Rob Drysdale, from "Stick It On" (Brighton), just donated £500 towards our Youth Music Training Programme!
Rob's support is a great vote of confidence in our mission and will help us to respond to a growing demand for the provision we offer, protecting the future of this vital programme.
Trinity has been delivering music training sessions to disengaged young people since 2005. We offer a variety of music drop-in sessions, tailored to individual or group needs. We work in partnership with pupil referral units, schools and organisations to provide regular support. Our students choose what they would like to focus on, incl: drumming, guitar, bass, vocal tuition, Dj’ing and music production.
A personal friend of DJ Derek, Rob was aware of the Sweet Memory Sounds legacy fund that DJ Derek's family set up in his honour in 2016, and how last year it supported Trinity’s work with disengaged young people, including young offenders and those with other health and behavioural issues through music making.
Rob felt inspired and said to us: "I'm very happy to support a Bristol charity that supports youth development in music. DJ Derek was a good friend and it feels good to make a contribution to his local community."
Get involved
If you, like Rob, would like to support our work, please get in touch with us! You can also make a one-off or monthly donation directly on our website or through justgiving
If you are a young person that would like to attend a course, or if you are looking to refer a young person, then you can call us on 01179351200 and chat to Dave Thomas (Training Coordinator) or ping him an email: davet@3ca.org.uk
Stick It On is an alternative DJ entertainment service transforming parties into something personal, engaging and most importantly fun - check out their website here, to find out more.
Be part of our archive celebrating the history of Trinity and the communities of Old Market
As part of our Heart and Soul: Trinity in the Community project we will be collecting stories, pictures and memorabilia documenting Trinity as a space of unique celebration & commemoration. We would love to hear from people who have memories of special occasions at Trinity - from christenings to weddings to civil partnerships to wakes to parties - from when Trinity was church, and now as a community arts venue. Your stories and pictures will form part of our end of project exhibition and online archive.
Want to get involved? Have a great story to share? Then contact Dr Edson Burton for more details: edson@3ca.org.uk with the subject header: Heart and Soul: Trinity in the Community
About the project
Heart and Soul: Trinity in the Community is a celebration of big life events at Trinity. Throughout 2018 there will workshops, talks and heritage activities for all ages. The project runs along side our most recent capital works and has been made possible with the help of these funders .
You can find out more about Heart and Soul: Trinity in the Community here, including how to get involved and how to contribute archive material here.
]]>Jack took part in Making Tracks Summer Music Session Aug 2018 (photo @ Alastair Brookes)
I was 16 when I dropped out of college. I didn't do well at my GCSCE's and ended up on a course I didn't want to be on. I lacked focus and was depressed within that environment. I grew up on a poor estate and the idea of never achieving anything in life was kind of drummed into me.
I was NEET for about a month until I was picked by an agency (LPW) who advised me to start looking at mini courses and apprenticeships. It was through these opportunities that I was eventually referred across to Trinity to take part in the Making Tracks Project.
I really enjoy making music and after some time on the Making Tracks course I ended up taking part in a work experience placement going in every Wednesday for a couple of hours and sitting in on various 121 sessions and even in some cases leading sessions with other students (with Trinity's support).
During these sessions I helped other young people to record vocal tracks, produce original beats and assist live rehearsal sessions. I have also attended professional training as part of the team and gained a safeguarding certificate.
Making Tracks is a collaborative project between Trinity, Basement Studios & Aspiration Creation Elevation (ACE@Docklands) and is supported by Youth Music and using public funding by the National Lottery through Arts Council England. Click here to find out more about our projects, helping ensure that everyone in Bristol has the opportunity to access and shape arts and culture.
You help secure Trinity's past, now play your part in Trinity's future
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Roxana (far right) and Lullabies producer Katy Noakes (far left) surrounded by children from the Rosemary Nursery @ Alexa Ledecky
Trinity neighbours Rosemary Nursery came along for a workshop in the afternoon. They were welcomed in a cosy space that really reflected the warm and intimate feel of the Lullabies project. The children and carers sat comfortably on colourful cushions and carpets and watched an audio-visual piece that showcases the Lullabies gathered by Roxana and her team.
