+ support tbc

Doors: 19:00

Last entry: 21:00

Curfew: 23:00

Please note this is a standing event, accessible seating is available. To reserve a limited seating spot and/or arrange a companion ticket, please contact info@trinitybristol.org.uk

Last entry: 2 hours before curfew

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

Garden Party 2024 - Image Credit: Alastair Brookes

On Sunday 12 May, we opened our gates once again for Trinity Garden Party – our, free annual day party, celebrating the start of the summer through music, dance and arts.

"It was a fabulous day - thank you to Team Trinity and everyone involved!" - Audience Feedback

In our outdoor venue, The Den, we programmed a diverse range of live music and DJs from across Bristol and The South West. The young musicians from our Next Gen Sounds programme kicked off proceedings, showcasing their musical talents that they’ve honed during the sessions. Following on, we had beautiful acoustic Folk from Eva Penney, groovy Latin rhythms from Los Gusanos, Moroccan Gnawa from Mohammed Errebba, and live Hip Hop from Komposa. Later on in the evening, DJs brought the energy, with an eclectic world music selection from Kesh, amapiano and UK Funky from Josephine Gyasi, and finally Selecta J-Man and Rider Shafique finished things off with a heavy selection of Jungle and Drum and Bass.

Inside, The Main hall was buzzing with performances from our resident dance group Hype Dance, a Turkish Belly Dance circle from Anna K, and finally The Greenbank Ceilidh Collective led the dance with a joyous ceilidh. Upstairs, Fyfe Hall hosted a range of creative craft workshops to keep the young ones busy.

We wanted to say a massive thank you to all who made Garden Party this year such a success; from the talented artists, workshop facilitators, stall-holders, local food vendors, the dedicated sound and lighting team behind the scenes, our hardworking bar staff, the entire Team Trinity, and, of course, all of you who joined us on the day. The event saw our largest ever turnout, with over 3,500 attendees, and thanks to your generosity we raised over £5000 in donations, allowing us to organise more community events like Garden Party as well as supporting our charitable mission of making the arts accessible to all. Garden Party just keeps getting bigger and better, with a 60% increase on last year's attendees, and a 65% increase on last year's donations. Thank you for coming down to support what we do and celebrating music, dance and the arts.

If you'd like to continue to support Trinity, click here to make a donation.

Crowd throwing the Trinity T's 2017 Photo credit Khali Ackford

This year's Garden Party is on Sunday 13 May, we have a packed schedule of family-friendly activities and workshops running alongside a fantastic mix of local artists and bands.

Throughout the day we have lots of family and kids activities. From learning circus skills with Invisible youth to making a traditional Japanese puppet in the Bunraku Puppetry Workshop. Don't forget to head to the main hall and take part in a drumming workshop.

This year's main stage highlights include some of the most exciting music coming from Bristol & the South West right now. Headliner, Om Unit brings his unique take on sound-system culture, inspired by hip-hop, dubstep, ambient, jungle and footwork. Big party vibes coming from heavyweight live performance, UK Bass scene leader and lyricist Gardna whose taking the stage with DJ and producer, Kreed.

Bristol musician Sam Neal plays at garden party 2017 Photo credit @ Jessica Bartolini

We’re welcoming back Baraka, featuring musicians from Ghana, Senegal, Dominica, Trinidad and Southern Ireland to bring a sound influenced by Calypso baselines, Blues Harmonica, Soca with Balafon and Flute. Sam Neal who is just one of the talents we have seen grow from our Youth Music Scheme, will be performing songs from his up coming EP. It makes us very proud to see him doing so well. Nice one Sam.  Head to our main hall during the afternoon and catch  some of the young people attending music sessons at Trinity, Basement Studio and ACE.

We’ve got a great selection of stalls from Bristol makers, including women and men’s clothing stall Ashanti Empress , art work by Cosmic Soul Collective and cruelty free feather jewellery from Phat Feathers.

Volunteering: Trinity's Garden Party relies on volunteers to ensure that the 3k people who come every year have a great time (and, are is are also kept safe). We have a variety of stewarding roles and shifts across the day. If you fancy meeting new people, gaining new skills and getting 2 free gig tickets, then head over here to find out how to offer your time and sign up.

This year we are going to be shaking our buckets hard and asking everyone for a donation of £3 (or what you can afford). We recently launched the Trinity Conservation Campaign to raise the vital funds needed to repair historic damage to the building. Your donations will go directlytowards our campaign, ensuring we secure Trinity’s past, present & future.

