Craft activities will be set up based on a storybook for parents to create with their children, and a story will be  read to the group in a reading circle to bring each session to a close

Hosted in the Main Hall, these sessions welcome families from our local community during term time, running from 10:00 AM to 11:30 AM. Parent-led play will be supported and encouraged through arts and crafts related to a different storybook each week.

We're looking forward to welcoming families back to the space and meeting some new faces! Sessions are free to attend, with a suggested donation of £3 to help support and keep these sessions going.

This will be an intimate Halloween show - we’re flipping the script: the stage moves down to the ground floor and crowd goes up on the stage, rather than the usual separation. Expect a visceral, up close and personal vibe where you’re part of the carnage.

Full line up revealed soon.

Please note this is a standing event, accessible seating is available. To reserve a limited seating spot and/or arrange a companion ticket, please contact info@trinitybristol.org.uk

Last entry 2 hours before curfew

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

Refreshments

Drinks and nibbles available from 6pm

Sign up information

All welcome to come along and celebrate the organisations and people who empower Trinity's values. Contact info@trinitybristol.org.uk to let us know you'll be attending

Discover the impact of our work

Review our Annual Report 2024/25 to learn about our diverse calendar of events, progress in extending our reach, strengthened partnerships, and commitment to enabling Creative Expression for All.

Become a Trinity Member

Membership at Trinity is for those who take an active interest in the Centre as a community and cultural hub. Whether you are a local resident, a regular hirer or a promoter, or you just want to give a bit back to the community. Click here to find out more about membership and sign up

AGM papers for Members

AGM Agenda 202425.pdf

202425 Draft Annual Accounts (under review by Board of Trustees for approval at meeting)

A4 ACCS CONS 25 03 31 DRAFT 6 FINAL DRAFT.pdf

Last Year's Minutes

2023-24 Trinity AGM Minutes.pdf

Mafia Weekend CIC is back with the fifth edition of this interactive experience, which has sold out every year. The themes for this Story Gathering will revolve around local river restoration, human separation from the natural world, and local organic food growing.

The Story Gathering is an interactive workshop where participants can experience “switching it up” as characters or citizens within this story. Join and immerse yourself in this narrative, supported by professional storytellers, musicians, and artists who will guide the day.

To participate, bring yourself as you are with courage, playfulness, and a willingness to try something new.

Activities include:
-chilled, no-pressure group singing (can feel a bit awkward at the start, but ends feeling awesome)
-interactive stories from world-class storytellers
-live music
-choice between creative writing & printmaking workshops
-talks from people doing good things in Bristol
-a fun & accessible ceremony to celebrate nature & the start of autumn
-guided group discussion
-silly games
-accessible breathwork & stretching

Lunch:
Your ticket includes a hearty hot vegan lunch. The vegetables are sourced from local organic Bristol food producers (Sims Hill Shared Harvest), and the meal will be prepared by a professional chef. The meal will be gluten-, dairy-, and nut-free. Please email here. 

Attendance from the start is essential. Latecomers arriving after 15 minutes will not be admitted (it’s like going to the theatre). Please make evening plans from 5pm so that everyone starts and ends the workshop together.

Join the Chai Wallahs Family and a whole host of their favourite artists and collaborators for a packed night of incredible live music, DJ Culture & New Beginnings.

K.O.G

Kweku Sackey aka K.O.G (Kweku of Ghana) is a multi-dimensional creative force, combining exquisite writing skills with shamanistic live performance, fierce raps, perfectly on pitch singing across a massive vocal range and some absolutely wicked dance moves. Not to mention his skills as a percussionist, arranger, bandleader and art director. A true poet and storyteller, he uses a mix of English, Pidgin and Ga to paint sonic pictures that reach deep into the souls of everyone ready to listen.
“Ghana’s finest” – Jools Holland

JAMU Ft. Binbags, Dur Brain, MĀDŁY, Speaka DaDevil, Mr Bon Suis & The Horn Dogs. JAMU samples genres from around the world, with classic hip-hop tracks, to create a cleverly constructed showcase, which includes reggae, jazz, dub, swing, trip-hop, with nods to drum and bass and other bass driven music.

CONN3CT Ft. Aziza Jaye, Amy True & MĀDŁY. The project born out of a desire to connect souls, connect musical heritage, connect powerful female spirit, connect audiences, and collectively share the energy that each of these unique performers bring in one monumental 90-minute show featuring Bristol's MĀDŁY, London's Amy True, and Sheffield's very own Aziza Jaye. See the incredible Conn3ct House band transform live on stage from a Hip-Hop band to a Neo Soul band, to an Afro-Jazz band, as we take you on a musical journey steeped in outrageous vocal prowess, virtuosic musicianship, and deep emotional connection.

