This July, Trinity Community Arts presents Cast Light, a new immersive installation by internationally acclaimed artists Squidsoup, transforming the historic Pump Room at Jacobs Wells Baths into a captivating environment of light, sound and space.

Taking place on 18 and 19 July, alongside Bristol’s annual Harbour Festival, the ticketed experience invites visitors into one of Bristol’s most significant heritage buildings as it undergoes ongoing restoration during the city's annual Harbour Festival. Designed as an audience-led encounter for small groups, Cast Light offers visitors the chance to move freely through an evolving landscape of illuminated forms and spatial sound.

Recognised as pioneers in the fields of light, sound and technology-based art, Squidsoup have created large-scale works experienced by millions of people worldwide, from Burning Man to Alexandra Palace. Their installations have captivated audiences across six continents.

Cast Light is a new artwork comprising an arching arrangement   of towering columns of light accompanied by an expansive soundscape. Installed within the atmospheric surroundings of the Pump Room, the work explores ideas of scale, connection and our relationship with the natural world. The result is an experience that shifts between moments of wonder and quiet contemplation.

“Cast Light began as an exploration of scale, presence and our relationship to the environments we inhabit. The work shifts as people move through it, creating moments that can feel vast and enveloping, but also deeply personal. The title is a nod to the venue - a play on the solidity of the space and its cast iron construction of areas previously never seen before, against the fluidity of light moving through it. The artwork asks you to explore how we appear in the light, and how it transforms the space around us. The Pump Room at Jacobs Wells Baths is a space shaped by human activity and industrial history, and we’re excited to invite audiences into that conversation through light and sound in such a unique heritage site.”

- Squidsoup

The installation is situated in a space that once powered the building itself;. The Pump Room housed the furnace boilers that heated the natural spring waters flowing through Jacobs Wells Baths, making it the operational heart of the Victorian complex.

Visitors are invited to experience both the artwork and the architecture in a setting that encourages personal exploration and reflection.

As part of Jacobs Wells Baths radical citizen-led approach, Trinity Community Arts have created opportunities for local residents to inform its design and development. In recognition of the relationship with its closest members, free tickets for Cast Light will be offered to residents living in neighbouring Brandon House and St Peter’s House.

Cast Light forms part of Trinity’s Art of the Possible series at Jacobs Wells Baths, a programme that opens the site to artists and audiences during its transformation. It is one of a small number of public events taking place ahead of the building’s major reopening in 2029 as a landmark cultural venue and centre for citizen-powered arts in the South West.

The event is proudly presented as part of the Bristol Harbour Festival fringe activity.

About Squidsoup

Squidsoup are internationally recognised artists working with light, sound and digital technologies to create immersive environments and participatory experiences. Their work has been presented worldwide at festivals, galleries and public spaces, earning critical acclaim for its innovative approach to audience engagement and sensory experience.

What the critics say

“The Best Live Show in the World”

Mixmag on Squidsoup’s collaboration with Four Tet

”…a sincere and disarming electronic experience”

The Guardian on Squidsoup

Select slots will feature a live dance performance.

Event Information

Cast Light

By Squidsoup presented by Trinity Community Arts

Dates: 18–19 July 2026 | Private View 17 July

Venue: Jacobs Wells Baths, Bristol

Tickets availble via Headfirst: Booking required | £3

Saturday | Sunday

Access document can be found here

Part of the Art of the Possible series and Bristol Harbour Festival Fringe programme.

Made possible thanks to National Lottery players.

“Some of my favourite times making music, sharing music has been in grassroots venues. Getting it really right, getting it really wrong, getting it all shades of in between and through that, learning so much about not only myself, but learning about the people around me, learning what a sense of community feels like.

Grassroots venues are essential and so much love to Trinity for what this space is going to be." - Grove

Trinity Community Arts has launched Art of the Possible, new pilot programme exploring how creativity can thrive inside Jacobs Wells Baths while the historic building continues to undergo restoration. The programme offers a rare chance to experience the site in its current transitional state, test creative ideas and imagine future uses for the space for both communities and artists. The series invites Bristol artists to respond to the building as it is now, capturing the energy, atmosphere and potential held in an unfinished space.

