Heart & Soul project volunteer Lowie Trevena works part time with the Scouts, but  wanted to get more involved in the community in their spare time, and learn about the heritage and community surrounding such an important building. We got them to catch up with Davontay Benjamin, one of two intern’s on Trinity’s heritage and conservation project to find out more about what he is up to.

The internships were created to offer professional skills, experience and opportunity to young people from Bristol who may not have otherwise had access to employment or training. Through his internship, Davontay is gaining hands on training to learn the fundamental aspects of conservation work.

How did you find out about the internship and why did you apply?

I found out from my mother Natahsa Benjamin who runs Hype Dance, a weekly street dance classes for young people. Karina Castro, Projects Manager at Trinity told her about the internship because she knows I do construction at college.

Is there more to the internship than just making tea and coffee for everyone in the office? What is the best thing you’ve done so far?

Yes! The best thing so far has been learning how to do stone work and learning about the history of the building. I've found out a lot about how the building was orginally built - and lots about the bands that and the musians and bands that have played here.

What are you looking forward to during the rest of the internship?

Learning to fit windows because it will help me in the future.

What new skills have you learned?

All about different cement mixes and tools you have to use.

Lastly, would you recommend an internship at Trinity to other young people in Bristol?

Yes!

The two internships run alongside the final major-works phase relating to the repair and conservation of the historic fabric of the Trinity. With full scaffolding in place unforeseen historic damage to the building was uncovered; the stained glass windows were found to be no longer watertight, and the metal cramps, holding the historic Bath Stone in place, were found to be critically corroded, leading to an additional £200,000 of costs.

Historic England has backed Trinity with a pledge of £68k towards the critical works; we still; need to raise £130,000 to safeguard the future of the building. and we need your help, or Trinity will face closure.

The Trinity Centre is at risk, and you can help to safeguard it’s future.

This season of in house Theatre and Dance programme - IGNiTE we are talking about and celebrating change- changes in people's rights and changes in people's opinions and identities.

Our IGNiTE programming decisions are made in collaboration with our Programming Forum, who share their thoughts on potential shows. For this season, it was clear from the start that we had a great selection of strong female led companies interested in bringing their work to Trinity. All three shows are well crafted performances that tackle intimate themes, telling personal stories that have a universal reach. Having just celebrated International Women's day we are really quite proud to have Man on the Moon, by Keisha Thompson (March 23) , Ladylike by Ella Mesma (March 24) and The Headwrap diaries by Uchenna Dance (April 13) on the horizon.

Ella Mesma Company's show Ladylike challenges the representation of women, particualy the notion of what it is like to be 'ladylike'. We asked Ella ahead of her March 24 show at Trinity, to tell us a little more about her show and why she created it:

What drove you to make Ladylike?

We all need real life superheros who reflect and inspire us. Seeing someone who you can fit the shoes of just speaks in a different way. I had a dream to make Ladylike, a piece that reflected real women, latin women, black women, mixed women, break-women, superhero women. In the media: the women I was seeing were beautiful, but they were not heroes, they were ‘sidechicks’ without much script, and they weren’t doing the saving but being rescued… I wanted to make a piece where the women were dealing with the real life day to day… but fighting back like warriors!

Who is Ladylike for?

I think Ladylike is for everyone: all women! real women, latin women, black women, mixed women, break-women, superhero women… but also for men too… Last night I dreamt that one of the roles was played by a male friend of mine… and he smashed it! I think the story could equally be applied to men: It is about smashing the patriarchy (which all men should be on board with!)

What are the benefits of making a dance theatre piece?

I think dance theatre is about healing, speaking up, having a voice,… and so I think it is also a cleansing experience… a ritual, both for the performers and those watching

Catch Ladylike by Ella Mesma Company March 23. 7.30pm at The Trinity Centre. For tickets and more, head to IGNiTE's what's on.

Help us secure Trinity's past, present and future

As part of Trinity50, a year-long celebration marking 50 years of Trinity Community Arts, people across Bristol are being invited to share photographs, recordings, flyers and memories that tell the story of one of the city's most significant community and cultural spaces.

The public call-out forms part of Your Trinity, Trinity50's storytelling campaign exploring Trinity's past, present and future through the voices and experiences of the people who have shaped it.

Trinity is inviting audiences, artists, volunteers, community groups, staff, partners and residents to submit photographs, videos, voice notes, recordings, flyers, posters and personal memories from the last fifty years. Alongside memories of the past, people are also being encouraged to share their hopes, ideas and ambitions for Bristol, Trinity and community life over the next fifty years.

A selection of contributions will feature in a public exhibition at Trinity's Garden Party in May 2027, bringing together memories of the past, reflections on the present and ambitions for the future.

Since the Holy Trinity Church last recorded service in 1976 and the buildings purchase by the Bristol Caribbean Community Enterprise Limited the following year, local people secured its future as a community space, playing a vital role in Bristol's cultural and community life. From sound system culture and grassroots organising to youth programmes, artist development, creative health projects and live music, the organisation has evolved alongside the communities it serves.

The campaign aims to celebrate what Trinity believes is a hidden archive of stories scattered across Bristol. Found in family photo albums, old flyers, personal collections and shared memories, these stories capture the people, communities and cultural movements that have helped shape the city.

As Trinity looks towards the restoration and reopening of Jacobs Wells Baths in 2029, Your Trinity draws a line between past and future. Fifty years ago, community action helped secure Holy Trinity Church for public use. Today, Trinity is applying that same commitment to the stewardship of another important Bristol landmark.

Jamell Ackford, Director of Culture at Trinity Community Arts, said:

"For 50 years, Trinity has been shaped by the people who use it. Our story isn't simply about a building. It's about communities coming together through creativity, culture and collective action."

"We're asking people across Bristol to help uncover the photographs, recordings and memories that tell the story of not just Trinity, but the city itself. We want to celebrate those experiences, learn from them and carry them forward."

"As we look towards the reopening of Jacobs Wells Baths and the future of Trinity, we're building on fifty years of relationships, experience and community trust to imagine what comes next together."

Speaking about Bristol's cultural legacy, Daddy G of Massive Attack said:

"Although Bristol is one of the smaller cities in the UK, the creative and cultural impact it has made on the world has been huge. It is exciting to see this continuing with the new generation of creatives coming out of this city."

The campaign will highlight the people, ideas and cultural movements that have contributed to Bristol's creative identity, from community campaigns and youth projects to sound system culture, artist development and international collaboration.

Through Your Trinity, the organisation hopes to preserve stories that might otherwise be lost while creating new conversations about the future.

People can find out more and submit contributions by emailing press@trinitybristol.org.uk.

Image Colin Moody

Art of Resistance is a 2-year project exploring 100 years of social activism, protest, and civil disobedience in Bristol, and the art that underpinned each movement.

We're looking for people who have artifacts or stories they would like to share to help build this picture of Bristol as a city of art and activism.

Whether your #resist story or art relates to Workers Rights, Women’s Equality, Anti-Racism, Anti-Fascism - or something else we haven't thought of - we'd love to hear from you.

In particular, we're really interested if any artwork, including poetry, textiles, posters, banners and ephemera, music and performing arts that were used to support and capture the spirit of different movements throughout the ages.

#GetInvolved

If you have digital material you can upload it here: Art Of Resistance Submission form.

If you have a physical item or would like to discus taking part in an interview to tell your own story, please contact info@trinitybristol.org.uk

Keep up to do with the project and other Trinity news and event sign up to our mailing list here.

The project is funded by The National Lottery Heritage Fund.