DJ HIPHOPPAPOTAMUS

Sunshine music for the masses. The happy hippo always brings the sunshine no matter what the weather. This DJ/producer has created his own unique party vibe by infusing Afro, Latin and Caribbean music into his tastefully produced selections of Breaks, House, Drum & Bass/Jungle and Hiphop, resulting in pure feel-good sunshine party music designed to move your feet uplift your soul.Over his 10 years of releasing music he has garnered praise from icons such as Sir David Rodigan, Don Letts, Craig Charles & Jeremiah Asiamiah who've played his tracks on BBC Radio 1, BBC 1Xtra, BBC Radio 6.
“Clever stuff right!? ... Very cool” Sir David Rodigan, BBC 1Xtra, 2015

SELECTA SI CHAI

To say his taste is eclectic would be an understatement.  To say his thirst for discovering new independent, and emerging artists, will never be quenched is a staggering truth but one that rings true even after 25 years of support for grassroots culture. The result of this is an encyclopaedic knowledge of an enormous catalogue of utter bangers.  Selectah SiChai has honed his skills over many years, as a result he possesses the capacity to curate spaces as a direct reaction to the mood, energy levels, and vibes of the audience before him. This is a 2-way thing people. You never know what you’re gonna get, but it will be quality, soulful, transcendent, and definitely a party.

Please note this is a standing event, accessible seating is available. To reserve a limited seating spot contact Trinity, but to arrange a companion ticket, please contact info@trinitybristol.org.uk

Last entry 2 hours before curfew

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

Drypoint Etching

Thursday 18 Sept, 10.30am-1pm

Drypoint is an intaglio printmaking method. It involves scratching an image into plastic and cardboard plates with a variety of tools; these scratches then hold the ink, which you print onto paper by running it through the press. Sonja will guide you through the technique and help you explore variation in mark-making and inking.

Heat Press Fabric Printing

Wednesday 24 Sept, 10am-12 midday & 2-4pm

You will be cutting paper that has been coated with heat transfer ink and creating designs which can be heat pressed onto our fabric. This is a really satisfying and fun technique which creates a layered print that has a similar look to screen prints.

Big Carve - Lino carve & print

Saturday 4 Oct, 10am-12 midday & Sunday 5 Oct, 1-3pm

Work together to carve out a large central design, created by Sonja in response to collaborative work shared so far.

All sessions are free. Please contact Jen Farmer to reserve a space (or just turn up! ) Refreshments provided and bus travel support available on request - contact Jen Farmer on 0117 035 1200 / jen@trinitybristol.org.uk

Featuring a huge effects show throughout the event with dancers, performers, cold pyro, bubbles, festival sized confetti blasts, multi coloured lasers and lighting, parachute games, giant balloons, licensed bar and face painting.

All events sell out in advance so please book early to avoid disappointment.

Raver Tots terms and information:

• Babies under 18 months are free of charge and do not require a ticket. All other children require a kids ticket.

• Buggies should not be taken onto the dance floor in case of tripping. They will need to be parked in the buggy park area which is sometimes situated outside, slings or baby carriers are recommended.

• All children under 12 require kids tickets, children 12 and over require adult tickets.

• Strictly no adults admitted without a child (maximum of 3 adults to 1 child).

• Carers are required to show the Nimbus Access card on entry, you can find out further information and apply for this here

• Please note parents remain responsible for children at all times. Children must remain under adult supervision and we kindly request no running.

• Tickets are non-refundable and can only be re-sold through their trusted partners at Tixel

• Music is kept at safe levels at all times in line with our risk assessment guidelines. Please note it is still loud so bring ear defenders if you wish.

• Expect kid-friendly club lighting in a festival style environment.

• By attending you give permission for Raver Tots to take photos and videos of the event for the use of press. If you see a photo you wish to have these taken down please contact us via our Facebook page.

Please note this is a standing event, accessible seating is available. To reserve a limited seating spot and/or arrange a companion ticket, please contact info@trinitybristol.org.uk

Last entry: 2 hours before curfew

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

The band consists of members Nina Cristante, Sam Fenton, and Jezmi Tarik Fehmi. Their name is derived from the Soho café Bar Italia.

+ support tba

Doors: 19:00

Last entry: 21:00

Curfew: 23:00

Please note this is a standing event, accessible seating is available. To reserve a limited seating spot contact Trinity, but to arrange a companion ticket, please contact info@trinitybristol.org.uk

Last entry 2 hours before curfew

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

Introducing a new type of rave DJ Battle. Putting some of the baddest rave DJ's against each other face to face. Two full pioneer 3000 DJ setups opposite each other, allowing each artist simultaneous control over the sound. Artists can work together or against each other but who comes out on top is up to the crowd. The setlist is staggered, so each artist gets to battle the artist before and after them with some time for solo performances too.