The Lullabies rickshaw created by Designer Ruth Ramsay @ Alexa Ledecky
They then learnt to sing a Somalian lullaby with two project participants before having their photo taken on the Lullabies rickshaw. The rickshaw was created by Designer Ruth Ramsay with the idea to involve further communities by cycling around more cities to gathering more lullabies.
Trinity Engagement Office Edson Burton reading his poem amongst an audience of adults and children @ Alexa Ledecky
The workshop was followed by an evening sharing attended by a larger, mainly adult audience. The audio-visual piece was screened again and followed by a live Kurdish lullaby singing and a poem reading.
Adults and children interact after the screening and live performances before a Q£A with the Lullabies creative team @ Alexa Ledecky
It felt particularly special and soothing to have children and adults come together as part of the sharing. During the feedback session, an audience member said: “Loved having kids around made it beautifully relaxed, comforting and accessible”.
Lullaby contributors serve home made Somalian food to audience members @ Alexa Ledecky
Everyone was able to enjoy freshly cooked Somalian food as part of the sharing, which was kindly prepared and served by local project participants. This brought a particularly heart warming touch to the evening and allowed everyone to engage in informal conversations.
Two audience members sit with colourful pieces of bunting and pens on their knees @ Alexa Ledecky
As well as discussing the project with Roxana and her team in a Q&A, the audience could give written feedback about the sharing, of which: “Beautiful songs, images, words and feelings. Thank you to all who shared. It has inspired me to explore my own heritage through song” and “So much love down the generations. Singing of fears and making them less”.
The IGNiTE and Lullabies teams pose together in front of the Rickshaw @ Alexa Ledecky
Read more about the Lullabies project on Roxana’s website and about our other artists in resident including Ania Varez, Viki Browne and Vicki Hearne.
About IGNiTE
IGNiTE is Trinity's in house programme of world-class, innovative theatre and dance about issues that matter to people now, starting conversations and sparking debate. IGNiTE is supported using public funding by the National Lottery through Arts Council England and by Bristol City Council.
]]>Area of Effect play Garden Party in 2018 photo @Jessica Bartolini
Garden Party is one of our most popular events - each year we programme family friendly workshops and some of Bristol and the South West's best bands and DJ's.
Our Making Tracks Showcase is an opportunity for young people, from our music making project, to showcase their talent to a 3,000 person Garden Party audience! The Showcase will be on the main stage from 12:00 - 12:30 then, in the main hall from 3pm - 6pm.
Students will join an awesome lineup including Sam Binga, Rider Shafiue, Dutchie + Indra and Almatic.
We wish them all the luck x
Singer-songwriter Holly Miller performing in Making Tracks Christmas Showcase in 2018
Holly Miller
Holly has been attending the Making Tracks programme for 8 months and has used this time to hone her singer-songwriter craft to create intimate acoustic songs covering universal themes of love, loss and life.
Miss Tee is prime for a summer hit, watch out for her.
Miss Tee
Miss Tee is a multi skilled singer, songwriter and producer who has progressed in leaps and bounds through taking part with our Making Tracks programme, developing her awesome writing capabilities and finding her own distinctive sound.
Sam Neal has been honing his distinctive sound during 121 sessions at Trinity
Sam Neal
Sam Neal is a Making Tracks veteran. This uplifting singer-songwriter's soulful summer sounds are guaranteed to get the crowd moving.
Meghan
Meghan is a multi-discipline drummer / singer. As a performer she is a ball of energy, that can't be ignored - whether it's rocking out on her drum kit or serving fierce vocals Meghan always packs a punch.
Rob B
Rob proves it's never to late to pursue your passion. Having joined 18 months ago his Drum and Bass DJ stylings have thrived producing a mature sound. Area of Effect - Making their return to the Trinity, Garden Party stage Area's of Effect are a young Indie-Rock band - with oodles of talent and buckets of energy.
Making Tracks is a collaborative partnership between Trinity, ACE and Basement Studios. Making Tracks is supported by Youth Music and using public funding by the National Lottery through Arts Council England.
Benjamin Zephaniah poses with young people from Making Tracks, Dave Thomas, Trinity Youth Activities Manager, Roseanna Dias, Assistant Producer and Emma Harvey, Trinity CEO. Photo @Khali Ackford
Benjamin Zephaniah: Poet, writer, musician, actor, Rastafarian and proud vegan, anarchist and political campaigner / activist kindly agreed to take part in an exclusive industry insight session designed to better integrate Trinity’s live event programme with our in house music training provision.
