Tonight in Bristol their sound was deep and loud (especially in "Monkey" from The Great Destroyer). Steve Garrington's bass was almost cruel in its precision and resonance. Alan Sparhawk's guitars roared when they weren't whispering. He was in truculent communion with the universe, expressing his normal laconic wit in wordless gestures and physical moves. "For your boys in Dubai…" was his shrugged opening line, introducing the unsettling "Plastic Cup" from the new album. He is a very handsome man.

Mimi Parker sang her songs and harmonies as beautifully as only she can, repressing something that wasn't being said by giving nothing away. Sixteen songs and two encores were presented – and they were all magnificent. The Trinity audience were reverentially silent (and the last words of the last song "I Hear Goodnight" were whispered – but every bit as audible as the shrugs)

The new album "The Invisible Way" was threaded through some of the best know classics like "Canada" and "Walk Into The Sea". The new songs maintained the high quality and intensity that Low's admirers expect. Trinity's audience were spellbound throughout .

Hibronix, a project of David Blumberg, formerly of Yuck, opened the evening with three big pieces of slurred and slowed Sparklehorse-like drone , supported on two by sidemen Sparhawk and Garrington. ("my backing band", he quipped) . What a very good night it was.

Sam Saunders

In Lockdown in early 2020 we teamed up with some of the most exciting names in Bristol's music scene, from St Paul's Carnival to Mini Rig to Nozstock Festival, to bring online audiences live streams.

In October 2020, our socially-distanced Trinity Presents: Garden Sessions where the first opportunity to welcome audiences back to Trinity to enjoy live music, in person.

“I’ve always known how much I value shared human connection on a dance floor but since March I’ve been trying to get this in other ways, dancing on zoom with friends, dancing to my mini rig with 5 friends in a wood. But tonight I experienced again the incredible wonder of the talented DJs of @bootybass playing tunes and responding to a crowd, feeling my insides vibrate with bass, glancing up and smiling at a stranger as you connect, arms in the air in synchronicity and I cried a little tear of joy. This is the stuff of life, creative shared human experience. My heart is full. Thank you the Trinity Centre creating such a beautiful safe space.” Feedback from audience member Oct 2020

We put together an exciting series of events in a special, Covid-secure outdoor area in Trinity's historic grounds.

We teamed up with some of our favourite artists & Soundsystems for 9 full days sell-out live music & DJ's : Waldo's Gift, Hodge & Danielle, Dubkasm, Ashanti Selah, Young Echo, Sinai Soundsystem, Booty Bass, Bandulu, Sofa Sound, Afrobeat Fridays.

People commented that the space felt magical and like something special that you discover in a hidden corner of a festival.

We're very much looking forward to be able to present our postponed November line-up as soon as lockdown restrictions ease. Keep an eye on our website and social media info and announcements.

#TrinityPresents

#HereforCulture

Music student plays at the Garden Part at Trinty

Young musicians from Trinity, Basement Studios & Aspiration Creation Elevation (ACE@Docklands) set to take the stage at this years St Paul’s Carnival.

Performing on the Unity Stage, hosted by ACE, young musicians will be given a chance to shine in this years Carnival – performing alongside some of Bristol’s most popular artists. On these experience Cherelle Grant, Music Tutor at ACE said, "these talented young people have been working hard each week to create, prepare, and rehearse songs for St Pauls Carnival. Making Tracks has provided a focused environment, with skilled tutors to help them set objectives that will see them elevate their creativity and confidence."

The young people are supported by the Making Tracks project – a two year collaborative project between Trinity, Basement and ACE. Making Tracks offers young people the chance to take part in a wide range of life changing music making activities alongside 121 and group tutoring young people benefit from mentoring, peer learning and joint-project activity.

Catch the performances through out the day at the Unity Stage at St Paul’s Carnival, Bristol Saturday July 8.

Student writes lyrics during a youth music session

“The Trinity Centre has a proven track record of helping young people channel their energy into music, young people who may have struggled to find their way in school and have a raw musical talent but no way of developing this. We’re delighted to be partnering with Basement Studios and ACE for this important youth music project.” Emma Harvey, Trinity’s Centre Director

We are really excited to announce that we have join forces with Basement Studio at The Station and ACE at Docklands Youth Centre to provide life-changing music-making experiences for young people in Bristol.