- Vandal (Kaotik)

- Bish, 4x4 set (Born on Road/Gorilla Tactics)

- Selectah Spinach (Third Nipple)

- Mooreman (Third Nipple)

- Wamjam (Third Nipple)

- Slinks (Amen4Tekno)

- Fazza (Kaotik)

- Special Guest TBC

Full Danley, Void and Custom Labhorn Kaotik Sound System and huge production. Visuals and artworks from Enjoy Kaos. Full light show from Scamp Life4land/Kaotik.

Please note this is a standing event, accessible seating is available. To reserve a limited seating spot contact Trinity, but to arrange a companion ticket, please contact info@trinitybristol.org.uk

Last entry 2 hours before curfew

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

No dress code, no performance, no stress. Just good company, conversation, and the chance to meet others who share your interests. Club Love keep it relaxed: drinks at the bar (both hot and cold), an easy social hour to settle in, some playful get-to-know-you games, and yes if you’ve got a favourite snack, you can bring it along too.

Antonia Purdie is a celebrated burlesque, fire performer and life-drawing facilitator based in Bristol. As the creative force behind Purdie Life Drawing, she’s known for her magnetic stage presence and a warm, inclusive teaching approach. Her sessions combine theatrical flair with artistic insight: she often begins with a captivating burlesque performance before transitioning into thought-provoking, sensuous poses that inspire creativity and confidence

Club Love Socials are also about those unexpected sparks  maybe it’s sharing a laugh mid-sketch, or catching someone’s gaze across the room while you’re tracing a line on paper. They’re moments of connection that feel natural, unforced, and a little bit thrilling.

All Club Love Socials are 20+, with vetting at the door to keep the space safe, respectful, and aligned with the community values. They’re the perfect entry point if you’re curious about Club Love membership, and a way to find your people if you’re already in the scene. More than anything, they’re about reminding us that kink is not just play, it’s community, creativity, and a celebration of the many ways we come alive together.

All materials for the class are provided but feel free to bring your favourite medium.

*This life drawing class features full nudity- No photography during the session & please be respectful.*

For low or no income tickets, please email here 

- E.V.P (Nano records)

- Hypnocoustics (Wildthings Records)

- Minali (PTRNS)

- Lurk (Zero 1 recs/Shroom- Sean Shift (Planet Shroom)

Brand new integrated laser, video and lightshow by Illumashroom & Inkjunikie
Immersive decor & the upstairs silent techno disco

Please note this is a standing event, accessible seating is available. To reserve a limited seating spot contact Trinity, but to arrange a companion ticket, please contact info@trinitybristol.org.uk

Last entry 2 hours before curfew

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

2008 Dice Project, led by the wonderful community activist, Paulette North

“When people feel proud of where they live, trust grows. Community empowerment can be an antidote to riots, populism, and the void between people and politics.” Power to Change

It’s been hard to miss rising tensions across the UK, including in Epping near my home town of Harlow. Speaking to Sky News, some of those protesting said they feel afraid and want fairness. This is “a fight for survival,” one interviewee laments, though refugees and asylum seekers make up less than 2% of the UK population.

A sleight of hand diverts attention from the real causes of health, housing and social mobility inequity, serving the interests of affluent, monocultural influencers who benefit from sustaining division. Musk live streams in with his hot take. Rylan’s already chimed in with his two-pence. Unpicking this will not be easy.

We need only look to the US to see how there are forces that manipulate the strength of feeling of those already feeling overlooked for their own gain. Shame does little to counter and instead fuels a belief that we – the politicians, decision-makers, experts, liberal elite and ruling classes – do not care.

It’s easy to dismiss people as uneducated or ignorant as our gaze is drawn toward communities where asylum seekers are placed in hotels or dispersed without adequate care or support. Challenges that echo Gordon Brown’s ‘Bigotgate’ drive those disenfranchised for generations further toward those who affirm their views and stoke their fears – even where there is little to no promise of improvement to their current circumstances.

“It looks quite pretty”, says my mum, about the St George’s flags that have popped up in and around my home town, missing how this symbol of belonging ‘others’. A shift reminiscent of a Buddhist symbol that once stood for good fortune and prosperity that has since become synonymous with oppression and hate. A reminder that our symbols, like our identities, are subjective, contextual and in constant flux; a negotiation between us and the rest of the world.

As the Sky News interviewee tears up imagining their WWII fighting relative turning in their grave at the thought of the erosion of this once great nation, I read a WhatsApp from my sister; her friends in Epping describing anti-migration protesters as “awful,” and a summer of church services being cancelled because residents feel too fearful of those purportedly defending British values.

We try to reason that, “migrants do the jobs we won’t”, meant as a defence and reinforcing a hierarchy where migrants are only welcome if they serve us. A statement offered by those distant from those working class communities who traditionally wiped the bums of this once great nation.