Funded by Youth Music and partner funders, ‘Making Tracks’, is a dynamic city wide partnership between Trinity, Basement studios and Aspiration, Creation and Elevation (ACE) providing 121, small group music sessions, workshops and performance opportunities to young people in challenging circumstances. The focus of this provision is to build confidence, develop and support talented young musicians providing them with realistic progression routes leading them to reengage back in to education, work, tapprenticeship or meaningful activity.
"If you want to be a musician, artist or poet you need to act and think like a musician, artist or poet. Just do it." Benjamin Zephaniah
Benjamin was in good spirits and smiling broadly. After a brief informal meet and greet / book signing session with 12 students he hopped up on to Trinity’s main stage to join his band, The Revolutionary Minds, finishing off the soundcheck in preparation for the evenings performance. Shortly afterwards Benjamin rejoined our students and spent well over an hour of his own free time to answer questions providing the young people we work with a rare, informative and truly inspirational insight into his life and professional working methods.
From reminiscing about his early years, as a small child disinterested in the usual kids stuff like toys and action figures he would spend hours upon hours amusing himself quietly in the corner, ‘playing with words’, as he describes it. In fact, he became so obsessed by words and the different the ways in which they can be moulded, shaped and misinterpreted depending on context, that his worried mum took him to a psychiatrist at the tender age of 7!
Benjamin spent over 1 hour chatting with young people, answering questions and sharing his story. Photo @Khali Ackford
It wasn’t too long after that his burgeoning rebel spirit coupled with severe dyslexia got him into all kinds of scrapes, which, unfortunately led to him being expelled from school and placed into a pupil referral unit, in which, at that time, the teachers would regularly punish the children and shamefully tell him he would never achieve anything in life. As he got older, his behaviour worsened and he ended up in a Borstal prison for young offenders. It was here that he had a lot of time to think about his life and began to change his ways. Determined to prove the prison officers who taunted him by saying he would be back behind bars within 3 months wrong, he set about changing course in order to focus more seriously on his poetry and performance.
"I could have hung out with these cats all night. I love them. I hope they all stay creative. We need to hear them." Benjamin Zephaniah
He regaled us with often hilarious anecdotes and hair raising tales of performing at Northern miners strike benefit gigs in the early 80s. He talked about being confronted by shocking levels of racism, ignorance and bigotry through to receiving praise from Nelson Mandela to nostalgic recollection of an old much admired tutor who taught him how to build and deconstruct a car engine, for which he is still grateful.
Benjamin chats with Dave Thomas, Trinity Youth Activities Manager and young people from Making Tracks. Photo @Khali Ackford
Benjamin’s main piece of advice to our music students wanting to progress within the music industry was to, ‘think for yourselves’, he could not stress enough how important this is. He also said that despite sounding cliched, it is vital to ‘believe in yourself. If you want to be a musician, artist or poet you need to act and think like a musician, artist or poet. Just do it.’, he enthused. He also went on to talk in great detail about the importance of, ‘understanding how the industry works’, surrounding yourself with the right people (managers / band members, etc) his approach and methods to songwriting, ways to counter creative block and last but by no means least, the ritual of ensuring his teeth are thoroughly cleaned before each and every live / public performance!
This was a truly exceptional and inspirational industry insight and on behalf of all at Trinity, Making Tracks and our partners ACE and Basement, we would like to once again thank Benjamin, his management, band, live engineer and especially his booking agent for helping to make this incredible opportunity a reality.
Written by Dave Thomas, Trinity Youth Activities Manager
Making Tracks is supported by Youth Music and using public funding by the National Lottery through Arts Council England.
]]>Talks include looking at the changing nature of marriage photo @ Khali Ackford
Programmed as part of our Heart & Soul heritage project we will be welcoming national and international speakers to our evening talks, devised in collaboration with Bristol's Architecture Centre and the University of West England (UWE).
The series looks at the challenges and achievements of transforming and preserving historic buildings.
Speakers include: renown Architect Tim Rolands (20 March), known for his development of Jacksons Lane Arts Centre, who will share his unique perspective on transforming historic buildings; Mexican Architect and UWE Senior Lecturer Fidel Meraz (27 Feb) will share his experience of the challenges and successes of transforming a range of disused churches into community hubs; Marcus Hammond, curator of Linconshire's arts centre Slumgothic x-church (17 April) who will draw upon personal experience to explore how 'unfinished' spaces attract new audiences.
