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  <title>Trinity Community Arts</title>
  <link>https://www.trinitybristol.org.uk</link>

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            These are the search results for the query, showing results 896 to 910.
        
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  <item rdf:about="https://www.trinitybristol.org.uk/whats-on/2023/raver-tots">
    <title>Raver Tots</title>
    <link>https://www.trinitybristol.org.uk/whats-on/2023/raver-tots</link>
    <description>UK’s biggest family friendly rave</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>Raver Tots is the UK’s biggest family friendly rave and festival brand where kids and grownups can hit the dance floor and rave together! Raver Tots also has an ongoing charitable interest and supports an array of charities that help children with Autism and ADHD and more.</p>
<p>Featuring a huge effects show throughout the event with dancers, performers, cold pyro, bubbles, festival sized confetti blasts, multi coloured lasers and lighting, parachute games, giant balloons, licensed bar and face painting!</p>
<p><strong>Line up:</strong></p>
<ul>
<li>Jumping Jack Frost</li>
<li>Moody Mike</li>
<li>Dani Whylie</li>
<li>MC Maddy V</li>
</ul>
<p>Please note this is a standing event, <a href="https://www.trinitybristol.org.uk/accessibility/accessibility" class="external-link">accessible seating</a> is available.</p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7faffd6c2580&gt;</dc:creator>
    <dc:rights></dc:rights>
    <dc:date>2023-02-03T16:50:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/about/news/latest-news/introducing-next-gen-sounds-1">
    <title>Introducing: Next-Gen Sounds</title>
    <link>https://www.trinitybristol.org.uk/about/news/latest-news/introducing-next-gen-sounds-1</link>
    <description>Free, open-access music sessions for 16-18 yrs at Trinity</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="https://www.trinitybristol.org.uk/about/news/latest-news/copy_of_NextGenNews.png" alt="" class="image-inline" title="" /></p>
<p> </p>
<p>Next Gen Sounds is a new open-access music education session for young people aged 14-25 that offers the chance to gain knowledge and skills from expert tutors in Trinity’s fully-equipped rehearsal room and production studios.</p>
<p>The sessions will be student-led, meaning that young people will be able to shape the programme to suit their interests and ambitions; whether that be learning to play instruments, music production, performing live, or anything in-between.</p>
<p>Trinity’s in-house music tutors, Fern and Pete, will also be on-hand to offer support and guidance to students during the sessions. Students will learn together as a group, offering a chance to work collaboratively and meet other young people.</p>
<p>Next-Gen Sounds is free to-access and is part of Trinity’s ongoing commitment to offering music education to young people that may not otherwise have access to music equipment. There will be free food at the end of each session, provided by Pret a Manger, as well as any travel costs covered (to and from the Trinity Centre) to ensure that the course is accessible to everyone.</p>
<p>The course starts on 9 Feb 2023 with an introductory session, allowing participants to meet the tutors and other students, to take a look at the space and discuss what musical skill students may want to explore.</p>
<p>To find out more about taking part in Next-Gen Sounds, click <a href="https://www.trinitybristol.org.uk/whats-on/2023/Next-Gen-Sounds" class="external-link">here</a>.</p>
<p> </p>
<p><img src="https://www.trinitybristol.org.uk/about/news/latest-news/copy_of_creativeyouthnetworklogoblack.png/@@images/d1c417e1-48de-49e9-a2f9-ab1d6ede16c8.png" alt="" class="image-inline" title="" /></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7faffd6c2580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>young people</dc:subject>
    
    <dc:date>2023-02-03T12:05:00Z</dc:date>
    <dc:type>News Item</dc:type>
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  <item rdf:about="https://www.trinitybristol.org.uk/whats-on/2023/planet-shroom-1">
    <title>Planet Shroom</title>
    <link>https://www.trinitybristol.org.uk/whats-on/2023/planet-shroom-1</link>
    <description>Bristol's No1 Psytrance Night</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>Planet Shroom returns to Trinity for the next instalment of Bristol's favourite psytrance night!</p>
<p>Live Acts:<br />-Dirty Saffi  (Bom Shanka Music)<br />-Alta (Zero 1 Music)</p>
<p>DJs:<br />-Nuky (Bom Shanka Music)<br />-Geo (Tribe of Frog)<br />-Lurk (Zero 1 Music/Planet Shroom)<br />-Sean Shift (Planet Shroom)</p>
<p><span style="font-family: lato_medium, lato_black, verdana, arial, helvetica, sans-serif; font-size: 12.8px; text-align: justify; background-color: rgb(255, 255, 255); ">Please note this is a standing event, </span><a style="margin: 0px; padding: 0px; outline: none; color: rgb(0, 113, 135); font-family: lato_medium, lato_black, verdana, arial, helvetica, sans-serif; font-size: 12.8px; text-align: justify; background-color: rgb(255, 255, 255); " href="https://www.trinitybristol.org.uk/accessibility/accessibility" class="external-link">accessible seating</a><span style="font-family: lato_medium, lato_black, verdana, arial, helvetica, sans-serif; font-size: 12.8px; text-align: justify; background-color: rgb(255, 255, 255); "> is available.</span></p>
