured with Trinity Manager Derrick Sterling, c1992</i></span></p>
<p>In 1991, almost a decade after the BCCE group ceased to exist, the <span class="highlightedSearchTerm">new</span> landlords Bristol City Council leased <span class="highlightedSearchTerm">Trinity</span> to the <b><span class="highlightedSearchTerm">New</span> <span class="highlightedSearchTerm">Trinity</span> <span class="highlightedSearchTerm">Community</span> <span class="highlightedSearchTerm">Association</span></b> who reopened the building as 'The <span class="highlightedSearchTerm">Trinity</span> Hall' in 1992.</p>
<p class="western">The <span class="highlightedSearchTerm">new</span> tenants and a dedicated team of volunteers  began a second round of   development and renovations, which included the  installation of the   sprung wooden floor downstairs.</p>
<p class="western">It was under this <span class="highlightedSearchTerm">new</span> management that <span class="highlightedSearchTerm">Trinity</span> would  again gain international fame, playing host to the biggest   domestic and  international music stars of the time. This helped to   bring Bristol to  the world's attention as a creative melting pot with   its own distinct  flavour - <b>The Bristol Sound</b>.</p>
<p class="western">As well as the successful music nights there were  also daytime <span class="highlightedSearchTerm">community</span> activities from bingo madness to a boxing club,  the two levels provided a much needed space for local people's use.</p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7f6a2148a580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2019-11-15T12:30:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/activities/archive/may-garden-party">
    <title>May Garden Party</title>
    <link>https://www.trinitybristol.org.uk/activities/archive/may-garden-party</link>
    <description>Trinity's first May garden party</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7f6a2148a580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2019-11-15T12:20:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/activities/archive/redevelopment-1987-89">
    <title>Redevelopment 1987-89</title>
    <link>https://www.trinitybristol.org.uk/activities/archive/redevelopment-1987-89</link>
    <description>A major development phase, when the building was under the management of Bristol City Council, which saw removal of original features and installation of new first floor</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>The pictures were taken during a major development phase, when the building was under the management of Bristol City Council.</p>
<p>Designs were produced by Architect Daniel Pacaud, which at the time  caused great controversy with the Church Commissioners Advisory Board  for Redundant Churches, who felt that the proposed works compromise the  architectural heritage of the space.</p>
<p><img src="https://www.trinitybristol.org.uk/activities/archive/4.jpg/@@images/c5538853-3025-4f7b-bfae-62bf7ae4e1dc.jpeg" style="float: left; " title="" class="image-inline" alt="" /></p>
<p>The Church was at the time considered to be one of the finest  examples of the work of Architect Thomas Rickman, who built the church  between 1829-1932 with Henry Hutchinson.</p>
<p>Pacaud's plans for conversion, involved the installation of a  dividing floor. But, despite the Church Commissioners' discontent, the  build project went ahead.</p>
<p>The images found show this development in full flow and include  pictures of a visit by politicians - including a rather young looking  Kenneth <span class="highlightedSearchTerm">Clarke</span> - to see first hand the "Community Initiative" in progress.</p>
<p>Works included:</p>
<ul>
<li>Installing the first floor and sprung wooden floor on the ground level</li>
<li>Repairing many of the windows which had been smashed over the years</li>
<li>Cleaning the exterior sandstone, using a sandblasting method, to remove graffiti and pollution dirt</li>
</ul>
<p>However, the costly process meant that many of the works proposed by  Pacaud - particularly the developments of the upstairs hall spaces -  were eventually abandoned.</p>
<p>Today, Trinity continues to renovate and develop the space to try to  avoid any further compromising of the interior and realise this original  vision to make a multi-functional community hub.</p>
<p><img src="https://www.trinitybristol.org.uk/activities/archive/63.jpg/@@images/f3b33219-9af8-400d-947c-594fb10a204f.jpeg" style="float: left; " title="" class="image-inline" alt="" />"Although the very fine interior of this church would be ruined by the proposals as the building now belonged to the local authority Board members felt that it would be a waste of time to try and say it by fighting a rearguard action. It was RESOLVED: That the Church Commissioners be informed that the Advisory Board regards the church of Holy Trinity, Bristol, Diocese of Bristol, as a building of considerable architectural and historic interest with a fine interior that would be entirely compromised by the present proposals for conversion to a community centre" - Church Commissioners Advisory Board for Redundant Churches, June 1987.</p>