Not all transformations end in success, former Drum Art Centre employee Mukhtar Dar, will consider the rise and fall of the Drum (Birmingham) in his talk The Life & Death of an Arts Centre (1 May)
Prof. Brian Heaphy will explore the diversity of marital union in Britain today in his talk From Weddings To Civil Partnerships (29 May) and UWE's Senior Lecturer in Planning Dr Katie McClymont (19 June) will consider how historic buildings, particularly former churches, are now used as sites of secular worship and as community hubs.
Vanguard of Gentrification (10 July) draws together a panel of commentators to explore one of the most contentious and relevant issues in Bristol today. We will close the series of talks with a panel of Trinity's former and current management members, who will discuss the pitfalls and successes of Reconstructing Trinity from Disrepair to Glory (31 July)
Find out more about the talks and how to reserve your free place here and read Heritage intern Tess' notes on our Tuesday talk series.
About the project
Heart and Soul: Trinity in the Community is a celebration of big life events at Trinity. Throughout 2018 there will workshops, talks and heritage activities for all ages. The project runs along side our most recent capital works and has been made possible with the help of these funders.
You can find out more about Heart and Soul: Trinity in the Community here, including how to get involved and how to contribute archive material here.
Thanks to the support of our funders all events in our Heart & Soul project are free. We suggest donation of £2 that will go directly back into Trinity's charitable work.
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My name is Imoleayo and I live in Bristol. Before I started the Youth Music sessions at Trinity I wasn't doing very much, I was doing okay at school and doing some music sessions in a group - but not really learning very much.
I came here to get guidance and help so that by the time I get back to school I wouldn’t be lost. I would know what I’m doing, so yeah, Trinity really helped out.
My Mum found out about Trinity by searching online and we though that Trinity's courses would suit me the best, they are local and the people seemed really nice.
When I first came I was really shy, so my Mum came along and I just forgot she was there. I got totally involved in the session and it was like heaven. My confidence has grown and now I am like; ‘okay, if I can do it through music then I must be able to do it through just speaking to someone or meeting new people’.
Since being at Trinity I joined the BFI Film Academy and made a documentary! I've also been on Ujima, the communtiy radio based in Bristol, have gained work experience with a few companies and I am studying for my A Levels.
]]>The Art Therapy sessions were planned for young adults, most of them referred by their GP's. The purpose of the project was to help individuals to increase their understanding of what is happening, reducing the level of distress caused by unusual experiences and prioritising personal recovery and a quick return to valued roles and social relationships.
Katie Gannaway, Mental Health Worker for AWP Bristol Early Intervention Team explains why the project was important:
"Earlier this year we ran a therapeutic art group from Arts West Side, for 16 weeks. The group was for young people 16- 35 years who are experiencing mental health difficulties. As part of their recovery we wanted this group to be in the community to promote social inclusion, leading to service users to feel less isolated and facilitating them to link in to other community resources.
The art group gave them an opportunity to explore their creativity whilst receiving emotional support in a safe group environment enabling them to feel more confident to be part of the community. The group was for a maximum of eight people, and included two healthcare professionals facilitating the therapeutic art group.
The National Institute for Health and Care Excellence (NICE) recommends the use of art for young people because it can help to alleviate negative symptoms and should be provided in a group setting.
The feedback from group members was very positive; they liked the location because it was central, they also felt the space provided was safe and confidential, allowing them to freely express themselves through their art.
They also appreciated the art space below (SPACE), giving them the opportunity to view various exhibits, which for some, influenced their art and interest. This often impacted on our art sessions; members would access the group through the exhibition and this would become a talking point, and an opportunity to engage with others. Some of the members had never had the opportunity to visit art exhibitions; however, the accessibility provided this opportunity.
We would have struggled to provide this group in the community due to limited funds; Arts West Side offered a great space, accessible to communities that are often isolated."
]]>One year in the life of SPACE!
In April 2016, Trinity welcomed The Island (Artspace Lifespace) into a new partnership to maintain and promote Arts West Side as an affordable and accessible community arts space: SPACE occupies the ground floor of Arts West Side and shares the use of the Art Room in the first floor.