<p style="text-align: justify; "><span style="font-family: lato_medium, lato_black, verdana, arial, helvetica, sans-serif;"><span style="font-size: 12.8px; background-color: rgb(255, 255, 255); "><span style="font-family: lato_medium, lato_black, verdana, arial, helvetica, sans-serif; font-size: 12.8px; text-align: justify; background-color: rgb(255, 255, 255); "><span style="text-decoration: underline;">Last entry: 2 hours before curfew</span></span></span></span></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7faffd6c2580&gt;</dc:creator>
    <dc:rights></dc:rights>
    <dc:date>2023-02-02T11:55:00Z</dc:date>
    <dc:type>Event</dc:type>
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  <item rdf:about="https://www.trinitybristol.org.uk/whats-on/2023/ichiko-aoba-">
    <title>Ichiko Aoba</title>
    <link>https://www.trinitybristol.org.uk/whats-on/2023/ichiko-aoba-</link>
    <description>Folk music, alternative/indie</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>Ichiko Aoba is a Japanese folk singer and songwriter who was born in Urayasu, Chiba and raised in Kyoto Prefecture, Japan. She releases music on her own label, Hermine. Her main instrument is guitar, which most of her music is mainly composed of, but she also plays the piano, clarinet, accordion, and flute on her own. Aoba is known for her acoustic sound and song writing, which is inspired by her dreams.</p>
<p><strong>On sale Friday 3rd February at 10am</strong></p>
<p>Please note this is a standing event, <a href="https://www.trinitybristol.org.uk/accessibility/accessibility">accessible seating</a> is available</p>
<p><span style="font-family: lato_medium, lato_black, verdana, arial, helvetica, sans-serif; font-size: 12.8px; text-align: justify; text-decoration: underline;">Last entry: 2 hours before curfew</span></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7faffd6c2580&gt;</dc:creator>
    <dc:rights></dc:rights>
    <dc:date>2023-02-01T11:40:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/about/annual-accounts/annual-accounts-202122">
    <title>Annual Accounts 2021/22</title>
    <link>https://www.trinitybristol.org.uk/about/annual-accounts/annual-accounts-202122</link>
    <description>Annual accounts for 2021/22</description>
    
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sarah</dc:creator>
    <dc:rights></dc:rights>
    <dc:date>2023-01-31T12:05:00Z</dc:date>
    <dc:type>Link</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/whats-on/2023/electrikal-wall-of-bass">
    <title>Electrikal Sound System: Wall of Bass</title>
    <link>https://www.trinitybristol.org.uk/whats-on/2023/electrikal-wall-of-bass</link>
    <description>Low-end bass and insane secret line up</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>After their monumental 2023 opening party with Sinai Sound System &amp; a crazy 3 hour back to back set from Born on Road's Kelvin373 and Crossy, Electrikal returns to Trinity Centre this February!</p>
<p>As all previous shows go, they will be bringing an all star secret lineup of drum &amp; bass's best headliners and a secret guest rig. The line-up and sound system  will be revealed upon entry and decks are coming down onto the dance floor, true sound system style.</p>
<p>Selectors will journey from Reggae and Dub into Jungle, Breaks and Drum &amp; Bass as the night progresses.</p>
<p>With 7 back to back sell out Wall of Bass shows which have been tearing down the South West you can expect this bank friendly dance to see you through February, tickets starting from £6.<br />Previous Wall of Bass events secret headliners include: Born on Road, Gardna, Zoro, AC13, Kelvin 373, Selecta J Man, Aries, Addicted, Bish, Crossy, Amplify, Distrupta, Carasel, Jakes, Texas, Y Dot, Buckfast Boys Club and many more, you can expect us to bring a weighty selection of drum and bass’s best artists.</p>
<p>Tickets are now on sale for £6 and are extremely limited.</p>
<p>Please bring ear plugs.</p>
<p>Please note this is a standing event, <a href="https://www.trinitybristol.org.uk/accessibility/accessibility" class="external-link">accessible seating</a> is available.</p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7faffd6c2580&gt;</dc:creator>
    <dc:rights></dc:rights>
    <dc:date>2023-01-30T14:30:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/whats-on/2023/copy4_of_police-community-outreach-meetings">
    <title>Police Community Outreach Meetings</title>
    <link>https://www.trinitybristol.org.uk/whats-on/2023/copy4_of_police-community-outreach-meetings</link>
    <description>Monthly sessions hosted by PCSO's to connect with the local community</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>Monthly meeting hosted by Avon and Somerset Constabulary to connect with the local community.</p>
<p>These meetings are open to all residents, traders and anyone that has an interest in their local policing.</p>
<p>The purpose of the meetings is to offer reassurance to the community that their local neighbourhood team will still be policing the area following the impending closure of the station on Trinity Road.</p>
<p><strong>How to get involved</strong></p>
<p>You will not need to bring anything along to attend these meetings, and you are welcome to come along at any point. There will be information available in several languages to help explain things and reminders of ways to contact your local police force.</p>
<p><strong>Meeting Times</strong></p>
<p>January - Tuesday 31/01/2023 - 5 pm to 7 pm <br />February - Saturday 25/02/2023 - 11 am to 1 pm <br />March - Friday 31/03/2023 - 5 pm to 7 pm <br />April - Wednesday - 26/04/2023 - 1 pm to 3 pm<br />May - Thursday 25/05/2023 - 10 am to 12 pm<br />June - Monday 19/06/2023 - 5 pm to 7 pm</p>
<p><span class="discreet"><strong>About Avon and Somerset Police</strong></span></p>