We point to our individual and collective role in the climate crisis as a catalyst for global migration, as local volunteers are left to clear the rubbish scattered around hotels and fields after protesters from both sides have long gone home.

We argue our country has caused wars and displacement as if this will resonate with those who have given up on voting a long time ago because, as my dad puts it, “they’re all as bad as each other”.

From wars to wages to the shape of our neighbourhoods, “you have to join a protest to try to get the government to listen to you”, is a statement shared across a political spectrum increasing devoid of nuance. Voices speaking of “protecting women and children” as they terrify that same demographic who have no where else to go. Voices of those labelling anyone anxious about what change outside their control means for them as “far right”. Voices leading the charge on either side framing themselves as either safeguarding from invaders or resisting Nazi scum, emboldening others to join them.

If we expect people to care about our complicity in wars, climate change and other global crises driving migration we cannot keep debating in the abstract or from opposite sides of the picket line. We must neither underestimate the unfair burden on those most harmed by prejudice, nor the power we hand to bad actors when we dismiss the concerns of whose energies right now are misapplied.

To realise something better, we have to find unharmful ways to connect and amplify the voices that matter most – both those migrating to the UK to contribute to our economy or seek refuge and the communities they join. We must make space to sit down, talk openly and be honest if we want a solution that sticks. With the English Devolution and Community Empowerment Bill moving forward through Parliament - the first time the word ‘empowerment’ has ever appeared in the title of a bill - the hope is increasing rights of communities to shape their neighbourhoods may just be the antidote to this social fragmentation.

“Once called ‘cohesion,’ revisiting it could be exactly what we need!”, I thought, as I reminisced one of my first projects at Trinity, the ‘Dice Project’ with Bristol’s City Academy. It brought together older people and children from refugee and asylum communities during a time of growing local tensions. Watching the film of it back, I’m not gonna pretend it changed the world.

But without efforts like it, we can’t be surprised by the results we’re now seeing across UK communities of today who are being left to figure it out for themselves. “I was surprised at the pictures the children drew around the wall. It just opened my eyes again to not judging”, said one older participant from a project that no longer exists, that was funded by a fund that no longer exists and filmed for a community TV channel that no longer exists.

One interaction, one conversation, may not fix all our problems. But, over time, many interactions and continued conversations might just help to soften our edges. “Now we can respect to all people [sic]. No ‘younger people is good, older people is bad’. All people is nice. We must try and be friendly,” said one of the younger project members, who will by now be adulting in a society where we call for consent in our online spaces and bypass it when shaping the streets we live on.

This film about a long-forgotten project plays in a country in which our differences are gamified in a deliberate move by those who stand to profit politically from those with beef misdirected, countered by those leading the charge for Community Empowerment with punitive measures against migrants in a bid to nullify hostility, feeding the narrative that migration is the problem. In a world where we focus resources and efforts on the big issues from defence and health to the environment, while leaving the social fabric needed to deliver real and lasting solutions for our communities to chance. This is perhaps the greatest of all our migration crimes.

As I reach the end of that film of a cohesion project from almost 20 years ago, tying to find something to help us here in the now, one young voice shares a final thought; “‘I’ve learnt that not all Elders are boring”.

It’s not much. But it’s a start.

This is an opinion piece by Emma Harvey, CEO

Interested in finding out more about the English Devolution and Community Empowerment Bill? Click here to read this New Statesman article featuring Josh Westerling from Power to Change and Sacha Bedding from the We’re Right Here campaign.

Dancing room at the back.

The evening will also feature a sharing from Bristol City Poet's Sukina Noor, in response to Trinity's involvement in the national Our Freedom: Then & Now project.

Soft drinks bar available

Dovetail provides a welcoming space for refugees and asylum-seekers, building connections through music and supporting musical learning on a regular weekly basis.

Explore painting and drawing in a welcoming and relaxed environment through our Art for Well-being courses. Led by Bristol School of Art, this 10 week course is for anyone who would like to explore a range of art techniques in a friendly space, learn something new and gain confidence. Explore a variety of art-making techniques to support your heath and wellbeing, using a variety of mediums like lino print, acrylics, clay and collage to develop your own artistic expression.

To enrol you must be able to commit for the 10 weeks. No previous art experience necessary.

All art materials are provided, alongside light refreshments and bus travel support.

To enrol onto the course or find out more information see here .

This is a partnership between Trinity Community Arts and Bristol School of Art / South Gloucestershire and Stroud College. Please note that the fee listed as £75 is reduced to £10 depending on eligibility funding or benefits that you claim. Trinity is able to cover the £10 fee for local participants - please contact Jen at Trinity for support with registration.

We can fill out the form together

jen@trinitybristol.org.uk