Standing for Sound, Performance and Art that the Community can Engage in (SPACE), has actively invited and involved the wider community to develop their own ideas, relevant to their needs and interests, to showcase work and participate in a free programme of events.
Working in partnership with local groups and artists, over the last year SPACE has hosted 46 events and activities under Sound, Performance, Art, Community and Engagement themes, keeping an open shop front over 224 days and engaging an audience of 2,070 people. Click here to see the full breakdown of events.
SPACE has also provide valuable work experience for 6 committed volunteers, including 2 work placements, supporting the continuous regeneration of the Old Market area. Together, they have raised the profile and visibility of local community activities and increased a sense of neighbourhood in this diverse area of the city.
Regardless of your age, profession, ethnic, cultural, or educational background; whether you consider yourself an established/emerging artist or not at all, SPACE wants to hear your ideas for 2017, so get in touch! Proposals are accepted all year round. Contact Claire Brown, SPACE Project Assistant: space@theislandbristol.com / 07922 359 261
Project history
August 2011 - Trinity took on a 5-year lease on 6 West Street, Old Market, through the Bristol City Council's Community Asset Transfer (CAT) policy
2012 - Trinity launched Arts West Side (AWS), to provide a hub for community and arts activities
April 2016 - Trinity began a partnership with Artspace Lifespace to launch SPACE - an affordable, accessible community arts exhibition space from AWS main shop-front
August 2016 - We secured an extended lease from the City Council until the end of March 2018
April 2018 Trinity says goodbye to AWS and hands over the running of 6 West St to Artspace Lifespace to continue their SPACE projet until 2020.
Dr Edson Burton sharing the tales of Old Market's rich history in June 2018 @Khali Ackford
'Medieval market' bustling High Street' ' home to the city's most prestigious cinema, churches, and music halls, ' 'a red light district' 'Bristol's gay quarter' now described as up and coming before .
Trinity invites you to join us for a series of Heritage Walks of the Old Market area with historian & writer Dr Edson Burton. They will explore first hand the physical and social historical changes that are making the area increasingly popular.
Revival:
1. an improvement in the condition, strength, or fortunes of someone or something
2. an instance of something becoming popular, active, or important again
Through this series of guided walks, Dr Edson Burton reveals the ebb and flow of Trinity and Old Market's history. They take place on the following dates and times:
Sun 16th Sep, 12pm-2pm (part of Bristol Doors Open Day)
Spaces are limited, so book your free place in advance, following the ticket links on each of the events
Head over the the Heart & Soul project page to find out about our other events and activities.
]]>I joined one of Trinity's Youth Music courses when I was 17, I was having a really hard time, I'd been kicked out and was on probation. When my probation officer suggested the course to me I didn't even know they existed.
I separated myself from the bad people around me and I had something to focus on - it was a place to come where you don’t feel judged. It's really welcoming and it was nice to have people that believe in you.
So I joined up to the sessions and the tutors helped me put together a CD. To build up my confidence I worked with a lady who worked at Trinity at the time, she helped me with performance - standing on stage singing, things like that. It was just a big self confidence booster for me and gave me the determination to actually do something. I then went off to Access to Music and got my diploma in Music and it was an upward spiral from there on really.
Now I am studying part-time at university whilst also working at a residential young person's care provision with young people aged 8-18.
]]>Heart & Soul project volunteer Lowie Trevena works part time with the Scouts, but wanted to get more involved in the community in their spare time, and learn about the heritage and community surrounding such an important building. We got them to catch up with Davontay Benjamin, one of two intern’s on Trinity’s heritage and conservation project to find out more about what he is up to.
The internships were created to offer professional skills, experience and opportunity to young people from Bristol who may not have otherwise had access to employment or training. Through his internship, Davontay is gaining hands on training to learn the fundamental aspects of conservation work.
How did you find out about the internship and why did you apply?
I found out from my mother Natahsa Benjamin who runs Hype Dance, a weekly street dance classes for young people. Karina Castro, Projects Manager at Trinity told her about the internship because she knows I do construction at college.
Is there more to the internship than just making tea and coffee for everyone in the office? What is the best thing you’ve done so far?
Yes! The best thing so far has been learning how to do stone work and learning about the history of the building. I've found out a lot about how the building was orginally built - and lots about the bands that and the musians and bands that have played here.
What are you looking forward to during the rest of the internship?