Full line up:

Om Unit

Gardna x Kreed

Sunun

Baraka

The Brackish

Soma

Baast

Rhain

Sam Neal

Youth Music Showcase

Help us secure Trinity's past, present & future

The pair met at secondary school in Hackney, London. Taylor's parents were both English teachers and inevitably, various literary influences trickled into the duo's music known for their crafted and often confessional song writing style.

London’s famous Konk Studios, to record their most confident and collaborative work to date. The latest self titled album, inspired by Taylor’s relationship with partner and artist Billie Marten, explores love in all its early forms and features artists such as Laura Marling, Bombay Bicycle Club and M Field.

+ support: Eleanor Moss / Blackaby

Please note this is a standing event, accessible seating is available. To reserve a limited seating spot and/or arrange a companion ticket, please contact info@trinitybristol.org.uk

Last entry 2 hours before curfew

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

• Batu & Tikiman (debut)
• Shackleton (live)
• ojoo (Bristol debut)
• Saskia b2b Jurango

En masse 2025 is back in Bristol this 9-12 October 2025. Bigger, bolder, ad unapologetically underground. They’re celebrating their 5th anniversary with a 4-day music programme that emerges electronic music, live performance, and collaborative art across five Bristol venues. A wave of sonic chaos.

Born in 2021, En Masse has always been about celebrating and elevating the contemporary sound of Bristol. Rooted in the heart of Bristol's unfiltered electronic scene, they’re here to amplify the innovation, diversity, and DIY spirit of the city.

This pass is your all-access ticket, granting entry to 3 days of music across 4 venues.

Thursday 9th, Friday 10th and Saturday 11th October (gig from 7pm, club from 10pm)

Note – Their festival pass is the only way to gain access to the club night on Saturday. Plus, it’s the most affordable way to join them. Don’t sleep through.

All events will also be individually ticketed, so if you want to pick and choose, you can. Individual event tickets will be made available closer to the vents.

Any questions? Email them at info@enmasse.dance

Please note this is a standing event, accessible seating is available. To reserve a limited seating spot and/or arrange a companion ticket, please contact info@trinitybristol.org.uk

Last entry 2 hours before curfew

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

Music student plays at the Garden Part at Trinty

Young musicians from Trinity, Basement Studios & Aspiration Creation Elevation (ACE@Docklands) set to take the stage at this years St Paul’s Carnival.

Performing on the Unity Stage, hosted by ACE, young musicians will be given a chance to shine in this years Carnival – performing alongside some of Bristol’s most popular artists. On these experience Cherelle Grant, Music Tutor at ACE said, "these talented young people have been working hard each week to create, prepare, and rehearse songs for St Pauls Carnival. Making Tracks has provided a focused environment, with skilled tutors to help them set objectives that will see them elevate their creativity and confidence."

The young people are supported by the Making Tracks project – a two year collaborative project between Trinity, Basement and ACE. Making Tracks offers young people the chance to take part in a wide range of life changing music making activities alongside 121 and group tutoring young people benefit from mentoring, peer learning and joint-project activity.

Catch the performances through out the day at the Unity Stage at St Paul’s Carnival, Bristol Saturday July 8.

As part of our in house programme, Trinity Presents we welcome Gardna (Fr 14 Oct) who will be joining forces legendary reggae and punk veteran Don Letts.

Trinity's history has long been part of the cultural crossover of punk and reggae scenes which emerged in the late 1970s. Letts was instrumental in introducing reggae and dub sounds to the punk scene at the time. Given this rich history that we both share, we wanted to reflect on some of the key moments in Don Letts career.

• Don Letts was deeply inspired by the roots reggae from his parents' homeland in Jamaica, in particular the anti-establishment message of Bob Marley. After seeing Marley play the Odeon in Hammersmith in 1976, Letts snuck into Marley's hotel room and spent the night talking and befriending him.

"By 1977, the white teenage youths in London were looking for a new soundtrack and punk rock exploded on the scene. Problem was, this was so early in the scene, there were no punk records to play. So I'm spinning what I like, heavy dub reggae, and the punks were loving it. They dug the whole anti-establishment rebel vibe" - Don Letts

• During the 1970s, Don Letts rose to prominence as a resident DJ of The Roxy, a nightclub in London's Covent Garden. While The Roxy was known for being a hub for the punk scene that was growing in popularity at the time, Letts' sets at the venue featured mostly dub and reggae records.

• Letts recognised the natural similarities between punk and reggae, particularly in their shared, anti-establishment message, creating a crossover between the two cultures. Bands like The Clash were one of the first groups to incorporate elements of reggae music into their sound, seen most clearly through their cover of Junior Murvin's 1976 classic 'Police and Thieves'.

