Join Club Love for their regular mid-week social where their gorgeous community will be meeting up outside a clubbing and play environment to chat about all things ENM, do a bit of shopping/swapping and soak in a talk or demo.

If you are curious about Club Love's play parties this is the perfect event to meet like-minded people and have all your questions answered with no pressure or judgement. Club Love socials will be open to members and non- members. Non-members will also have the opportunity to be vetted for Club Love Membership in person at the event.

Club Love are also initiating the; Kinky Clothes Swap'. Bring all the bits you don’t wear anymore, don’t fit, or the some beloved items you want to share with someone else.

Stalls by: 
Tamatha-Ann Lovett 
Chipper Leather Company 
Lisa Rose Illustration 
Collared by Miles 

Everyone is subject to Club love's vibe checks on entry. This is not a cruising event. You will be turned away if we feel your intentions are misaligned or your vibe is off.

Low-income tickets or free PA tickets are available via email here.

• No Dress Code
• No Under 18's
• Club Love Event Etiquette Applies
• Not a Play Party
• Workshop starts 7:30pm sharp

Please ensure you visit Club Love's website for event etiquette and guidelines. 
Visit here for more info on accessibility and parking.

Rude Movements will be bringing along their expansive musical selections and party playfulness, to keep our spirits lifted this midwinter. Food is included with all tickets, and served from the start until it runs out.

The team behind Precious Energy are committed to creating a safe and welcoming space for everyone. Please ensure that you and your friends have read through their safer space policy before attending. You can find this below.

Please note this is a standing event, accessible seating is available.

Last entry: 2 hours before curfew

Venue levy: Trinity has introduced £1 restoration levy on every ticket sold. This income will be used to create a dedicated fund for critical building works, that will protect and maintain the Trinity Centre building and grounds.

Safer space policy: Precious Energy is a party that intends to bring people together through a shared love of music and dancing. Our aim is for everyone to leave the party with more positive energy than when they arrived. To help achieve this we ask everyone to read and adhere to this policy.

Everyone is welcome to attend as long as they treat others with kindness and respect. Be nice and look out for each other. Please respect other people’s pronouns, their boundaries, and their wishes.

Please remember to take responsibility for your friends' behaviour as well as your own. If you see your friends acting inappropriately please be an active bystander and call them out on it.

We do not tolerate abuse or discrimination of any kind. This includes (but is not limited to): ableism, ageism, homophobia, queerphobia, racism, religious discrimination, sexism, transphobia, intimidation, harassment, non-consensual touching, violence, or any kind of verbal or physical abuse. We reserve the right to remove anyone found behaving in this way from the party.

If you experience or witness these, or any other negative behaviours, feel uncomfortable, unsafe, or unwelcome, please come and speak to someone wearing a glowing band. We will be on hand to listen, provide a quiet space, and will respond to the situation. We will support you to find the best course of action and ultimately, make sure you get home safely.

We are still at the start of this journey and welcome any feedback that you have. We promise to listen and will be continuously reviewing our policy. You can send us an email at: preciousenergy.party@gmail.com

Thank you for taking the time to read this and helping us to make this party a safer space for everyone.

With love,

The Precious Energy Team

What to Bring:

A warm blanket or shawl for comfort during meditation and performances.A sacred item for the community altar (optional).Water from your local spring, well, or tap.Your open heart and a willingness to journey inward.

Arrival:

We recomend you arrive at 2:30pm to get settled into the space and drink some wild teas. The ritual begins at 3pm. Doors will close as the ritual begins.

The workshops are designed for all levels - from beginner to advanced.

Beginners will be able to get the right knowledge from instructors who have taught for years in different countries, but above all, they will understand all the techniques and tips necessary to get ready for the world of dance.

More info here

This autumn, enjoy an amazing programme of film screenings exploring the bredth of talents of African and diaspora filmmakers with Afrika Eye 2024, the South West's biggest celebration of African film and culture.

The festival returns to Trinity in a new format - instead of a full-on festival, the team at Afrika Eye have created a season of enticing films to run throughout the autumn months at Bristol venues including Watershed, The Cube, and The Trinity Centre.