<p><span class="discreet">Avon and Somerset Police as we know it today formed in 1974 from the merger of the former Somerset and Bath Constabulary with the Bristol police force and the Staple Hill division of Gloucestershire Constabulary.</span></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7faffd6c2580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2023-01-30T11:15:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/about/news/latest-news/becoming-a-city-of-culture">
    <title>Becoming A City Of Culture</title>
    <link>https://www.trinitybristol.org.uk/about/news/latest-news/becoming-a-city-of-culture</link>
    <description>In our third blog on Citizens' Assembly's we are exploring Bradford's approach to bid for city of culture </description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p class="BCX0 SCXW93792060 Paragraph"><img src="https://www.trinitybristol.org.uk/about/news/latest-news/RosaNunez105.jpeg" alt="" class="image-inline" title="" /></p>
<p class="BCX0 SCXW93792060 Paragraph"><span class="discreet">Image credit: St Paul's Carnival</span></p>
<p class="BCX0 SCXW93792060 Paragraph">In partnership with St Paul’s Carnival/Trinity and David Jubb of Citizens In Power, we are exploring how to co-create a<a href="https://www.trinitybristol.org.uk/about/news/2022/resolveuid/601c09e7fd1d43e18da4bcaddc450759" class="BCX0 SCXW93792060 Hyperlink" rel="noreferrer noopener" target="_blank"> cultural strategy</a> for the city and surrounding region with citizens.</p>
<p class="BCX0 SCXW93792060 Paragraph">During this research phase, funded by Calouste Gulbenkian Foundation (UK Branch), we invited a range of collaborators from the sector who place participation at the heart of their practice to hear from some of the best speakers working in democratic decision making right now.</p>
<p class="BCX0 SCXW93792060 Paragraph"><span style="font-weight: 700; ">Part 3: Becoming A City Of Culture</span></p>
<p class="BCX0 SCXW93792060 Paragraph">In our third blog we reflect on the thoughts and experiences of <a class="external-link" href="https://bradford2025.co.uk/">Bradford 2025</a> team members, May McQuade and Jack Lynch who used the Citizens’ Assembly model as part of Bradford’s successful UK City of Culture 2025 bid.</p>
<p class="BCX0 SCXW93792060 Paragraph">May McQuade was the Programme and Community Coordinator for Bradford 2025. It was her role to explore what they would do if they were to win, and what programming could happen during the bidding period. This involved lots of consultation work, spreading the word around the bidding and getting people on board. <br class="BCX0 SCXW93792060" /></p>
<p class="BCX0 SCXW93792060 Paragraph">Jack Lynch worked on creating the campaign and brand for Bradford 2025. His role looked at how the City of Culture bid looked and felt, and the story they wanted it to tell. Jack spoke about being particularly keen to make something that felt truly original in Bradford, particularly with regards to how people normally spoke about the area.</p>
<p class="BCX0 SCXW93792060 Paragraph">The group were interested to explore what the catalyst was for this groundswell of positive engagement with the Bradford 2025 campaign. Jack shared that there was a focus on taking public opinion and universal truths about Bradford, and working them into the campaign. They found this was a way that everyone – from people in the arts sector to people in the street – could understand the aim of winning a City of Culture bid, and that this helped create a high level of engagement. The group discussed that ‘finding the city’s universal truths’ could be an important part of a City of Culture bid for Bristol.</p>
<p class="BCX0 SCXW93792060 Paragraph">Delving into the local authority’s involvement in Bradford 2025, May shared how the council had set up and invested in the trust then fully supported the bidding process. The decision for the bid to be separate from the council gave the team creative freedom.</p>
<p class="BCX0 SCXW93792060 Paragraph">There was a question posed from the group about the high number of people of Pakistani heritage living in Bradford, and how the bid was representative of this community. May spoke about several staff and steering group members being of South Asian heritage and the broad consultation events taking place in every ward of the district. May also shared that part of the bid’s focus was around improving representation in decision making roles within the arts, and supporting growth of the South Asian arts offer in Bradford. She went on to say that there are also many other Global Majority groups living in the area, and they wanted to make sure everyone was involved - which was admittedly difficult. The group spoke about Bristol’s arts sector not being fully representative of the diverse population of the city, and how there would need to be careful thought put into that during the bidding process. <br class="BCX0 SCXW93792060" /></p>
<p class="BCX0 SCXW93792060 Paragraph">When asked what the biggest takeaways were from the process, Jack spoke about understanding that from a marketing perspective this is essentially a political campaign. May shared that, on a personal level, she felt it was important to start with a pace that makes sense with the communities you’re working with and not push too hard from the beginning – it’s a fast paced process and can easily become overwhelming.</p>
<p><span style="font-weight: 700; ">Interested in finding out more?</span></p>
<ul>
<li>Read the blogs so far: Part 1 <a href="https://www.trinitybristol.org.uk/about/news/latest-news/what-is-a-citizens-assembly" class="internal-link">What is a Citizen's Assembly?</a> and Part 2 <a href="https://www.trinitybristol.org.uk/about/news/latest-news/art-for-with-by-the-people" class="internal-link">Art, for, with, by the people</a></li>