<p><img src="https://www.trinitybristol.org.uk/activities/archive/20.jpg/@@images/f21294f4-0ef0-407b-8b56-3e5b69211bb9.jpeg" style="float: right; " title="" class="image-inline" alt="" /></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7f6a2148a580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2019-11-15T11:35:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/activities/archive/arts-opportunity-theatre">
    <title>Arts Opportunity Theatre</title>
    <link>https://www.trinitybristol.org.uk/activities/archive/arts-opportunity-theatre</link>
    <description>Arts Opportunity Theatre staged 'Black &amp; White in Colour' in 1983</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><span class="discreet"><i>Image - Arts Opportunity Theatre, c1980</i></span></p>
<p>Jan 21-22 Arts Opportunity Theatre staged 'Black &amp; White in Colour' in 1983. The play explored causes of the St Paul's Riots in 1980.</p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7f6a2148a580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2019-11-15T11:05:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/activities/archive/rupert-the-big-egg">
    <title>Rupert &amp; The Big Egg</title>
    <link>https://www.trinitybristol.org.uk/activities/archive/rupert-the-big-egg</link>
    <description>The Dolwilym Theatre Company, 1980</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>The <b>Dolwilym Theatre Company </b>was one of  the first groups to bring live drama to Trinity. <i>Rupert and the Big Egg</i><b> </b> was staged in 1980.  Hannah Cox who appeared in the play as a child  returned to Trinity  years later to base her undergraduate dissertation  on the building.</p>
<div class="fragletSummaryDynamic fragletSummary">
<div>
<div id="parent-fieldname-fraglets_interfaces_isummarize">
<p>In1983 <b>Arts Opportunity Theatre</b> (AOT ) staged the play <i>Black and White in Colou</i>r. The play explored the  causes of the St Paul’s riot in 1980.</p>
<p>In 2008 the site specific play <i>At Tether’s End </i>used the space  itself  to bring Trinity’s history to life. Trinity has also supported  individual practitioners and companies by  offering cheap rehearsal and  performance space.  Notable performances include <b>Ratupadrainpipe</b>'s <i>One Flew Over the Cuckoo's Nest</i> in 2009.</p>
<p>Other performance arts activities include  two <b>First Light Movie</b> projects between 2008-2010; a scriptwriting project supported by British actor <b>Stephen Graham</b> and a short film project that culminated in three-minute film aptly entitled<i> 3, </i><span>working with a group of local young people </span><span>to teach them recording and production skills. </span></p>
</div>
</div>
</div>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7f6a2148a580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2019-11-15T10:55:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/about/news/2019/no-fireworks-this-year">
    <title>No Fireworks this year</title>
    <link>https://www.trinitybristol.org.uk/about/news/2019/no-fireworks-this-year</link>
    <description>We are having a break so we can focus on our Community Programme </description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="https://www.trinitybristol.org.uk/activities/music-youth/news/PerformanceTrinityFestivalofLightphotoKhaliAckford2.jpg" alt="" class="image-inline" title="" /></p>
<p><span class="discreet">Trinity Centre during the Festival of Light event in 2018 Photo Khali Ackford</span></p>
<p><b>This year Trinity will not be hosting our annual fireworks display. </b></p>
<p>Having run the popular free community event since 2004 this year we have decided to take a well earned break to focus on developing our <a href="https://www.trinitybristol.org.uk/activities/community-kickstart" class="internal-link">Community Activities programme.</a></p>
<p>Our newly announced <a href="https://www.trinitybristol.org.uk/activities/community-kickstart/news-items/kickstart" class="internal-link">Community Kickstart</a> project will launch on the Nov 3 during our very first <a href="https://www.trinitybristol.org.uk/whats-on/2021/trinity-events-archive/2019/community-feast-night" class="internal-link">Community Feast</a>.</p>
<p>We are calling local residents who have an idea and the passion to start an activity (BS2, BS5) to join us for a hearty veggie meal (cooked by our friends at CoExist Community Kitchen) and to find out more about how to get support and small amounts of funding to get their ideas off the ground.</p>
<p>We also have lots of regular activities happening in our garden including<a href="https://www.trinitybristol.org.uk/activities/youth-music/news/PerformanceTrinityFestivalofLightphotoKhaliAckford2.jpg" class="external-link"> Play &amp; Learn Sessions for 0 – 5</a> and their carers, as well as <a href="https://www.trinitybristol.org.uk/activities/youth-music/news/PerformanceTrinityFestivalofLightphotoKhaliAckford2.jpg" class="external-link">regular volunteer work</a>.  You can always join us on the Nov 5 at our annual<a href="https://www.trinitybristol.org.uk/whats-on/2019/heart-soul-celebration" class="external-link"> Heart &amp; Soul Celebration </a>as we welcome members, friends and supporters for an evening looking back at all the wonderful events,  projects and activities that took place at Trinity in the last year.</p>