"Our programme reaches across genres and aims to bring in new audiences to the festival with a season of films, rich in stories, drama and cultural themes, celebrating and sharing the vibrancy and importance of African culture with a programme appealing to all ages and interests" - Annie Menter, Afrika Eye Festival Director

At Trinity we pleased to welcome three films celebrating Black female action heroes:

Sat 09 No is Gina Prince-Bythewood's 2022 film The Woman King, starring Viola Davis. There will be delicious West African food for you to enjoy as well as a special Dahomey cocktail - click here to get your tickets.

On Fri 15 Nov, step back into the gritty '70s for a double bill screening of films starring the iconic Pam Grier in classic blaxploitation films Coffy and Foxy Brown. Plus stick around for an informal, post-screening discussion with a selections of black female and non-binary guests speakers.

This year’s Afrika Eye festival promises a diverse programme, spanning contemporary African films, spoken word performances, dance, music, and more, appealing to audiences of all ages. Artists from across Africa and within the diaspora bring insights, creative ideas and extraordinary projects to broaden and enrich our knowledge of a continent that has for centuries been part of a shared history, without ever having an equal voice. Head to Afrika Eye's website to explore the full line up.

Credit: Alison Ray Dance Company

The Unknown Soldier is a performance piece revealing the hidden histories of black British servicemen and women who fought for Britain during the First and Second World Wars. Created by Alison Ray Dance Company, the show explores the personal stories of the brave men and women of Black British heritage and the part they played in Britain’s successful war effort.

Ahead of show at Trinity on 19 October 2024 we caught up with company director, Alison Ray MA, to find out more about the making of the show.

"At the heart of The Unknown Soldier lies a captivating blend of dance styles, from the spirited rhythms of African and Caribbean movements to the fast, energetic Lindy hop dance to the poignant grace of contemporary dance"

Hey Alison, tell us a bit about the inspiration for this show

From a child, I learnt about Black servicemen in World War I and World War II following a trip to Barbados. The Prime Minister of Barbados at the time was the right honourable Errol Barrow who I also discovered was a RAF navigator in World War II. Upon our return to the UK, I was often surprised to see on television, that there were no black servicemen at the time in the Remembrance Services. Then, in 2014, during my master’s studies at Trinity Laban Conservatoire of Music and Dance, I had the opportunity to see the Sea of Poppies installation at the Tower of London. This installation inspired me to create this work, and I realised then that I could create The Unknown Solider, it’s a piece very close to my heart, something I’ve always wanted to choreograph.

The show uses different dance forms - can you tell us a little about the significance of these within the show?

At the heart of The Unknown Soldier lies a captivating blend of dance styles, from the spirited rhythms of African and Caribbean movements to the fast, energetic Lindy hop dance to the poignant grace of contemporary dance. Lindy hop was a dance form that supported the heart during the war years. Through this energetic and joyful dance style, soldiers, family, and friends, could let go and find the strength to carry on… The choreography serves as a vessel, carrying the audience through the tumultuous journey of these brave servicemen and women as they navigate the perils of war and the complexities of identity.

The cast of three dancers weaves together episodes that are sometimes explorations of theme and place (a duet between two men portrays the choreography of soldier hood with forceful lines and balances of support) and sometimes historical narrative integrated with movement. All this is accompanied through live music, including violin and drums, to create an atmosphere of uncertainty and ambiguity, of embarking on this journey to the unknown.

Tickets for The Unknown Soldier start at £9

New water refill stations across the venue thanks to the ticket levy and One Stop grant

At the Trinity Centre, we’re constantly striving to enhance our space, ensuring it remains accessible, inclusive, and sustainable for all. This year, we’ve undertaken several crucial capital works aimed at modernising the venue, thanks in part to your support through our ticket levy.

What's the levy for?

The ticket levy is a fee applied to all event tickets, intended to fund essential improvements to the building. These funds help us match contributions from sponsors and grant funders, allowing us to undertake mid-scale capital projects to enhance the venue for all users.

The levy is just one of the many ways we raise vital funds to maintain and improve the centre, ensuring it remains a hub for creativity and culture for communities of East Bristol and beyond.