Funded by Youth Music, Making Tracks is a two year collaborative partnership that offers young people from the inner city communities of Easton, Lawrence Hill and Ashley and Central Bristol to take their first steps into their music making journey. Young people can take part in music-making sessions, workshops and showcase events and will have access to 1-2-1 support and performance opportunities - to take the next steps in their own music-making journey.

Young people will have the chance to take part in a range of activities: tailored 121 and small group music making sessions mentoring, peer learning and joint-project activity showcase events and performances live-learning Q&As with artists & industry professionals.

Are you an aspiring musician wanting to get involved ? Would you like to refer a young person? Find out more here or email davet@3ca.org.uk.

Area of Effect play Garden Party in 2018 photo @Jessica Bartolini

Garden Party is one of our most popular events - each year we programme family friendly workshops and some of Bristol and the South West's best bands and DJ's.

Our Making Tracks Showcase is an opportunity for young people, from our music making project, to showcase their talent to a 3,000 person Garden Party audience! The Showcase will be on the main stage from 12:00 - 12:30 then, in the main hall from 3pm - 6pm.

Students will join an awesome lineup including Sam Binga,  Rider Shafiue, Dutchie + Indra and Almatic.

We wish them all the luck x

Singer-songwriter Holly Miller performing in Making Tracks Christmas Showcase in 2018

Holly Miller

Holly has been attending the Making Tracks programme for 8 months and has used this time to hone her singer-songwriter craft to create intimate acoustic songs covering universal themes of love, loss and life.

Miss Tee is prime for a summer hit, watch out for her.

Miss Tee

Miss Tee is a multi skilled singer, songwriter and producer who has progressed in leaps and bounds through taking part with our Making Tracks programme, developing her awesome writing capabilities and finding her own distinctive sound.

Sam Neal has been honing his distinctive sound during 121 sessions at Trinity

Sam Neal

Sam Neal is a Making Tracks veteran. This uplifting singer-songwriter's soulful summer sounds are guaranteed to get the crowd moving.

Meghan

Meghan is a multi-discipline drummer / singer. As a performer she is a ball of energy, that can't be ignored - whether it's rocking out on her drum kit or serving fierce vocals Meghan always packs a punch.

Rob B

Rob proves it's never to late to pursue your passion. Having joined 18 months ago his Drum and Bass DJ stylings have thrived producing a mature sound. Area of Effect - Making their return to the Trinity, Garden Party stage Area's of Effect are a young Indie-Rock band - with oodles of talent and buckets of energy.

Making Tracks is a collaborative partnership between Trinity, ACE and Basement Studios. Making Tracks is supported by Youth Music and using public funding by the National Lottery through Arts Council England.

Sunkern Circus perform to crowds to open up our Festival of Light photo @ Khali Ackford

Young people from our Making Tracks project performed at our Annual Festival of Light and, they were great.

Making Tracks is our collaborative music making project with ACE and Basement– giving young people the opportunity to learn new skills in music creation. Trinity offers 121 and small group music sessions alongside industry workshops and opportunities to perform at Trinity events.

Xyzelle, Sealvia and Chantaleaze - students from project partners ACE performed first to a packed room. Photo Khali Ackford

Xyzelle, Sealvia and Chantaleaze from project partners ACE (Aspiration, Creation, Elevation) performed two songs, followed by Trinity student Louis Stone who performed his original songs using both his acoustic and electric guitars.

Great to welcome Trinity student Louis Stone who played tracks he is working on as part of Making Tracks. Photo Khali Ackford

Playing to an energetic and supportive crowd the students performed cracking sets and roused the crowds ready for local dub DJ Dutchie and the ever fantastic Bristol Reggae Orchestra – well done to them.

Dub DJ Dutchie gets the crowd ready for Bristol Reggae Orchestra photo @Khali Ackford

Bit of a squeeze for Bristol Reggae Orchestra on the stage in the main hall! @Khali Ackford

Onj's firework display was a treat for all the family. Photo @ Khali Ackford

This year we welcome over 800 people through the gates who came to watch the aerial performances, the fantastic firework display from Onj, a very warm bonfire from Woodsy, and the live music in our main hall.

Thanks to everyone that makes the event happen, from staff; to volunteers; to artists; to traders and of course all of you who attended.

The Festival of Light is a free event supported in part by public donations. This year we raised over £1100 in donations meaning that we can continue to run events like The Festival of Light so everyone can enjoy.