<li>Keep up-to-date about the project by joining our<a class="external-link" href="https://my.trinitybristol.org.uk/civicrm/?civiwp=CiviCRM&amp;q=civicrm%2Fgdpr%2Fcomms-prefs%2Fupdate&amp;reset=1&amp;cid=12051&amp;cs=5f4fce0d5881ed2cc33b8e96128ab16a_1631783959_1680"> mailing list</a></li>
<li>Read Freddie Wulf's article: <a href="https://www.trinitybristol.org.uk/about/news/latest-news/identity-capital" class="internal-link">Identity Capital</a></li>
<li>Watch Trinity's take over of the <a class="external-link" href="https://www.youtube.com/watch?v=H-QzEMV7ZVU&amp;list=PLx2v-Ys1Yf1hYMgrEUdEUVjwH8LmhhyfR&amp;index=2">Radix Big Tent</a></li>
<li>Join in the conversation using #67MillionVoices</li>
</ul>
<p><img src="https://www.trinitybristol.org.uk/about/news/latest-news/Calouste_Gulbenkian_Foundation.jpg/@@images/3e319a86-e5f4-47b6-931e-7f3cbaa5ca98.jpeg" alt="" class="image-inline" title="" /></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sarah</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>citizens for culture</dc:subject>
    
    
      <dc:subject>assembly</dc:subject>
    
    
      <dc:subject>anjali</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2023-01-27T13:00:00Z</dc:date>
    <dc:type>News Item</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/whats-on/workshops-classes/keep-going-keep-growing">
    <title>Keep Going Keep Growing</title>
    <link>https://www.trinitybristol.org.uk/whats-on/workshops-classes/keep-going-keep-growing</link>
    <description>Changes Bristol's health and well being project</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>Explore ways to improve your mental health and wellbeing in supported bi-monthly sessions delivered  by <a class="external-link" href="https://changesbristol.org.uk/">Changes Bristol</a>.</p>
<p>Sessions will take place in the Trinity Community Garden as well as inside the building and will focus on nature-based and craft activities that will explore gentle practices to improve wellbeing and to build connections with the natural world, yourself and each other.</p>
<p><strong>How to get involved</strong></p>
<p style="text-align: left; ">Registration is via Changes Bristol,  please contact Jen from the team on growing@changesbristol.org.uk to find out more</p>
<p><span class="discreet"><strong>About Changes Bristol</strong></span></p>
<p><span class="discreet">Changes Bristol has been providing support to those in mental distress in Greater Bristol, since 2003. People access our services in the city of Bristol, North Somerset, South Gloucestershire (BNSSG), and Bath &amp; North East Somerset.</span></p>
<p><span class="discreet">Changes provide support in the form of weekly support meetings across Bristol and providing learning materials for participants to take away and learn new techniques such as mindfulness and CBT. Changes also provide brefriending services, volunteering opportunities to help people gain confidence and learn new skills, as well as training opportunities.</span></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7faffd6c2580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2023-01-27T12:35:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/about/news/latest-news/new-music-making-partnership-launched">
    <title>New music-making partnership launched</title>
    <link>https://www.trinitybristol.org.uk/about/news/latest-news/new-music-making-partnership-launched</link>
    <description>Trinity join forces with CYN, Basement and ACE to deliver 18mth project</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="https://www.trinitybristol.org.uk/about/news/latest-news/CityAcademy22_06_2022_6.jpg" alt="" class="image-inline" title="" /></p>
<p><span class="discreet">Students from local secondary taking part in an Industry Insights session</span></p>
<p>We have joined forces with leading youth providers Creative Youth Network (CYN), Aspiration Creation Elevation (ACE) and Basement Studios to offer the opportunity for over 2.5k young people to access free music-making provision. The project is supported by Youth Music using public funding by the National Lottery through Arts Council England.</p>
<p>During the next 18 months, young people from Bristol and South Gloucestershire will have the chance to explore their musical talent and pursue careers in the music industry. Each organisation in the partnership are working closely with communities within Bristol and South Gloucestershire to ensure that there will be a variety of programmes to suit the interests of those taking part.</p>
<p>Across the project, Youth workers and mentors from across the partnership will work together with young people, helping individuals to plan out their personal journey to making music, building creative confidence and nurturing their ambition. Activity will focus on three key areas: building confidence, upskilling, and industry experience and insight and will include developing a 'youth voice' where young people will have the opportunity to be co-designers of the programmes.</p>
<p>As part of the project Trinity is hosting open access music sessions alongside <a href="https://www.trinitybristol.org.uk/whats-on/old/music-masterclass-aysha-tailor-whyte" class="internal-link">Music Masterclasses</a> where young people are able to meet and learn from professionals as well as network with other emerging musicians</p>