Works so far

In 2024 we have already made significant strides to upgrade and enhance the venue to ensure it remains a vibrant, accessible and sustainable space for all who use it.

One of our key achievements has been the installation of water refill stations throughout the building and its gardens, made possible with additional match grant support from One Stop. This initiative is part of our commitment to sustainability, encouraging visitors to reduce their reliance on single-use plastics by carrying refillable water bottles. Not only does this reduce waste, but it also promotes healthier hydration habits for everyone who steps through our doors.

In addition to the water refill stations, we have upgraded our boiler system, ensuring a more energy-efficient way of heating the building. This improvement brings us a step closer to reducing our overall carbon footprint, in line with our sustainability goals. We have also carried out essential upgrades to our fire alarm systems, in addition to our general repairs and maintenance of the venue carried out each year.

What's next?

We're in the process of modernising our lift, which was originally installed in 2007. As a key part of our mission to ensure accessibility, this upgrade is vital to maintaining the reliability of the lift, which benefits an est 2,000 people with mobility needs who use the centre annually. The modernisation involves replacing outdated electrical components with modern, locally manufactured parts, reducing the frequent faults that have recently caused disruptions to various activities. This work is also being funded by the Bruce Wake Charitable Trust.

Looking further ahead, we are seeking to raise funds to impliment plans to deliver other mid-scale renovation projects to be supported by the ticket levy and match funds include:

Main hall upgrades; commissioning new technical lighting array to enhance the quality of performances and events held at the centre and carrying out improvements to internal doors to further improve fire and sound compartmentalisation.

Creation of a new multi-use meeting/dressing room; transforming our downstairs office, including roof repairs and internal works to provide a more flexible, multi-use space for staff and visitors alike, including providing additional back-stage space for artists and performers, upgrading the furnishings and fittings to create a more functional and versatile environment.

New garden eco-unit; replacement of the old outdoor mud-hut kitchen, built in 2012 thanks to an Awards for All grant, with a new unit to support the delivery of our children's nature play and wider learning and well-being activities.

Emma Harvey, CEO of Trinity, said:

"Trinity was built almost 200 years ago, and those who designed it could never have imagined the incredible variety of ways the space is used today. As proud guardians of this fantastic building, our work to maintain and modernise it for contemporary use is a continual effort.

"By contributing through the ticket levy, our audiences enable us to carry out much-needed upgrades while preserving the unique character and authenticity of the building. This support is crucial in demonstrating the match funds needed to secure wider grant funding and sponsorship needed to deliver against our ambitions for an accessible, inclusive and sustainable centre for the people.

"Thank you for being part of this journey with us and for helping us create a better Trinity for everyone."

Trinity Community Arts is a registered charity number 1144770

Bethany Ley - Image Credit: Giulia Spadafora

As part of our in-house programme, Trinity Presents, we are pleased to be bringing Bristol-based Bethany Ley to Strange Brew on 13 Sep.  Bethany will be performing their new EP, Sundial as part of a new Audio-Visual live show in collaboration with visual artist Alfie Dwyer, who recently worked with Aphex Twin creating the visuals for their 2023 tour.

We sat down with Bethany for an in-depth conversation about Sundial, exploring their creative process and what's next on their journey.

Hi! Please introduce yourself

B: Hello! I am Bethany Ley (FKA. STANLAEY), an independent producer, vocalist, and sound designer based in Bristol. I write music that explores the cross section of my background as a classical musician, with electronic production, improvisation and sound design.

"Trinity is such a big part of the tapestry of the Bristol music scene and I am grateful for the continuous support. If I step back, it’s nice to see the musical evolution in myself and the city – and that Trinity has been a constant force in that throughout the years" - Bethany Ley

You previously released music under the name STANLÆY - can you tell us the thought process behind changing your name as an artist, and how this has been reflected in your music?

B: Changing the name has felt like a natural progression of stepping into myself as an artist. I wanted to release music under a ubiquitous name that can constellate the hue of what I do in a way that makes sense to me. Stripping it back has given me a different type of excitement to explore production within my recorded and live work.

Your debut EP ‘Sundial’ was released a couple of months ago – can you tell us a little about the inspirations behind the project, the process of creating the EP and what the response has been like so far?