As part of this pilot programme, Trinity is releasing a series of short videos created on site with Bristol artists, including Grove and Muneera Pilgrim. The series will feature a broad mix of artistic disciplines - from spoken word and live music to dance and electronic music, with more contributors to be announced as the programme unfolds.

As Trinity Community Arts works to restore the Grade II listed bathhouse, Art of the Possible acts as a living research and development process.

Emma Harvey, CEO of Trinity Community Arts, said:

“The history of Jacobs Wells Baths is rooted in everyday people making that which seemed impossible into a reality. And we know artists are the best people at bringing our imaginations and dreams to life.” -Emma Harvey

These early responses demonstrate how different art forms can inhabit the building even as repair work continues, offering audiences a glimpse into how the Baths might operate as a creative hub once restoration is complete.

“Grassroots venues are not just important they are vital they are the life blood to what we do as artists, as communities. If we don’t have grassroots venues we don’t have venues.

In spaces that are grassroots you get to cultivate music, art, truth, create community and create change”- Muneera Pilgrim

Muneera Pilgrim by Khali Ackford Photography

A continuation of heritage learning and participation offer for residents, schools and community groups already involved in this phase of the project, will run alongside the artistic research and development programme, helping people connect with the building’s social history and understand the traditional skills involved in its conservation.

This work is supported by the National Lottery Heritage Fund, made possible thanks to National Lottery players, and is part of Trinity’s wider programme to bring Jacobs Wells Baths back into everyday community use. The Art of the Possible pilot also complements active restoration funded by the Architectural Heritage Fund and other partners.

Trinity continues active fundraising to support the next stage of restoration, with the aim of safely reopening the building as soon as possible. Continued support from local people, funders and partners will determine how quickly the Baths can return to public use.

Art of the Possible marks an important moment in the journey to bring Jacobs Wells Baths back into everyday community use, offering a glimpse of its future potential while celebrating its past alongside this important renovation phase.

Trinity’s wider renovation and engagement programme is supported by a range of funders and partners including the National Lottery Heritage Fund, thanks to National Lottery players, The Nisbet Trust, John James Foundation, Society of Merchant Venturers, Historic England, Pilgrim Trust, Bristol City Council, the Ministry of Housing, Communities and Local Government, Centrica Energy and Trinity’s individual donors and sponsors.

Trinity Community Arts has secured a significant boost for the restoration of Jacobs Wells Baths through a £350,000 Capital Grant from the Architectural Heritage Fund (AHF). The award will support essential repair works now underway on the Grade II listed former bathhouse, forming part of a wider programme to bring the building back into safe public use.

The new investment builds on AHF’s earlier £78,000 Development Grant, which helped shape future plans for the site. Together, these grants form a critical foundation for Trinity’s phased approach to conserving the building, preparing for public reopening, and enabling new cultural and community uses. Both grants were awarded through the AHF's Heritage Revival Fund, which is delivered in partnership with the Department for Culture, Media and Sport (DCMS) and Historic England.

Recent progress on the restoration has included bringing the historic Pump Room into public use for the first time in its history. Further works underway will stabilise key structural elements, address long‑term maintenance issues and support the development of Trinity’s Phase 2 delivery plan, which has also received match funding from the National Lottery Heritage Fund.

Alongside the physical repair works, Trinity has begun activating previously inaccessible areas of the site, including the old pool boiler room, through artist‑led interventions as part of the new Art of the Possible pilot program. This creative activity is helping shape and envision future plans for how the building might be used once restoration is complete.

The AHF’s continued support is a major step toward Trinity’s goal of safely reopening Jacobs Wells Baths for community use.