<p>Click <a class="external-link" href="https://www.creativeyouthnetwork.org.uk/blog/introducing-nimbus-sounds">here </a>to find out more about the project or sign up to our<a class="external-link" href="https://my.trinitybristol.org.uk/civicrm/?civiwp=CiviCRM&amp;q=civicrm%2Fgdpr%2Fcomms-prefs%2Fupdate&amp;reset=1&amp;cid=12051&amp;cs=5f4fce0d5881ed2cc33b8e96128ab16a_1631783959_168"> mailing list</a> to keep up-to-date about activities for young people (up to 25yrs).</p>
<p><img src="https://www.trinitybristol.org.uk/about/job-vacancies/YouthMusicLogo.jpeg/@@images/07f04610-686c-491f-9708-939f22946a29.jpeg" alt="Youth Music Logo New" class="image-inline" title="Youth Music Logo New" /></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sarah</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>young people</dc:subject>
    
    <dc:date>2023-01-27T12:35:00Z</dc:date>
    <dc:type>News Item</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/whats-on/2023/rhythm-of-the-night-1">
    <title>Rhythm of the Night </title>
    <link>https://www.trinitybristol.org.uk/whats-on/2023/rhythm-of-the-night-1</link>
    <description>A nightclub for adults with learning difficulties, their families and friends </description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><strong><a class="external-link" href="http://misfitstheatre.com/">The Misfits Theatre Company</a> </strong>would like to invite you to Rhythm of the Night.</p>
<p>So put on your dancing clothing on, be entertained and join us for a fun night at Trinity!</p>
<p>A great and fun way to meet new people and have a chat over a drink or two, along with some great music to do some dancing and socialising.</p>
<p>Rhythm of the Night is every last Thursday of the month.<br /><br />Disco starts at 7.00pm<br /><br />Bar open - please note you have to be over 18 to buy alcoholic drinks from our bar. You will be asked for an ID, so please bring one with you. Please ensure that transport is arranged for the end of the night.</p>
<p><br />Please note that Trinity has a public pay and display car park. It applies to anyone parking at the Centre, including staff, hirers, centre users and blue badge holders. The rates start at £1 (for 1hr) and go up to £5 for 12hrs. More info about Trinity's car park can be found <a href="https://www.trinitybristol.org.uk/whats-on/contact">here</a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7faffd6c2580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>music</dc:subject>
    
    
      <dc:subject>club night</dc:subject>
    
    <dc:date>2023-01-27T11:45:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/activities/past-projects/heritage/news/same-building-different-meaning-1">
    <title>From the archive: Same building; different meaning</title>
    <link>https://www.trinitybristol.org.uk/activities/past-projects/heritage/news/same-building-different-meaning-1</link>
    <description>Write up from Dr Katie McClymont's 2018 talk about the re-purposing of churches as community spaces</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p style="text-align: center; "><img src="https://www.trinitybristol.org.uk/activities/past-projects/heritage/news/DrKatieMcClymont600x4002.jpg" alt="" class="image-inline" title="" /></p>
<p><span class="discreet">Dr Katie McClymont's talk '...and The Spirit Lingered On' explored the idea of community spirituality photo@ Khali Ackford</span></p>
<p><strong><strong>As <strong><strong>m</strong>omentum builds to save <a class="external-link" href="http://www.bristol247.com/news-and-features/news/campaign-transform-former-swimming-pool-community-hub/">Jacob Wells Baths</a> and return the listed building to community use we are looking back at our archive <strong>and sharing our blogs exploring the importance of community spaces. In this blog, first published in 2018 as part of our Heart &amp; Soul heritage project, we reflect on <strong>Dr Katie McClymont's  (UWE’s Senior Lecturer in Urban Planning) public talk about municipal spirituality and its social context. </strong></strong></strong></strong></strong></p>
<blockquote class="pullquote"><span class="discreet">"Before Katie’s talk I did not understand much about the subject but it was an enormously interesting presentation with many specific examples from around Bristol." Audience member</span></blockquote>
<p>The talk began with an explanation of the meaning of municipal spirituality and the way it occurs in places with civic and spiritual functions. The term is quite broad and can be applied to music venues, libraries, ex-churches, parks, public spaces and community centres. The factor of whether the space is inside or outside is irrelevant, it is the sense of potential for togetherness or inclusivity that is the key. This feeling does not have to respond to an existing religion, it can be responding to something beyond the everyday realm. For example, cemeteries are not necessarily places of religion but to many people have an enormous sense of the spiritual.</p>
<p>As part of her talk, Katie showed examples of church buildings around Bristol that have been re-purposed. They are all buildings that she happened to be passing on her route around the city on a given day, showing how many church buildings are scattered across the city, and the great proportion of them which are being used for something different than the original purpose.</p>
<p>Katie talked about how, through the 1970s and 1980s, there was an exponential rate of church closures. Some of these still have a social function, such as a former church in Easton that is now a centre for supported independence. Currently the Church of England (C of E) closes around 20-25 churches per each year.</p>
<p>A <a class="external-link" href="https://locality.org.uk/our-influencing-work/save-our-spaces">report from the charity Locality</a> documents this selling buildings and what comminities are doing in response to this.</p>