B: Sundial stemmed from a love and exploration of acousmatic sound design, and the visualisation of sound. The project actually started off as an imaginary OST to a sort of visual landscape, or generative video game. It then mutated and merged with structure and song-writing. Other topical inspiration was Internal Family Systems (IFS), a therapeutic model which thinks of each person having several modes of self within themselves. The response has been heart-warming. I feel grateful for Lo Recordings for taking it on to a label that it feels very at home at! Also very grateful to my friends and new people I have met and chatted to when performing these songs live!

This project has seen you working with AV artist Alfie Dwyer to create animations for Sundial, what was that process like and what do you think the visuals add to the overall experience of the EP?

B: I experience and make music really visually and recently have been writing my music alongside creating visual scores, so working with a visual artist has felt really natural; especially someone I am so close with. Alfie and I have overlaps in our interests and art, so I think our work compliments each-other well and we both get inspired by each-other when talking about ideas. I feel like visuals and sound give each-other so much, and together create something bigger than each part individually. It’s Alchemy. Putting them together in this way for my debut EP ‘Sundial’ has felt like we are able to invite people into the universe of the music in a more physical way.

You’ve been on our radar for a while now – performing at Trinity several times including at our Garden Party – what has this journey been like for you as an artist?

B: I played at The Garden Party in 2021 (Post-Covid) and we absolutely loved that show! I also played with Ishmael Ensemble as part of their ‘Visions of Light’ tour at Trinity in 2022, and most recently supporting Waldo’s Gift at Strange Brew back in March. Trinity is such a big part of the tapestry of the Bristol music scene and I am grateful for the continuous support. If I step back, it’s nice to see the musical evolution in myself and the city – and that Trinity has been a constant force in that throughout the years.

What can audiences expect from your show at Strange Brew on 13 Sep?

B: You can expect sonic and visual gemstones and crystals being gently hurled about the room. I will be playing electric harp, electronics and singing alongside a band on stage with me, whilst Alfie Dwyer performs his live bespoke visuals alongside Matteo Amadio on lights. I am so excited to be joined by musical angels James Storm (sax, synth & voice), Isla Greenwood (voice), Laura Wilson (violin) to bring to life the songs in a new and expansive way just for the Bristol show.

What’s next for Bethany Ley?

B: I am slowly working on an album or new body of work which I am excited about. I am saving up to go to Indonesia & plan to deep dive into the sound of bells, harmonics, and hopefully learn more about soundwaves in the process.

Bethany Ley will be performing at Strange Brew on Friday 13 Sep 2024 - click here to get your tickets.

Mungo's Hi Fi performing at Sequences Festival with Eva Lazarus and Charlie Hands

We are working with Bristol-based external promoters and artists to platform local grassroots artists alongside internationally renowned musicians. Teachings in Dub have been a staple of Trinity's programme for the last 15 years, honouring Trinity's legacy as a soundsystem venue by bringing some of the best Dub soundsystem operators and MCs to Trinity with monthly events at The Trinity Centre.

Ahead of our Day Party with Teachings in Dub and Mungo's Hi Fi on Sunday 18 August, we sat down with Mungo's to chat soundsystems, summer plans, up-and-coming artists and much more.

Q: Hi! Can you introduce yourself and tell us a little about how Mungo’s Hi Fi formed?

A: Hello - we are Mungo's Hi Fi, a Soundsystem based in Glasgow and named after Glasgow's founder, St Mungo. We started collecting vinyl, playing out, organising club nights, free parties and protests in the 90s. We saw the music as part of a social movement, and developed a DIY culture around what we did, starting to build our own soundsystem at the time.

"Bristol is the capital for UK soundsystem culture at the moment, fed by the deep enthusiasm for the festival and party scene, far enough away from London to have it's own scene, but still close enough to be involved with what's going on there" - Mungo's Hi Fi

Q: Your soundsystem is pretty legendary – can you tell us how it was developed?

A: We helped out with other people's sounds to begin with, and then found some old speaker boxes discarded in a skip. We bought an old amp, fixed them up and started building from there. We had a monthly gig in a bar which we took the sound to and played music at, as well as our own promotions in an old working man's club. We used the money from these events to pump back into buying more and better speakers and amps, as well as building speakers ourselves, some of which we are still using nearly 20 years on. It has improved over the years, and we have become more experienced in every aspect of using it.