King introduced Belly’s more collaborative song writing model, with several tracks co-written by Donelly, Greenwood, and Tom Gorman. King was recorded live at Nassau Studios in the Bahamas with producer Glyn Johns, and was engineered by Jack Joseph Puig. The album was an exciting fusion of alt-rock, dream-pop, and shimmering folk influences.

1st set: 20:00 - 20:45

2nd set: 21:00 - 22:00

Please note this is a standing event, accessible seating is available. To reserve a limited seating spot and/or arrange a companion ticket, please contact info@trinitybristol.org.uk

Last entry: 2 hours before curfew

Venue levy: Trinity has a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

This event is a rare soul and Northern soul allnighter with a mix of classics and rare soul. Expect to dance non stop for 7 hours, and ticket prices are still some of the lowest in Bristol - this is the real deal! They put on high quality welcoming and friendly nights for everyone.Line up to be announced closer to the time.

Please note this is a standing event, accessible seating is available. To reserve a limited seating spot and/or arrange a companion ticket, please contact info@trinitybristol.org.uk

Last entry: 2 hours before curfew

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

Please note this is a standing event, accessible seating is available. To reserve a limited seating spot and/or arrange a companion ticket, please contact info@trinitybristol.org.uk

Last entry 2 hours before curfew

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

They had an international top 20 hit with their single "Connected" and a UK top 20 hit with "Step It Up".

+ support: DJ Format

One of the very best DJs to play Hip Hop, Funk & Soul, Brazillia, Psych and heaps more, strictly all on 45’s. An absolute Bonafide legend who regularly gets plays of his back catalogue on BBC 6 Music and is very much a “DJs DJ” known for his impeccable selection, scratching, and mixing ability.

Doors: 19:00

DJ Format: 19:15

Stereo MCs: 21:00

Last entry: 21:00

Curfew: 23:00

Please note this is a standing event, accessible seating is available. To reserve a limited seating spot and/or arrange a companion ticket, please contact info@trinitybristol.org.uk

Last entry: 2 hours before curfew

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

Hadreas's music explores topics including sexuality, his personal struggle with Crohn's disease, domestic abuse, and the dangers faced by gay men in contemporary society.

+ support: Hand Habit

Please note this is a standing event, accessible seating is available. To reserve a limited seating spot and/or arrange a companion ticket, please contact info@trinitybristol.org.uk

Last entry 2 hours before curfew

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

Their debut album Wolo So and follow-up When The Dust Settles explore collective polyrhythms, emotional themes, and personal stories, capturing the journey of Black identity and community in the diaspora.

+ support from Kesh

Please note this is a standing event, accessible seating is available. To reserve a limited seating spot and/or arrange a companion ticket, please contact info@trinitybristol.org.uk

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

About Trinity Presents

This is part of Trinity Presents - our in-house programme of music and performance, bringing world-class artists and emerging talent to inner-city audiences.

The creative vision of multi-instrumentalist Ed Wynne, the Ozrics’ uniquely trippy soundscapes connect fans of progressive rock, psychedelia and dance music culture.

+ support: System 7

Doors: 18:00

Laste entry: 20:00

Curfew: 22:00

Please note this is a standing event, accessible seating is available. To reserve a limited seating spot and/or arrange a companion ticket, please contact info@trinitybristol.org.uk

Last entry 2 hours before curfew

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

The pair met at secondary school in Hackney, London. Taylor's parents were both English teachers and inevitably, various literary influences trickled into the duo's music known for their crafted and often confessional song writing style.

London’s famous Konk Studios, to record their most confident and collaborative work to date. The latest self titled album, inspired by Taylor’s relationship with partner and artist Billie Marten, explores love in all its early forms and features artists such as Laura Marling, Bombay Bicycle Club and M Field.

+ support: Eleanor Moss / Blackaby

Please note this is a standing event, accessible seating is available. To reserve a limited seating spot and/or arrange a companion ticket, please contact info@trinitybristol.org.uk

Last entry 2 hours before curfew

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

The band's powerful live performances and rawly emotive lyrics have garnered a dedicated following. Last year they released their critically acclaimed fourth album, delving even deeper into themes of love, loss and personal growth.

+ support: Morgan Noise

Doors: 19:30

Last entry: 21:00

Curfew: 23:00

Please note this is a standing event, accessible seating is available. To reserve a limited seating spot and/or arrange a companion ticket, please contact info@trinitybristol.org.uk

Last entry 2 hours before curfew

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.