Learning to fit windows because it will help me in the future.
What new skills have you learned?
All about different cement mixes and tools you have to use.
Lastly, would you recommend an internship at Trinity to other young people in Bristol?
Yes!
The two internships run alongside the final major-works phase relating to the repair and conservation of the historic fabric of the Trinity. With full scaffolding in place unforeseen historic damage to the building was uncovered; the stained glass windows were found to be no longer watertight, and the metal cramps, holding the historic Bath Stone in place, were found to be critically corroded, leading to an additional £200,000 of costs.
Historic England has backed Trinity with a pledge of £68k towards the critical works; we still; need to raise £130,000 to safeguard the future of the building. and we need your help, or Trinity will face closure.
The Trinity Centre is at risk, and you can help to safeguard it’s future.
]]>Many people attending the dance had connections with Trinity and Old Market
On Friday 20th April we opened up Trinity’s doors for "A Waltz Down Memory Lane" – an afternoon of dancing, cakes, memory sharing and good company.
Over 40 people came – amongst them many regulars from Gentle Dance, a weekly dance session for people over 55 at Trinity. It was a great to see that many people who came had a connection with Trinity or the Old Market area.
Throughout the afternoon many, if not everyone, took their turn on the dance floor
A lovely time was had by all – Dr Edson Burton was in attendance and spoke to many people at the dance about their memories of Old Market and Trinity. Mark - who has lived around the area for half his life, shared his earliest memory – of bombing and fires and shared with Edson how he remembers using horses as transport!
We loved the many memories of major life events. From Tony and Val’s memories of their first date in Old Market to Lynda sharing how her grandparents were married at Trinity. Marilyn shared with us her memories of attending mass at Trinity, getting married here and also having her children Christened here.
Local band - Norma's Groovers entertained guests throughout the event
It was an absolutely lush afternoon and we are certainly excited about the next Waltz Down Memory Lane on Friday 8th June. The event is open to anyone over 55 who likes to socialise, dance, meet new people and would like to share their memories of Trinity and Old Market. No need to book, just turn up!
A Waltz to Down Memory Lane is part of Heart & Soul: celebrating major life events at Trinity Bristol. Throughout 2018 there will workshops, talks and heritage activities for all ages. The project runs along side our most recent capital works and has been made possible with the help of these funders.
As you may know (by the sheer amount of scaffolding) we recently secured funding from Heritage Lottery Fund, Historic England, All Churches Trust and 14 other funders, to undertake essential works to the The Trinity Centre, a Grade II* listed building. Alongside the essential building works we are also launching the heritage project ‘Heart & Soul: Celebrating major life events at Trinity Bristol’. Alongside activities we will be collecting images, archive footage and stories from people who have had big life events here.
From the christenings, when the building was a church, to a first birthday party, there are hundreds of stories out there from all the communities who live around and use Trinity.
Local artisans specialising in clay, woodcarving, stained glass and textiles will deliver a series of workshops in the traditional craft skills used in the initial 1800’s building of the centre.Everyone is welcome to take part but older people, members of Bristol's BME communities and residents of BS5 & BS2 are particularly welcomed.
We will also be welcoming national speakers to a series of accessible evening talks, devised in partnership with Bristol's Architecture Centre & the University of the West of England (UWE). Looking at the challenges and achievements of reusing historic buildings speakers include Tim Ronalds, who brings a unique perspective on transforming some of the Britain's most iconic buildings, like Wiltons Music Hall, The Hackney Empire & Jackson's Lane.
We have a programme of activities to suit a range of ages, including a podcast project in partnership with local schools, history quests for children and families and a series of guided heritage walks. For the young at heart we have two memory dances – a morning of dancing and delicious cakes. Hosted by Dr Edson Burton, participants we will be encouraged to share their stories and memories of Trinity. As with all our heritage projects we will be collecting stories from residents, community members and all those who have a story to share about celebration at Trinity. In October the stories, images and archive material will be exhibited at Trinity at our end of project celebration event.
There are also volunteer roles for those who wish to gain skills or have an interest in heritage, as well as a part-time Project Assistant Internship (24 week, entry-level career development)to help us deliver this programme.
You can find out more about the activities here, by picking up a brochure from Trinity or various venues, cafes, and community spaces across Bristol or you can download a copy of the brochure here.
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