Q: How did you first link up with Stryda and Teachings in Dub?

A: I am ashamed to say I can't remember. We used to listen to their radio show and they helped promote the releases we were putting out since we founded Scotch Bonnet in 2005...so we have been in touch for around 20 years. They have always been supportive of what we do, and vice versa.

Q: You’ve been a staple of Bristol lineups for some time now – is there anything about Bristol that sets it out from other cities in terms of Soundsystem culture?

A: Bristol is the capital for UK soundsystem culture at the moment, fed by the deep enthusiasm for the festival and party scene, far enough away from London to have it's own scene, but still close enough to be involved with what's going on there.

Q: What else does the summer have in store for Mungo’s?

A: This summer is pretty crazy for gigs. It started off with tours in Australia, New Zealand, America and Canada, and since then has been a whirlwind of festivals in the UK and Europe, from Latvia and Croatia, to the depths of the Scottish countryside. It is such a privilege to be invited to these sacred gatherings of various tribes. Got to say Boomtown will be a highlight this year with our first ever soundclash with David Rodigan.

Q: Who are some reggae and dub artists you think more people should know about?

A: Tough question, which depends on how much your ear is already to the ground. Coming from Jamaica right now you have to rate Samori I and Lila Ike as bringing something fresh and exciting. I'm a big fan of Johnny Go Figure from New York who I met for the first time a couple of weeks ago. As for the UK, I love what Joe Yorke is doing right now.

Q: Anything else you’d like to add?

A: I'm really keen to find out what the next generation will bring, and to see if there are ways that those of us who have been through it all can support them, cos I know it's harder than ever to make a name for yourself, let alone a career in the music industry. We help run a project in Scotland called The Soundsystem Project where we share some of the skills we have learned in building speakers, DJing, song writing, production and everything around that with young people. It really feeds my soul to see fresh faces getting involved, feeling inspired and growing as individuals and groups through the joyful act of making music together.

Mungo's Hi Fi will be playing at our Day Party with Teachings in Dub on Sunday 18 Aug alongside Solo Banton, Housewife's Choice and more - click here to get your tickets.

Acclaimed actress Miriam Margolyes took time out of her busy tour schedule to visit Jacobs Wells Baths, showing her support for the ongoing recovery efforts of this historic building. As an early supporter of the campaign, and a patron of Trinity Community Arts, Miriam's visit highlights the importance of restoring Jacobs Wells as a vital community and cultural heritage hub.

“I’m thrilled to have a chance to visit Jacob’s Wells Baths and encourage the Council and my fellow-supporters with their exciting plans to return this listed building to the service of the local Community. This will help so many to have a go - opportunity knocks at last.” Miriam Margolyes

During her visit, Miriam Margolyes met with our team and some of the professional team from PH3 Design who have developed the recently approved planning scheme to restore the space. Planned works include a street-facing main entrance and modernisation of the previously unused ground floor Pump Room, transforming it into a new cafe-bar and studio.

Miriam's visit comes as we complete key milestones for the project, including securing planning and lease completion. This means we can now begin crucial Phase 1 Repairs including works to the main hall roof, funded by £1.6 million secured from the DLUHC Community Ownership Fund and match funders.

We are excited to now be able to move forward with our efforts to bring the building back into use as a multidisciplinary venue for arts, heritage, youth, community and educational use.

We want to give thanks to everyone who has so far shared in our journey to make this vision possible, including our Patron Miriam, Bristol City Council, local stakeholders and the Hotwells & Harbourside Community Association, who led campaign efforts to save the building from disposal.

Completion of the 35-year leasehold is still to be confirmed by asset owners, Bristol City Council.

