Their music, performances and entire aesthetic have been immensely influential across nearly the entire genre of industrual music.

19:00: Doors

20:00: Laibach

23:00: Curfew

Please note this is a standing event, accessible seating is available.

Last entry: 2 hours before curfew

Venue levy: Trinity has a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

Plus support: Colm R. Mc Guinness

19:00: Doors

20:30: Last entry

23:00: Curfew

Please note this is a standing event, accessible seating is available.

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

Emerging onto the UK folk scene in 2010 with a handful of unpolished, low-fi acoustic songs, her razor-sharp lyricism and the unassuming charm of her performance style began to grab attention from the get-go. In 2011, The Guardian hailed her as a “powerful song writing voice”, and the legendary Tom Robinson invited her to perform in session on his BBC 6Music show.

+ support: The Maes

Please note this is a standing event, accessible seating is available.

Last entry: 2 hours before curfew

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

With the small-town charm of boy from Bixby, the big-city energy of Dallas, and vocal prowess that rivals Nashville’s best, Corey has been poised for a career in music from the beginning. Growing up influenced by various genres and artists, Corey started his journey in country music at an early age.

+ support: Lori Mckenna

19:00: Doors

20:00: Lori McKenna

21:00: Corey Kent

Please note this is a standing event, accessible seating is available.

Last entry: 2 hours before curfew

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds

+ support: Oscar Blue

19:00: Doors

20:00: Oscar Blue

21:00: Darren Kiely

23:00: Curfew

Please note this is a standing event, accessible seating is available.

Last entry: 2 hours before curfew

Venue levy: Trinity has a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

Bristol's Idles filmed their video in independent venues

Trinity is proud to be an grassroots music venue and this Independent Venue Week Marketing Assistant, Sam Prosser, shines a light on some of the other brilliant independent venues the city has to offer and how gig-goers can support the venues in Bristol.

Strange Brew

Strange Brew, located on Fairfax Street in Central Bristol, is one of the city’s newest independent venues. Having opened in September 2020, Strange Brew has quickly become of the city’s key locations for DIY bands and promoters, providing an eclectic mix of club nights, gigs, exhibitions and talks. We’re very excited to be bringing Bristol’s own Waldo’s Gift to Strange Brew on 02 March as part of our in-house music programme, Trinity Presents.

The Louisiana

The Louisiana is a 140-capacity, family-run venue that takes pride in putting on the best musicians from Bristol and beyond for the last 35 years, becoming a vital space for emerging artists, as well as hosting some of the UK’s biggest artists in their early years, such as Coldplay, Muse and Idles. The Louisiana is now a key part of Bristol’s music scene, as part of Dot To Dot Festival and Harbour Festival.

Exchange

Located a stone’s throw from Trinity at the bottom of Old Market, Exchange is a Community Benefit Society focused on supporting a wide range of musical projects and creative endeavours. Exchange opened it’s doors as a Live Music / Club Venue in August 2012. Since opening they have played host to a wide array of artists including The 1975, Haim, Four Tet and many more.

How you can support independent venues:

It’s never been more important to recognise the massive contribution of independent venues and their role in the music scene. 2023 was the UK’s worst year for venue closures, with Music Venues Trust reporting that 125 grassroots venues closed over the last 12 months. More than ever, it is vital that we recognise and support the independent music venues that contribute so much.

Buying tickets directly from venues: By buying tickets directly from a venue’s website, or from a local ticketing platform, you are ensuring that a higher percentage of the ticket price goes directly to the venue, supporting their operational costs and staff. In addition to this, early ticket purchases also make a significant impact, providing venues with crucial upfront revenue and helping them plan and execute events seamlessly.

Supporting venues through bar sales: Bar sales are one of the primary sources of income for independent venues, so make sure you get down early and buy a drink or two to support your favourite venue. Choosing to enjoy refreshments at the venue, whether it be a locally brewed pint or a signature cocktail-for those who don’t drink, there’s never been more options for non-alcoholic drinks, with many venues providing a wide range of alcohol-free drinks.

Spreading the word: Many venues depend on word-of-mouth support to promote their events. Without the substantial marketing budgets of larger venues, it is crucial to actively express your support for your favourite independent venues. Sharing photos online and telling your friends about your favourite shows at local independent venues  boosts their visibility and can act as a vital lifeline for these independent establishments.

Trinity's Annual AGM, one of the many events in which we share data with stakeholders

At the start of 2023, Trinity  was awarded a Maker and Maintainers grant from Power to Change, which kicked started a transformative journey in our open-source development.