<blockquote class="pullquote"><span class="discreet">"I found it very interesting to hear that C of E churches are available for sale, listed on the C of E website for the public to peruse. Some of them have descriptions about their future use, for example ‘for continued worship’, ‘community work’ or ‘suitable for a wide range of uses’." Tess Sieling, project intern</span></blockquote>
<p>Katie cited the strange feeling around seeing churches for sale in such a matter of fact, straightforward way when in fact they are very special buildings. This raised the question: can you put a price on a church? Also, what judgements are being made about the buildings before they are sold? The example of the Bill’s restaurant chain taking over old church buildings was used, as Katie said that in some cases the insides are ripped out but the strong ethos from the church remains. Even in its new function, sometimes a feeling of the old spirit lingers on. Katie is a very passionate advocate about the amazing idea that churches will always be a place to create connections between people and others; people and the past; and people and something bigger than themselves.</p>
<p>Katie made a film about community art spaces around Bristol including Trinity, Jacobs Wells Baths, Barton Hill Settlement and St Mary Redcliffe Church. As well as being a great medium to communicate the joys of community spaces, Katie said that when they were interviewing people from these spaces, after being asked a question, the interviewee would often give a very telling pause before answering which she believes shows the sense of the community space working beyond its physical and material achievements.   Sometimes when churches are changed into private use buildings like a holiday home it can feel wrong and perhaps this is due to that change away from its original ethos. Is it because there is a feeling of loss of the shared community space that once was there?</p>
<p style="text-align: center; "><img src="https://www.trinitybristol.org.uk/activities/past-projects/heritage/news/DrKatieMcClymont600x400.jpg" alt="" class="image-inline" title="" /></p>
<p><span class="discreet">What is the value of a church when it no longer is a church? Photo credit @Khali Ackford</span></p>
<blockquote class="pullquote"><span class="discreet">Sometimes when churches are changed into private use buildings like a holiday home it can feel wrong and perhaps this is due to that change away from its original ethos. Is it because there is a feeling of loss of the shared community space that once was there?</span></blockquote>
<p>Churches have value. They have a common purpose and a built heritage. The debate is what is their value is and when is it lost? If the value is the sense of people coming together and socialising with people they would not normally, then spaces like Trinity offer us examples of activites that do this with great popularity and with no religious aspect.</p>
<p>Churches closing have caused massive losses to local communities. In addition, a lot of us now live in self selective communities, so where do you meet people different from you apart from in a doctor’s waiting room or on a bus?</p>
<p>Katie's talk highlighted the importance of having inclusive places where different people can engage in a meaningful way. Do we define using a church as a multi use community space as adapting the church or losing the church? As an increasing number of us are of no religion, perhaps we are adapting churches to keep them relevant and concerts, gigs and other actitivites offer us that place to congregate in our secular state.</p>
<p>This write up was by Tess Sieling, who was the project intern on the <a href="https://www.trinitybristol.org.uk/activities/past-projects/heritage" class="internal-link">Heart &amp; Soul </a>heritage project. The talk was part of a series exploring the challenges and achievements of transforming and preserving historic buildings and was programmed in collaboration with Bristol's Architecture Centre and the University of West England (UWE).</p>
<p><strong>How to get involved</strong></p>
<p><a class="external-link" href="https://www.change.org/p/save-jacob-s-wells-baths-transform-it-into-a-community-hub">Click here to sign</a> the Hotwells and Cliftonwood petition to Save Jacobs Wells Baths</p>
<p><strong>Further reading</strong></p>
<p>Read more from Katie McClymont in her published journal, <a class="external-link" href="https://journal.equinoxpub.com/IR/article/view/9773">Spaces for Secular Faith</a></p>
<p>Read more from our Heart &amp; Soul talk series -<a href="https://www.trinitybristol.org.uk/activities/past-projects/heritage/news/father-paul-2018the-rebel-conformist2019" class="internal-link"> Father Paul</a>, <a href="https://www.trinitybristol.org.uk/activities/past-projects/heritage/news/reusing-adapating-historic-buildings" class="internal-link">Fidel Meraz</a> and <a href="https://www.trinitybristol.org.uk/activities/past-projects/heritage/news/a-million-bricks-of-love" class="internal-link">A Million Bricks of Love.</a></p>
<p>Read more about the Save Jacobs Wells <a href="https://www.trinitybristol.org.uk/activities/about/news/Latest/save-jacobs-wells-baths" class="external-link">Campaign here</a>.</p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7faffd6c2580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>jwb</dc:subject>
    
    
      <dc:subject>heritage</dc:subject>
    
    <dc:date>2023-01-26T15:35:00Z</dc:date>
    <dc:type>News Item</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/about/news/latest-news/edson-burton-mbe">
    <title>Edson Burton MBE</title>