Find out more about our Jacobs Wells mission:

• Discover our vision for the building to be restored and reopened
• Learn about our Community Asset Transfer offer by Bristol City Council
• Donate to our Fundsurfer to help raise much needed funds for our phased plans to restore the building

Oh Miriam! Live is at Bristol Beacon, 12th July – Click here for tickets

DIASPORA! Festival Flag Making Workshop

DIASPORA! Festival is a vibrant celebration of people, arts, culture, film, and more, taking place at host venues across the city on Early May Bank Holiday weekend 03 - 06 May. Brought to the South West by Diverse Artists Network, the festival aims to reflect the rich variety of talent within the south west’s global communities, with an emphasis on the creative arts that reside within these communities. Trinity is very proud to be partnering with Diverse Artist Network to bring Diaspora to Trinity, through a programme of workshops, music events and arts.

“Brilliant people, really welcoming and great level of diversity and lovely to talk to people from different backgrounds” - Diaspora! Flag Making Workshop Participant

As part of Diaspora’s engagement fringe programme in the lead up to their festival weekend, Trinity partnered up with them to deliver their programme of free creative workshops named ‘Flag Up Your Identity’. These workshops were open to all and served to unleash the creativity of the workshop participants to make a unique flag that embodied their identity and heritage. Participants were encouraged to create unique flags influenced by their cultural roots and their personal journey. Over the Easter period, Trinity welcomed over 30 participants who made wonderful flags which will be showcased at Trinity and other locations around the city.

DIASPORA! Festival continues throughout the May bank holiday weekend, kicking off with the official opening ceremony for the festival taking place on Friday 03 May 4pm – 7pm. Expect an evening of dance, music, poetry, food, and folklore, showcasing the extraordinary talents of our local community while fostering meaningful cross-cultural connections. Tickets are free, find out more here.

After the opening ceremony on 03 May, we will be hosting Pangea at Trinity. Pangea is a club night which celebrates sound system music from around the globe, bringing together a diverse range of genres including Samba, Bhangra, highlife, gospel, dancehall and much more. Click here to get tickets.

Closing out proceedings, on Sunday 05 May we have Alkebulan, African Storytelling Village, a day of African arts and culture featuring captivating storytelling to vibrant dance performances. Featuring local artists from the likes of Kabbo Hue Ferdinand, MoYah, Ian Solomon-Kawall, Penny Avery, and Mohammed Errebba, this event promises an unforgettable cultural showcase. Find out more here.

We are very proud to be partnering with Diverse Artists Network for DIASPORA! Festival, highlighting our commitment to providing accessible cultural events for the community, and a space to learn arts and crafts as well as opportunities for participants to skill share.

Subira Joy is a spoken-word performer and activist, based in Brighton, UK. Their work weaves together the personal and political, through experiences and imaginations, spoken with rage, softness, and laughter. Ahead of their performance of 'Kill The Cop Inside Your Head' at Trinity on 23 Feb, we spoke with Subira about the themes underpinning the performance, the influence of their queer identity, the Edinburgh Fringe Festival, and much more.

Please introduce yourself and share a little about how you got into performance arts.

Hi, my name’s Subira, I’m a spoken word performer, writer and artists and I got into performing through the spoken word and poetry scene, and made my way into the queer theatre scene in Brighton.

What was the inspiration behind Kill The Cop Inside Your Head?

The phrase Kill The Cop Inside Your Head shows up in activist circles often, and I found myself going over and over this phrase in my head and thinking about police, police violence and oppression, and the way that it impacts particularly Black and queer, Black and trans communities and how we learn to police ourselves.

How has your queer identity helped shape this work?

My identity of being queer, being trans and being a mixed Black person definitely shaped the work insofar as I’m really speaking from my experience as an over-policed body. I think I’m interested in how those of us who live at the intersections of marginalised identities are specifically impacted.

"I’m interested in how those of us who live at the intersections of marginalised identities are specifically impacted" - Subira Joy

What are some of the themes that you explore in the performance?

So one of the themes that comes up in my performance is that of ancestral technologies. I’ve collaborated with some incredible people throughout the process of making this, one of those people was Cole Alvers, who was generous enough to share that language of ancestral technologies and really looking at the way that we can reach back through our ancestries and heritages to find tools to resist the oppression and policing that we’ve taken in. That’s featured a lot in my work – looking backwards to find the tools to move forwards.

What was it like taking your performance to the Edinburgh Fringe Festival?