• Developing close relationships with punk bands such as Sex Pistols and The Clash led Letts onto creating films based around the punk scene at the time. Letts became the unofficial documenter of the scene, creating 'The Punk Rock Movie', mostly compiled from Super 8mm footage shot of live performances at The Roxy.

• Since then, Letts has gone on to direct over 300 music videos for a range of artists including Bob Marley, The Psychedelic Furs, Elvis Costello and long-time collaborators The Clash.

• Don Letts' life story was recently told in a documentary 'Rebel Dread', released earlier in 2022, featuring extensive footage from Lett's personal archive of videos.

Letts has continued to DJ throughout his career, and has been a regular feature on lineups across Bristol and the West. Don Letts will join Gardna at Trinity on 14 Oct for Trinity Presents: Gardna + Friends. Make sure to head down to catch this legend of the UK music scene (and his extensive vinyl collection) in action. Click here to get your tickets.

About Trinity Presents:

Gardna + Friends is part of Trinity Presents - our in-house programme of music, bringing world-class artists and emerging talent to inner-city audiences.

Doors: 19:00

Last entry: 21:00

Curfew: 23:00

Please note this is a standing event, accessible seating is available. To reserve a limited seating spot and/or arrange a companion ticket, please contact info@trinitybristol.org.uk

Last entry: 2 hours before curfew

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

They know there's lots of choices in the amazing city of Bristol, so they're dropping in to let you know they are back for their next label night with us.

Line-up:

- Coco Dubz

- Goth-Trad

- Joe Nice

- Mala

- Mucky Update

- Youngsta

- SGT Pokes

Powered by Sinai sound

Please note this is a standing event, accessible seating is available. To reserve a limited seating spot and/or arrange a companion ticket, please contact info@trinitybristol.org.uk

Last entry 2 hours before curfew

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

The band was formed in 2005 at the King's Lynn campus of The College of West Anglia.

+ support: Favourite Daughter

Please note this is a standing event, accessible seating is available. To reserve a limited seating spot and/or arrange a companion ticket, please contact info@trinitybristol.org.uk

Last entry 2 hours before curfew

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

+ support: Oscar Blue

19:00: Doors

20:00: Oscar Blue

21:00: Darren Kiely

23:00: Curfew

Please note this is a standing event, accessible seating is available.

Last entry: 2 hours before curfew

Venue levy: Trinity has a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

+ support: Tianna

Please note this is a standing event, accessible seating is available. To reserve a limited seating spot and/or arrange a companion ticket, please contact info@trinitybristol.org.uk

Last entry 2 hours before curfew

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

Damon Albarn is a master of smaller, independent, venues. His engaging style and warmth fills even the cosiest of venues, but you never get the feeling his ego or acoustic prowess will extend beyond the walls of this intimate, gothic, Bristol setting. This engagement did however extend into the consciousness of the audience that night, with everyone a riding high on a sense that the former Blur frontman will remember the evening as much as the punters as he blasted out Last Living Souls accompanied by his band, The Heavy Seas.

Next came the dedication of the Gorrilaz’s number Slow Country to Massive Attack which harked back to not only the venues status as the birthplace of the Bristol Sound, but also to alluring atmosphere that has drawn in the aforementioned trip-hop artists and The Prodigy amongst others. Securing these acts is a result of Trinity’s strong musical heritage, and the passion for the intimate, incognito, atmosphere that artists of the calibre of Damon Albarn obviously have.

His crowd pleasing encore involved an 8 strong gospel choir from East London, who supported 2 new songs; Mr Tembo and Heavy Seas of Love. But what got the crowd romping and jumping was a version of Gorillaz’s Clint Eastwood that featured Bristol-based paramedic K*Ners, who when he is not rescuing the sick, rescued the hip-hop sections of the song due to a last minute drop out of Damon’s preferred Snoop Dogg wannabe.

It was refreshing to see Albarn finish on the soporifically sombre - This is a Low, which was both the low note, and the high point, of this particular performance.

Review by John Barker, Trinity Trustee

Image by www.lifelivephotography.com

With the small-town charm of boy from Bixby, the big-city energy of Dallas, and vocal prowess that rivals Nashville’s best, Corey has been poised for a career in music from the beginning. Growing up influenced by various genres and artists, Corey started his journey in country music at an early age.

+ support: Lori Mckenna

19:00: Doors

20:00: Lori McKenna

21:00: Corey Kent

Please note this is a standing event, accessible seating is available.

Last entry: 2 hours before curfew

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds