Photo credits @ Khali Ackford

From tapestry to pews, to the ornate floor and ceiling tiles - woodcarving, clay, textiles and stained glass all highly featured both inside and outside the Holy Trinity Church (now the Trinity Centre) when it opened in 1832. Whilst many of these features are no longer with us, you can still see the remains of the artisan crafted features if you look up in the Fyfe Hall or, walk past the beautiful stained glass windows. As part of our Heart & Soul project, we want to give residents the opportunity to find out more about the heritage of Trinity, through learning the traditional crafts and skills used in building the centre.

“Loved it! Best way to spend a Saturday hands-down. Learning new skills, meeting new people – fab!!”

Our first block of workshops started on Saturday 10 Feb, delivered by stained glass artist Liz Barton, ceramicist Joanna Espiner, textile artist Ruth Ramsey and woodcarver Daniel Bendel. They will be working with participants, across two blocks of workshops, to create collaborative artwork to display across Trinity.

In these initial workshops participants explored Trinity’s features, looking at how the crafts were originally used across the building. Using this as inspiration, participants spent the morning designing their artwork and the afternoon learning the basics of the traditional crafts.

Missed out on these workshops? Our second block of workshops starts in April, sign up here! Please note we have limited spaces and that you will need to complete all sessions (this are not taster workshops).

While you are here, we have a big favour to ask, we need your help.

The Trinity Centre is at risk, and you can help to safeguard it’s future.

What a pleasure it was to meet and work with the new elders group in Bristol. Our work together comprised of sensory exercises, partner work and an exploration to our own relationships to dance. I think you would have to ask the participants how it was for them, but from what I saw there was something like a real curiosity about sensation and presence, inhabited bodies, thinking bodies, a hyper awareness and yet a directness, an honesty of approach and a committed attention. When they move it’s like the moment is now, capturing a moment, an appreciation of time allocated to dancing. All of this together creates such a nuanced beauty, not a young dancer hiding behind layers of doubt or various facades but a presence that knows its own power of self.

I was invited by Trinity to lead this session, you never know how this is going to go with a new group, different expectations, different abilities and experiences. I work with all kind of people and of course each group is different. In these last years working with 3 different elders groups both in Wales and Manchester. I love it. These groups have much to give and express. Of late, I have seen a fair few performance projects with older performers and often I’m afraid to say, the choreographers are getting it wrong. For me, the works are rife with misrepresentation and misinterpretation, it actually makes me really angry to see performers compromised. At some point I would like to embark on a choreography that is for older performers. Having more experiences with different groups contributes towards ideas and its true to say I’m inspired - but I would like get it right, pitch the right kind of work that says the right thing.

I am 45 years old - I like to think I could find ways to access a truth to a new work, even though the performers have several years more life experience. Find the right essence, the subject matter or frame of a work that allows performers to be free within that frame. I will think more on it.

Jo Fong is a director, choreographer and performer working in dance, film, theatre, opera and the visual arts. She performed her show An Invitation as part of IGNiTE Autumn Season 2016

Paradise City

Over ten days IGNiTE summer residents Back in 5 Minutes Squad and Art in Motion will be creating an evolving installation up in our Fyfle Hall.

This is super exciting as Spike Island Residents  - Back in 5 Minutes Squad and emerging not-for-profit participatory arts organisation Art in Motion (AIM) will be collaborating for the first time for this project.

Evolving over the ten days of the residency these two diverse groups will collaborate to portray their vision of an ideal, egalitarian future in which humans of all types and abilities coexist peacefully and purposefully together - the fabric of this future city will reflect the diverse and idiosyncratic interests of all the artists involved.

From Monday 19 the artists invite you to visit during this exciting process and Paradise City will be open to everyone for a celebration event from 5-7pm in the Graffiti Room at Trinity on Thursday 29 June.

Paradise City is supported by Arts Council England via Grants for the Arts and by Trinity Community Arts.