It was a really brilliant experience taking my show to the Edinburgh Fringe Festival. I was supported by Eclipse, a cohort of Black and queer performers, which was brilliant as I think oftentimes Edinburgh can be challenging for artists of colour, but actually I was really supported and had a lot of great people around. I was also supported by my twin because I had recently broken my ankle and couldn’t do a lot of the dancing and physicality which is in the show, so they came through and we reimagined the show for the two of us, and I had a lot of fun with that.

What can audiences expect from Kill The Cop Inside Your Head?

Audiences can expect powerful imagery, poetry, dance, movement and fruit, so come through!

Click here to get your tickets to 'Kill The Cop Inside Your Head' at Trinity on 23 Feb.

Bristol's Idles filmed their video in independent venues

Trinity is proud to be an grassroots music venue and this Independent Venue Week Marketing Assistant, Sam Prosser, shines a light on some of the other brilliant independent venues the city has to offer and how gig-goers can support the venues in Bristol.

Strange Brew

Strange Brew, located on Fairfax Street in Central Bristol, is one of the city’s newest independent venues. Having opened in September 2020, Strange Brew has quickly become of the city’s key locations for DIY bands and promoters, providing an eclectic mix of club nights, gigs, exhibitions and talks. We’re very excited to be bringing Bristol’s own Waldo’s Gift to Strange Brew on 02 March as part of our in-house music programme, Trinity Presents.

The Louisiana

The Louisiana is a 140-capacity, family-run venue that takes pride in putting on the best musicians from Bristol and beyond for the last 35 years, becoming a vital space for emerging artists, as well as hosting some of the UK’s biggest artists in their early years, such as Coldplay, Muse and Idles. The Louisiana is now a key part of Bristol’s music scene, as part of Dot To Dot Festival and Harbour Festival.

Exchange

Located a stone’s throw from Trinity at the bottom of Old Market, Exchange is a Community Benefit Society focused on supporting a wide range of musical projects and creative endeavours. Exchange opened it’s doors as a Live Music / Club Venue in August 2012. Since opening they have played host to a wide array of artists including The 1975, Haim, Four Tet and many more.

How you can support independent venues:

It’s never been more important to recognise the massive contribution of independent venues and their role in the music scene. 2023 was the UK’s worst year for venue closures, with Music Venues Trust reporting that 125 grassroots venues closed over the last 12 months. More than ever, it is vital that we recognise and support the independent music venues that contribute so much.

Buying tickets directly from venues: By buying tickets directly from a venue’s website, or from a local ticketing platform, you are ensuring that a higher percentage of the ticket price goes directly to the venue, supporting their operational costs and staff. In addition to this, early ticket purchases also make a significant impact, providing venues with crucial upfront revenue and helping them plan and execute events seamlessly.

Supporting venues through bar sales: Bar sales are one of the primary sources of income for independent venues, so make sure you get down early and buy a drink or two to support your favourite venue. Choosing to enjoy refreshments at the venue, whether it be a locally brewed pint or a signature cocktail-for those who don’t drink, there’s never been more options for non-alcoholic drinks, with many venues providing a wide range of alcohol-free drinks.

Spreading the word: Many venues depend on word-of-mouth support to promote their events. Without the substantial marketing budgets of larger venues, it is crucial to actively express your support for your favourite independent venues. Sharing photos online and telling your friends about your favourite shows at local independent venues  boosts their visibility and can act as a vital lifeline for these independent establishments.

Waldo's Gift - Image Credit: Khali Ackford

Ahead of their Trinity Presents show at Strange Brew on 02 March, we sat down with Bristol experimental trio Waldo's Gift to chat influences, improvisation, what's next for the band, and much more.

How did you guys meet and form Waldo’s Gift?

James: You two met at university, and we all met at a jam and we got together and made music for ages.

Alun: We formed for the residency at the Gallimaufry. So our first five years of being together was playing every week to an audience, which was pretty special.

For those who don’t know, how would describe your sound?

Alun: I’ve heard our sound described in a cornucopia of ways, but I would say it’s not math, and not jazz. Maybe that’s the genre; not-math-not-jazz.

James: It’s weird

Harry: I like to think it’s a cross between Flying Lotus and Mahavishnu Orchestra.