Trinity’s wider renovation and engagement programme is supported by a range of funders and partners including the National Lottery Heritage Fund, thanks to National Lottery players, The Nisbet Trust, John James Foundation, Society of Merchant Venturers, Historic England, Pilgrim Trust, Bristol City Council, the Ministry of Housing, Communities and Local Government, Centrica Energy and Trinity’s individual donors and sponsors.

To follow news about the Jacobs Wells Baths project, email info@trintiybristol.org.uk to join our mailing list.

Ice Road by Raucous performed in Jacob Wells Baths. Photo credit Jack Offord

In October 2022 a decision was taken to pause the process of awarding fixed-term funding to the arts and cultural sector of Bristol, in order to ensure transparency and independent decision making.

Trinity are advocating for a similar level of scrutiny regarding the future of our city's community infrastructure, given these decisions will have a far greater long-term impact on our social and cultural fabric.

Our work to promote the plight of the city's community buildings falls in line with Trinity's charitable objective to "provide or assist in the provision of facilities in the interests of social welfare". Recently we outlined the value of our many community spaces in Bristol in our report: "A community canvas – building the case for community infrastructure 2022-2026"

The disposal of Jacobs Wells Baths

Since January this year we have been working with stakeholders to create a vision for Jacobs Wells Baths, a Grade II Listed building that holds within its walls a wealth of architectural and social heritage - from its time as a public swimming baths to its 30 year history as a dance hub.

Following the information that Jacobs Wells Baths is now being put forward for disposal Emma Harvey, CEO of Trinity Community Arts, has submitted a statement to Bristol City Councils Full Cabinet meeting 04 July 2023.

Emma Harvey CEO Trinity Community Arts Statement:

For over 15 years, I have been raising concerns about Bristol City Council's failure to adequately classify and protect its community buildings.

Today, I once again bring forth my concerns regarding the disposal process being tabled today. It highlights a lack of protective asset class for buildings like Jacobs Wells Baths and Ujima House, which have been listed for disposal alongside disused plots of land, an old lock-up garage and a former public toilet.

The reduction of irreplaceable community buildings to footnotes in a 400-page agenda pack raises questions about how irreversible decisions are made about the assets we own. Disposing of irreplaceable assets without adequate scrutiny or a consistently applied process jeopardises our connection to the past, erodes our present identity, and threatens the resilience of future communities. Such a decision should involve greater care than may given by an ‘estates rationalisation’ exercise, when these decisions risk eroding the city’s landscape of public spaces where our communities - growing in size and diversity - can connect, build trust, and foster unity.

"Bristol has the opportunity to lead the way and, rather than disposing of these cherished spaces with a dismissive wave, we could seek to adopt a new ‘Public Realm’ asset use class that can change the way we define and protect civic and cultural domains for all citizens. These assets belong to the people of Bristol and as our elected representatives you are entrusted by us to act as our guardians of these shared spaces."

These spaces are more than physical structures and worth considerably more than an old bog or a dumping ground. They represent a tangible connection to our city's heritage and have witnessed countless memories and community gatherings that have shaped our city's social fabric. Not only do these spaces connect and improve the daily lives of people in their surrounding areas, they can also act as significant local economic multipliers, generating jobs and supporting small businesses. Specifically Jacobs Wells Baths is the only community hub within a locality with a combined population of 25,000 residents.

As Trinity has already set out, it has every potential to service the needs of this locality’s diverse communities; residents of HMOs and adjacent social housing blocks, older and young people, who have no other hub for locally based service provision.

I ask the members of today’s Cabinet what is the legacy you want to leave behind?

I urge the Cabinet to re-evaluate this process, as the Mayor has done with other recent called-in decisions, such as the Cultural Investment Programme.

I urge members to consider the 2019 Land for the Many independent report, which advocates for changing the way we make decisions about these critical assets.

Bristol has the opportunity to lead the way and, rather than disposing of these cherished spaces with a dismissive wave, we could seek to adopt a new ‘Public Realm’ asset use class that can change the way we define and protect civic and cultural domains for all citizens. These assets belong to the people of Bristol and as our elected representatives you are entrusted by us to act as our guardians of these shared spaces.