"For me Community Tech is all about tech that is led by our organisation as opposed to tech that leads our organisation" Sarah Bentley

This blog post, by Development and Communications Manager, Sarah Bentley, reflects on the lessons learnt and the evolution of our approach to Community Tech and Free and Open Source Software (FOSS).

Vision for Community Tech and FOSS: Our vision was to use FOSS to enable efficient data management and reporting. We collect data across a wide-range systems and platforms, from ticket updates to promoter reports, audience numbers for annual reports, to impact statistics. Our goal was not only to streamline our own processes but also to create accessible tech solutions for grassroots and smaller organisations.

Open Working and Transparency: As part of the grant, I participated in an Open Working course, this emphasised the importance of transparency in our steps and work. This approach complemented our existing Working Group model and allowed us to communicate our vision for Community Tech and FOSS both internally and externally.

Time for Reflection: The grant provided a valuable opportunity for introspection. In my multifaceted role, which I describe as 'money in and stories out,' I rarely have the chance to consider the bigger picture. As a Maker and Maintainer, I delved into how Community Tech and our Tech Makers project aligned with our broader initiatives, specifically how we can communicate why we choose FOSS over over 'off-the-shelf systems' or platforms like Google Forms.

Engagement with FOSS Community: Dedicated time with the FOSS community revealed that our efforts with CIVICRM hadn't gone unnoticed. People shared our interest in building solutions through CIVI, leading us to support a research project within CIVI on real-time data reporting. Engagements included community meet-ups, connections with charity/grassroots communities, and presentations at institutions like Bristol University.

Democratising Data: In my role as the data processor and visualiser, I realised the significance of empowering communities with data ownership. Sharing our processes resonated with others contemplating similar approaches. The focus shifted towards making data more democratic, placing power in the hands of the people rather than businesses' with differing values.

Our tech journey continues to evolve and we will keep updating our findings via blogs and social media.  Read more about how we are engaging in community tech solutions:

• Reflections on a year of 'Open Working'
• Understory Mapping'.

Kabaka Pyramid 2023. Photo credit: Khali Ackford

We are introducing a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre, a Grade II* Listed building and the grounds.

In Sept 2023, Music Venue Trust announced the UK is set to lose 10% of its independent venues by the end of the year. Like many grassroots music venues and arts centres across the country, Trinity faces unprecedented challenges due to the cost-of-living crisis, rising overheads and ongoing upkeep as a Grade II* Listed converted former-church.

The Trinity Centre is a space for a diverse multidisciplinary arts programme for over 73,000 people every year. Since the building has been in our guardianship, we have raised and spent over £3m in its restoration, to improve accessibility, maintain and enhance this vital community asset and invest in green energy solutions to reduce our carbon footprint.

As a registered charity, this Restoration Levy will be treated as a restricted heritage fund that will be dedicated to fulfilling our charitable mission, to preserve, protect and improve for the public benefit the Trinity Centre, formerly the Holy Trinity Church, and promote the heritage of this building.

Our aim is to continue to provide a vibrant hub where today’s and tomorrow's generations can find joy in unforgettable concerts, electrifying club nights, community gatherings and immersive, impactful experiences. Your support through the Restoration Levy will help us to continue this legacy, helping us to raise over £40,000 each year, to:

Maintain and improve the Centre: In a typical year, we spend over £100,000 on maintenance, repairs and facilities management and our 2022 conservation survey estimates over £400,000 additional repair works will need to be delivered over the next decade. This Levy will help us to ensure our doors can remain open now and for future generations.

Improve accessibility: As a locally rooted community arts centre, we are committed to ensuring our activities are accessible. These efforts have been recognised by the Attiute is Everything Bronze Award and we continue to strive to remove barriers to taking part to ensure everyone has access to great arts and cultural experiences.

Enhance sustainability: We have installed solar panels and LED lighting to reduce running costs and carbon emissions and will continue to work to improve the efficiency of the building and ensure that our programme for the people comes not at the expense of the planet.

Thank you for being part of the journey.

This event was booked at the venue by a third-party promoter. The show was originally booked at Bristol’s O2 Academy and Trinity took on the show as a last-minute capacity downgrade in good faith, with the hope that this would mean fans who had already purchased tickets would get to see the planned show.

On the night, Trinity staff slowly became aware that the headline act had not arrived at the venue. The promoter was unreachable, and they did not provide us with any indication that there had been this change to the line-up.

Though the event took place, we appreciate this wasn’t the event that people paid for. As such, Trinity will issue refunds automatically to any fans who purchased tickets through our own ticketing platform.

Unfortunately, we are unable to issue refunds to those who purchased tickets through third-party sites. We recommend fans contact their ticket provider directly if you wish to request a refund. We contacted Bristol’s O2 Academy who declined to offer a comment.