Alun: It’s modern music, it’s genreless, we draw from everything.

James: Let’s remove all the labels – label-free.

Who are some artists that have influenced your music?

Harry: Flying Lotus, Aphex Twin, Olivier Messiaen, Johnny Greenwood.

Alun: Sergei Rachmaninoff, the Russians in general.

What do you think it is about Bristol’s music scene that sets it apart from other cities?

Alun: It’s small and dense.

James: The city’s big enough to support a unique blend of different styles, but it’s small enough to harbour a community and for you to really feel that sense of belonging.

Alun: The perfect place to go and start a band, which is what we did.

James: Yep, cheers Bristol

Alun: I think it’s the amount of stuff going on in a small space. It has pros and cons but lots of lovely stuff burgeoning, frothing, bubbling all the time.

What role does improvisation play in your creative process?

James: A large role, a non-negliable role.

Alun: Improvisation is at the heart of our creative process, because we used to do entirely improvised gigs, because of our residency improvising every week, and it formed our sound that we have now responded to and we have now tried to sculpt it.

Harry: And monetize it.

Collaborating with other artists seems to be an important part of your music – which artists would be your dream collaboration?

Harry: Sergei Rachmaninoff

Alun: For me, dream collaborator, The Punch Brothers or Chris Heel. Amazing progressive bluesgrass band. It’s them or Johnny Greenwood.

James: A gig that I saw recently that really moved me was Christine And The Queens at Glastonbury, it wouldn’t be just a musical collaboration it would be theatrical, visual, everything collaboration.

On the topic of collaboration, we’ve been enjoying your Beat Tape collaboration videos on Instagram – what was the idea behind them?

James: Thanks! The idea behind them was, because we improvise them a lot, we’re actually very lucky and gifted because we can make a lot of music in a very small amount of time, and what if we played the social media game and created a lot of songs in a very small amount of time, ie one day, record them all and give them out to the world over a large period of time and really encourage collaboration with people and see how other people could augment those arrangements in an online digital context.

Harry: And to make some bangers

James: And to serve the algorithm...

What’s next for Waldo’s Gift?

Alun: Album. Tour. Another album. Another tour. We’re going abroad. We’re going to places. We’re growing.

James: Building on the foundations of friendship that we already have.

Waldo's Gift will be performing at Strange Brew on 02 March as part of our in-house music programme Trinity Presents - click here to get your tickets.

We are excited to launch our Spring Theatre and Arts programme at Trinity that offers audiences an exciting exploration of themes around counterculture and alternative lifestyles, queer untold stories, creative play and the power of movement.

The programme kicks off with Igloo on 16 Feb. Igloo is a non-verbal, playful theatrical experience filled with warmth, sensation and gentle exploration, suitable for babes in arms and pre-schoolers aged 0-3 accompanied by their carers. As part of each performance there will be a facilitated play session. The performance is non-verbal, but the play session contains some words. Audience members will also be given an Igloo picture book and other creative ideas to enable families to continue with creative play at home. Igloo is originally a Travelling Light and Bristol Old Vic co-production. Spaces are very limited, click here to sign up.

Later in February, on 23 Feb, we have Kill The Cop Inside Your Head, a theatre piece from spoken word and performance artist Subira Joy, exploring their experiences of being targeted by the police as a Black, queer and trans person in the UK. Combining striking visual imagery with powerful language, this new work examines the impact of the police in our communities and how we internalise their role to repress and suppress ourselves into submission. This is a rescheduled event, originally scheduled for November 2023. Click here to get your tickets.

Full Bloom Festival of dance for and by older people returns to Trinity on 16-17 Mar. Throughout the day, participants can take part in artistic workshops and dance performances including matinee and evening performances showcasing the work of Gerry's Attic Dance Company, a resident dance company who run weekly sessions at The Trinity Centre. Click here to get your tickets.

Closing out our Spring Theatre and Arts season, we have Roadside on 05 April, a solo theatre show inspired by interviews with roadside dwellers across the South West and drawing on the musical history of this new traveller community, from festivals to free parties, to songs around the fire. Click here to get your tickets for Roadside.