    <link>https://www.trinitybristol.org.uk/about/news/latest-news/edson-burton-mbe</link>
    <description>Dr Edson Burton reflects on receiving an MBE in the New Years Honours List.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="https://www.trinitybristol.org.uk/about/news/latest-news/edson169.jpeg" alt="" class="image-inline" title="" /></p>
<p><span class="discreet">Image credit: Dr Edson Burton</span></p>
<p>From exploring the history of <a href="https://www.trinitybristol.org.uk/activities/archive/holy-trinity-church" class="external-link">Trinity's building</a>, documenting Bristol's rich history of <a href="https://www.trinitybristol.org.uk/activities/art-of-resistance" class="internal-link">activism</a> to boldly retelling of <a href="https://www.trinitybristol.org.uk/activities/past-projects/bridges/news/bridges-project-round-up" class="internal-link">Homer's <i>The Odyssey</i></a> Trinity Associate Director, Dr Edson Burton has been the driving force behind Trinity's heritage and cultural offers. As part of this yrs Honours list Edson was awarded an MBE for his services to the <i>arts and to the community in Bristol </i>and we<i> </i>caught up with him as he shared his reflections upon receiving this award.</p>
<p>"I received an email telling me I’d be nominated for an MBE, and initially I thought it was a hoax – one of those scam emails that you get, some kind of con for unsuspecting but egotistical people. As I realised it was true, initially I didn’t feel any great qualms about saying yes, and I also didn’t have much time because the email had been written a few weeks before and came into my inbox late. So, I said yes, and I think for me the reason why it felt like an easy decision, at the time, is partly because, when it comes to it, I don’t see it so much in terms of the Empire and the nomenclature of Empire, but more as a civic award. But at the end of the day, to be honest, it’s nice to feel that you’ve been doing something useful – and I still dispute how useful I have been – but I was honoured that whatever contribution I’d been making had been in some way recognised.</p>
<blockquote class="pullquote">"At the end of the day my politics isn’t going to shift or change in anyway – I'm still going to wear gaudy costumes and run around half-naked at Shambala and be an advocate for all kinds of things. None of that is going to change"</blockquote>
<p>It’s always loaded when someone of Colour accepts an MBE. The concern is that it’s loaded in a way that it isn’t for White people. I suppose it’s probably loaded if you were a member of the socialist left, if Billy Bragg got awarded an MBE for example, so maybe it’s more about politics than race. We’re at a point in history where notions of decolonisation are to the fore, alongside what British identity means and the injustices of the Empire.</p>
<p>We live in a progressive city, but there are tribes within it, and while we might share broader aims and agendas, sometimes within our tribes, there’s really different ways of thinking about monarchy and status.</p>
<p>But I'm curious about it – I didn’t need it, I haven’t asked for it, but I also recognise that we all stand at a point in history and I’m part of that story, that moment in history in which this civic award means a particular thing, and that still has some weight and impact. That weight and impact is also an echo of my family journey from the Caribbean to growing up in Bedford to where I am today. I think it [the MBE] being part of that particular story is quite powerful.</p>
<p>I think [accepting] the offer of it is greater than a gesture of a no because it may open some doors and add some weight to conversations, but also in the wider story it lands with a particular gravitas that not having it wouldn’t...The problem is, there are two challenges associated with the award: the monarchy and where one sits with that, and the Empire word. As a writer, if we think about the deconstruction of language and its usage and meaning, it completely changes. It’s [Empire] an anachronistic term for something that means something completely different now. It feels a bit facetious, in this day and age, with our awareness of meaning and how meaning shifts, to be still insisting that that’s what it means. It’s a civic award with an anachronistic title. I guess it’s one of those things that any kind of shift gets massively politicised, and the ruptures that come from that shift can, ironically, create an even more hostile environment for progressive thinkers.</p>
<p>So, when all is said and done, I go back to the original thing of curiosity, what might it confer, and I’m also chuffed that some people I know said thank you for doing whatever it is you do. For me, the arbitrariness of this, and why I’m also uneasy about it, is that among my networks there are so many brilliant people doing amazing work, selflessly and being under-recognised – I do a lot of forward-facing, public work which gets noticed, and I’m also aware that friends are doing stuff that I admire but their sense of service is quiet. So, there’s also a sense of humility, not out of some kind of imposter syndrome, but it’s just an understanding that there’s a whole raft of people that go unrecognised".</p>
<p>I can’t say I’ve started an organisation or done this, but sometimes occupying a space is really important, especially if that space isn’t normally available, especially if arguments can be seen as very binary. There’s so much emotional pain when we talk about race, class, sexuality – so much pain of people not being seen, othered, ostracised. Trying to hold those things in respect and balance and have those conversations is so important.</p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7faffd6c2580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>edson</dc:subject>
    