We are sorry that our due diligence to check promoter credentials fell short of what is expected of us and we will take greater care in future to ensure a greater degree of care for artists and fans.

We would like to give thanks to the talented support acts who did perform and will do what we can to ensure anyone who performed receives a fair payment We hope that the negative experiences of fans will not reflect badly, either on them as artists or us as a venue.

Image credit: Nova twins

“Bringing the venue up to spec will not only benefit us as a venue, but the artists, technicians, and promoters who come into the space; increasing creative possibilities and audience experience."

Production Coordinator, Aysha Tailor - Whyte

Trinity are one of 13 venues to have been awarded funds from the Music Venue Trust’s Pipeline Investment Fund to purchase new equipment for our live music/club programme and our outdoor venue, The Den.

The £4134.69 investment from MVT, at time of rising energy costs and a cost-of-living crisis, will enable us to reduce production costs and increase capacity. The costs saved alongside additional revenue generated will help us to build upon our free/subsidised space hire for community groups and residents.

The grant will help towards the purchase of additional lighting fixtures and replace existing fixtures for our live-music spaces, The Den and the Main Hall. The grant will also allow us to purchase uniform for the team to make our staff easily identifiable for those in need of assistance during events.

The Pipeline Investment Fund was established last year with the support of members of the Music Venues Alliance and was primarily funded by donations from ticket sales of MVT’s recent ‘Revive Live’ programme of gigs around the UK, which was a partnership with The National Lottery.

Garden Party 2022 - Image Credit: Sophia Stefelle

Trinity is one of ten organisations that have been awarded a Community Tech Maker and Maintainer grant as part of Power To Change’s Flagship programme to support the development of community tech across England.

“The tech grant allows us to rethink how communities could take back ownership of their data whilst also investing in the Open-Source community”

Sarah Bentley, Trinity Community Arts

We have been awarded the grant to develop our Open-Source customer relationship management software, CiviCRM to effectively gather impact and monitoring data. We will also be collaborating with stakeholders to explore how as users we can take back ownership of data and use it for the benefit of local communities.

The Tech Maker and Maintainer Grant further cements Power to Change’s support in our commitment to investing in Free and Open-Source Software (FOSS) for community organisations.

Through a previous grant we were able to embed an effective strategy for our CRM that focused on data segmentation and internal training which has allowed up to maximise income generation via ticket sales and/or direct mailings.

CiviCRM however, is not universally accessible or fit for purpose for all our programmes of activity - which may happen off-site or without user registration. There may be other barriers, for example, language or age and this often leaves us with gaps in data. This investment will help us co-create solutions to bridging this gap – and we will share any development with the wider and active FOSS Community.

We are looking forward to collaborating with other organisations in receipt of the grant, alongside partners across tech, education, culture and community. If you would like to find out more about the project email sarah@trinitybristol.org.uk or read more about the grant on Power to Change’s website.

Ahead of their day party takeover at Trinity on 27 Aug, we sat down with Club Djembe co-founder Ryan Foster (DJ Stolen) to chat about the label's beginnings, thoughts on the Bristol music scene and what's next for Club Djembe.

Trinity are collaborating with Club Djembe as part of Trinity Presents, our in-house programme celebrating our diverse city and platforming emerging talent, to host a day party in The Den, our new seasonal outdoor venue situated in the historic grounds of Trinity.

How did Club Djembe start?

Ryan: Club Djembe started all through a lack of events within Bristol that were pushing & promoting our music. We were playing UK Funky, Afro House & a lot of percussion led music on radio but never heard/saw of anything happening within the clubs in Bristol, so myself (DJ Stolen) & Jake decided to launch Club Djembe. Luckily for us at the time Josie was working behind the bar at The Love Inn so we managed to throw our first party and it all kicked off from there back in 2017.

What do you think Club Djembe offers to the Bristol music scene?

We know for ourselves and hear from our community that it is hard to find these genres of music in the events scene. Consistency (which is always key), as we guarantee that no night will stray from the vibe and atmosphere that we like to create - we have an open the door attitude and welcome a variety of people/cultures We also want ticket prices and venues to be affordable and accessible for everyone. And mostly, which we are most proud of, is that we love to support and put on new artists, that's something that excites us the most.

What kinds of events do you think are missing from the Bristol club scene?

Bristol has pretty much been the epicentre for Drum & Bass in the UK for as long as I can remember. It’s really refreshing to see a few more nights popping up that are pushing and promoting the same kind of music as us, Amapiano, UK Funky, Afro House like Lockmars for example. However it would be good to see more of these across Bristol, I think a lot of would be promoters get afraid by the prospect of an event not going well, however the best events from our experience are the ones you put on through a love & passion for the music rather than focusing on the monetary side of events.