<p>This is a great opportunity to ask us any questions about getting involved with Trinity and how to get your own ideas or projects off the ground and out in the community.</p>
<p>During the celebration we will welcome resident artist <a href="https://www.trinitybristol.org.uk/activities/ignite/news/lullabies" class="internal-link">Roxana Vilk</a> who will be sharing her project<a href="https://www.trinitybristol.org.uk/activities/ignite/news/lullabies" class="internal-link"> 'Lullabies'</a> and our Communities team will be running an easy drop in workshop to create bird feeders. Plus, there will be food from Pieminister who have kindly donated vegan and veggie pies.</p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7f6a2148a580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2019-10-01T15:20:00Z</dc:date>
    <dc:type>News Item</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/activities/workshops-classes/copy_of_dance-for-parkinsons">
    <title>Dance for Parkinson's - Postponed  </title>
    <link>https://www.trinitybristol.org.uk/activities/workshops-classes/copy_of_dance-for-parkinsons</link>
    <description>This event is postponed until further notice. </description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><span style="font-family: calibri, arial, helvetica, sans-serif; font-size: 16px; background-color: rgb(255, 255, 255); "> Following the advice from Parkinson's UK Headquarters, Dance for Parkinson's have decided to close all activities. This is because their members are one of the most vulnerable groups to face the spread of the Coronavirus.<a class="external-link" href="https://sites.google.com/site/parkinsonsbristol/home/Activities-and-Support?authuser=0"> More information can be found here</a>.</span></p>
<p>-------------------------------------------------------------</p>
<p>A playful and gentle dance movement class specifically designed for people living with Parkinson’s. Bring your partner or carer along to join in too. All welcome, no previous dance experience required, just a willingness to have fun!</p>
<p>The classes are lead by Dancers from The Original Spinners who are trained to deliver dance to people living with Parkinson’s and currently lead sessions at Southmead Hospital.</p>
<p><strong>Details</strong><br />Classes run every Tuesday from 10.30am – 12pm <br />(Dancing from 10.30am-11.30am followed by tea, coffee, biscuits and a chance to socialise)<br />Wear comfortable clothing and shoes.</p>
<p>“It makes me feel good, it gives me a workout, it has emotional content, and it requires interaction with other dancers. And all these benefits enable me to live with a little more ‘Joie de vivre’ in my life!” (Southmead class participant)</p>
<p><strong>Dates when the class will <span style="text-decoration: underline;">not</span> be running</strong><br />24th Dec 2019<br />31st Dec 2019<br />7th April 2020<br />14th April 2020<br />26th May 2020<strong><br /><br /></strong></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>alison</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>workshops</dc:subject>
    
    
      <dc:subject>class</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2019-09-13T16:25:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/activities/archive/bcce">
    <title>BCCE recievership</title>
    <link>https://www.trinitybristol.org.uk/activities/archive/bcce</link>
    <description></description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>Bristol County Court put Trinity into the hands of the Official Reciever.</p>
<p style="text-align: center; "><img src="https://www.trinitybristol.org.uk/old-images/newsclip1.png" alt="" class="image-inline" title="" /></p>
<p>Bristol Caribbean Community Enterprise Group had debts of more than £100,000.</p>
<p>Midland Bank was the company's biggest creditor, but the Inland Revenue (who was owed £23,000) brought legal action.</p>
<p>Its Chairman at the time (from November 1983), Mr Richard Davis, said in Venue no.70:</p>
<p><i>"We had several months' work to do on improving the appearance of the place...it's tragic and we feel very bad about it all." </i></p>
<p>He believed they could turn their losses around but needed to overcome the drawbacks (like the gravestones outside the road widening and the state of the building) which were thought responsible for people's reluctance to use the place: <i>"We inherited a lot of problems. It's been a long, hard slog and it seems everything's been against us."</i></p>
<p>Centre Manager, Fitzroy De Freitas was accused of stealing money and running away to Jamaica. It transpired that he was actually living at his sister's house in Clevedon, penniless, with massive loans out on his former property due to Trinity. Sadly, the rumours stuck anyway.</p>
<p style="text-align: center; "><img src="https://www.trinitybristol.org.uk/old-images/dscf0948.png" alt="" class="image-inline" title="" /></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7f6a2148a580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2019-07-15T13:30:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>




</rdf:RDF>