    <dc:date>2023-01-26T09:35:00Z</dc:date>
    <dc:type>News Item</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/about/news/latest-news/trinity-receives-tech-maker-and-maintainer-grant">
    <title>Tech Maker and Maintainer Grant</title>
    <link>https://www.trinitybristol.org.uk/about/news/latest-news/trinity-receives-tech-maker-and-maintainer-grant</link>
    <description>Trinity has been awarded a Community Tech Maker and Maintainer grant </description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="https://www.trinitybristol.org.uk/about/news/latest-news/DSC_1157.jpg" alt="Garden Party 2022 - Image Credit: Sophia Stefelle" class="image-inline" title="Garden Party 2022 - Image Credit: Sophia Stefelle" /></p>
<p><span class="discreet">Garden Party 2022 - Image Credit: Sophia Stefelle</span></p>
<p>Trinity is one of ten organisations that have been awarded a Community Tech Maker and Maintainer grant as part of Power To Change’s Flagship programme to support the development of community tech across England.</p>
<blockquote class="pullquote">“The tech grant allows us to rethink how communities could take back ownership of their data whilst also investing in the Open-Source community”</blockquote>
<blockquote class="pullquote">Sarah Bentley, Trinity Community Arts</blockquote>
<p>We have been awarded the grant to develop our Open-Source customer relationship management software, CiviCRM to effectively gather impact and monitoring data. We will also be collaborating with stakeholders to explore how as users we can take back ownership of data and use it for the benefit of local communities.</p>
<p>The Tech Maker and Maintainer Grant further cements Power to Change’s support in our commitment to investing in Free and Open-Source Software (FOSS) for community organisations.</p>
<p>Through a <a href="https://www.trinitybristol.org.uk/about/renovation/news/capital-2019-22" class="external-link">previous grant</a> we were able to embed an effective strategy for our CRM that focused on data segmentation and internal training which has allowed up to maximise income generation via ticket sales and/or direct mailings.</p>
<p>CiviCRM however, is not universally accessible or fit for purpose for all our programmes of activity - which may happen off-site or without user registration.  There may be other barriers, for example, language or age and this often leaves us with gaps in data. This investment will help us co-create solutions to bridging this gap – and we will share any development with the wider and active FOSS Community.</p>
<p>We are looking forward to collaborating with other organisations in receipt of the grant, alongside partners across tech, education, culture and community. If you would like to find out more about the project email sarah@trinitybristol.org.uk or read more about the grant on <a class="external-link" href="https://www.powertochange.org.uk/">Power to Change’s website</a>.</p>
<p><img src="https://www.trinitybristol.org.uk/activities/families/news/Powertochange.png/@@images/83a58dd0-7217-4699-84bb-5be51055972e.png" alt="Power to Change" class="image-inline" title="Power to Change" /></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7faffd6c2580&gt;</dc:creator>
    <dc:rights></dc:rights>
    <dc:date>2023-01-25T15:55:00Z</dc:date>
    <dc:type>News Item</dc:type>
  </item>


  <item rdf:about="https://www.trinitybristol.org.uk/whats-on/2023/morgan-wade">
    <title>Morgan Wade - SOLD OUT</title>
    <link>https://www.trinitybristol.org.uk/whats-on/2023/morgan-wade</link>
    <description>Atmospheric country and classic rock</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>Morgan Wade is a Country and classic rock artist from Virginia.</p>
<p>After a warm welcome from their UK fans in 2022, American country music singer Morgan Wade returns to the UK for another tour of headline shows. Wade didn’t write for success, for critical acclaim or massive concert tours. She wrote to speak her truth, to save her own life – and perhaps throw a rope to others struggling with the weight of a world moving too fast, loves where you fall too hard and nights that, good or bad, seem to go on forever.</p>
<p>2021 saw Reckless, her debut, and lead single “Wilder Days” topping critical lists from Rolling Stone, TIME, New York Times, Boston Globe and The Boot and Taste of Country who both described it as, “a once-in-a-decade debut.” With a voice that is raw hurt, deep knowing and somehow innocence retained, Wade wrote or co-wrote a song cycle about the reality facing teens and 20-somethings that embraced raw desire, the reality of getting high and getting sober, the realm of crawling through the wreckage with a tough vulnerability that is as singular as the young woman from Floyd, Virginia.</p>
<p>+ support: <a href="https://open.spotify.com/artist/2IpAJkXd1bfzyrq5oRVK4d?autoplay=true">Kat Hasty</a> born and raised in west Texas, her upbringing pours through her song writing in tales of desert highways and the hustle and bustle of oil towns.</p>
<p>Please note this is a standing event, <a href="https://www.trinitybristol.org.uk/accessibility/accessibility">accessible</a> seating is available.</p>
<p><span style="font-family: lato_medium, lato_black, verdana, arial, helvetica, sans-serif; font-size: 12.8px; text-align: justify; text-decoration: underline;">Last entry: 2 hours before curfew</span></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7faffd6c2580&gt;</dc:creator>
    <dc:rights></dc:rights>
    <dc:date>2023-01-24T16:20:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>




</rdf:RDF>