What's next for Club Djembe?

The remainder of 2022 is looking RAMMED for us can’t lie. We’re throwing our first proper London event in September which is going to be massive, it’s falling inline with the release of our next compilation, Club Djembe Vol. 3 which is also huge! We then have one more release to go for the year which is from one of our favourite Bristol producers and we also have three more Bristol events in the pipeline including a big Christmas knees up with another sick London/Bristol based promoter so keep your eyes firmly planted on Club Djembe socials over the next few months as we have a lot going on.

Club Djembe will be playing at Trinity's outdoor venue The Den on Sat Aug 27. Click here to grab your tickets.

Bristol City Poet Caleb Parkin, innovative performers Desperate Men and award-winning Youth Dance Company Hype Dance are set to perform in front of UK politicians and policy makers as part of this year’s Big Tent Ideas Festival on 11 June 2022, Queens Square.

‘Our artistic selves are the part of us that gives us freedom, expression and happiness. A society that denies us access to the Arts also denies us opportunity for change and celebration" Angie Belcher, Comedian

They join a packed programme that includes political debates, arts, a Speaker’s Corner, Community Fayre and a Dragon’s Den-style pitching competition and will feature Government ministers, the Head of the UN Refugee Programme in the UK, Twitter’s former most senior executive in Europe and the Chair of the No Place Left Behind Commission of political debates.

As part of the festival we have joined forces with Bristol DIY Arts Network to shine a light on Bristol’s diverse and rich cultural offering and have invited cultural leaders in the city to take part in keynotes and panel discussions that will explore the role of culture in driving change in the city and what ‘City of Culture’ means for an independently creative city like Bristol.

Guests include director of Knowle West Media Centre Carolyn Hassan, CEO of Quartet Foundation Suzanne Rolt, Executive Director of St Pauls Carnival LaToyah McAllister-Jones and Melanie Rodrigues, founder and CEO of Gritty Talent as well as comedian and writer, Angie Belcher, who hit UK headlines recently after successfully gaining funding for ‘comedy on prescription’.

Trinity’s involvement in coordinating this is part of our Heritage Lottery Funded Art of Resistance, a two-year project that seeks to platform art from social movements throughout Bristol’s history.

Ticketholders will have the opportunity to communicate with leading politicians, including the Mayor of Bristol, local councillors and Bristol’s MPs, and shape the discussion. In a constructive and non-partisan environment, more akin to a music festival than a political conference, ticket holders will be able to:

• Tell the Science, Research and Innovation Minister, George Freeman MP, what businesses really need to thrive

• Ask Shadow Leader of the Commons, Thangam Debbonaire MP, how policy-making can be made more inclusive

• Talk about Ukraine with Lib Dem Spokesperson for Foreign Affairs, Layla Moran MP, and Chief Executive UNHCR (UK), Emma Cherniavsky.

• Enjoy performances from some of Bristol’s best artists

Book your tickets for the Big Tent Programme now at www.bigtent.org.uk

Walk Leader Steve Spear, outlines the social and political backdrop leading up to the 1831 riots. He explains how the problematic relationship between military and civic power led to a catastrophic level of destruction which sent a shockwave throughout the kingdom.

Steve Spear is a member of the M-Shed Historic Walks team. Join Trinity's third ‘Rebel Walk’ for a fascinating insight into this dramatic episode in Bristol’s history.

How To Book

Booking in advance is essential - tickets are 'Pay What You Can' starting from £3+ booking fee per person.

Please check your ticket confirmation for the meeting point.

About Art Of Resistance
Rebel Walk is part Trinity's Art of Resistance, a two-year National Lottery Heritage Funded project celebrating Bristol's alternative and activist heritage through a series of workshops, walks, talks, exhibitions, and oral history.

Image Credit: Bristol Riots: The Burning of Queen Square: the Custom House, by William James Müller, 1831. Bristol Museums, Galleries & Archives

"St Paul's Riot, that is the name it was known as but, for the Black youths of St Paul's it was yet another attack from the system. After years of Endless pressure of pure pressure, the melting pot spilled over. " Simba Tongogara, Walk Leader.

Community activist Simba Tongogara draws on personal experience to describe the events that led to the 1980 St Pauls Uprising, the subsequent campaign to ensure those charged were legally represented and that the voice of the Black community was heard. Simba also gives a searing assessment of the gentrification of St Pauls.

How To Book

Booking in advance is essential - tickets are Pay What You Can starting from £3+ booking fee per person.

Please check your ticket confirmation for the meeting point.

Art of Resistance is a two-year, National Heritage Lottery Funded project charting 100 years of protest in Bristol.

Image credit: Copyright Bristol Post