Though your time in office may be limited, the decisions you make today will have lasting consequences for the communities of tomorrow. Please do not miss this once in a lifetime chance to make a positive impact to safeguard the legacy of these and other community buildings for the enrichment and well-being of present and future Bristolians.

Further information

We support Power to Change's We're Right Here Campaign that is building a united movement for community power.

Read more in George Monbiot's Land for the Many independent report that focuses on changing the way our assets are used, owned and governed

Trinity patron, Miriam Margolyes, visits Jacobs Wells. Photo Alistair Brookes, KoLAB Studios

The last year at Jacobs Wells we have been focussing on leading further investigations of previously out of reach areas to determine the condition of the building, leading to some fascinating and unexpected discoveries.

By uncovering elements of the building, including removing stonework and cutting back the vegetation that has been creeping into the building, we can determine what is salvageable and which areas might need to be entirely rebuilt.

The Pump Room

Further works have now been paused in the Pump Room, following the discovery of a small bat roost of the lesser horseshoe bat - Rhinolophus Hipposideros. These species are listed in Annex II of the EU Habitats directive and so are protected by European legislation which means no further works can take place as long as they are there. Once we have undertaken the safe relocation of any bat roost with advice from Natural England, we can continue with planned asbestos decontamination that will enable the professional team to gain greater access to some of the more mysterious and unusual elements of the site.

The Pump Room is a unique area of heritage significance, featuring intact Victorian engineering, including large iron-cast water tanks that once held 60,000 gallons of water, fed by an ancient natural spring redirected from several local sources, including Jacob’s Well. By collaborating with industrial heritage engineering specialists, we will gain better understanding of this remarkable setup and develop a clear plan for the best use of this natural resource.

Our vision is to transform this space into rehearsal studios, informal performance areas and a café/bar, making this hidden gem accessible to the public for the first time.

Victorian Tiles

We are making strides with other repair works including the deconstruction of a parapet wall on the southern aspect of the building, roof repair works on areas not used by bats on the northern and eastern aspects and other small-scale works.

During recent cleaning trials, including external graffiti removal, specialists have uncovered yet more Victorian glazed tiles in the entrance corridor of the building, which have been painted over and hidden for decades.

This discovery accompanies the tiled finishes already uncovered within the Main Hall and underscores the importance of our investigation works, so that we can fully understand what lies beneath more modern finishes in order to ensure the building’s historical richness is sensitively restored and conserved for future generations.

Fundraising & support

We are grateful for the continued support from our funders and community, including the recent awards:

• Centrica: Energy for Tomorrow - £84,600 to advance our renewable energy scheme

• Historic England - £89,000 for expanded South Studio roof and masonry works

• Support from individual donors on our Fundsufer

We're Right Here (subtitled) from We're Right Here on Vimeo.

National Community organisations have gathered together to launch ‘We’re Right Here’ a campaign that aims to shift power to communities through the creation of a ‘Community Power Act’.

This act, if successful, will fundamentally change where power and decision-making lie by ’ establishing three new community rights:

A Community Right to Buy - giving communities the right of first refusal once buildings and spaces with significant community value come up for sale.

A Community Right to Shape Public Services - Encouraging greater collaboration between communities and public institutions when designing, commissioning and delivering local services.

A Community Right to Control Investment - Increasing community control over the key spending decisions which affect local neighbourhoods.

‘We’re Right Here’ is supported by nine national organisations committed to ‘community power’ – these are Power to Change, The Cares Family, New Local, Locality, the Young Foundation, the Joseph Rowntree Foundation, Local Trust, People’s Health Trust and Friends Provident Foundation.

Here's how you can support this work:

Find out more about We’re Right here

Share your story of the Power of Community

Sign the letter to Michael Gove

Trinity are committed to advocating for shared community and cultural spaces. We are members of Locality and have invested in Stokes Croft Land Trust. Read our 100 Beacons report that shines a light on the importance of – and understand the risks posed to – Bristol's community and cultural assets.