featuring

Janet Kay

Carroll Thompson

Victor Romero Evans

Unique Star Sound Hosting:

Supertone Roadshow

Playboy International

Nytro & Nikey The Party Specialist

Dezzi Rankin

Sledgehead Ray Mighty

Spud Roots

tickets available from: Trinity / Bristol Ticket Shop / Frontline Video / Out Of Hand

'Caution: excessive sound levels' - earplugs are available at the bar for 50p

Keisha Thompson's Afrofuturistic Man on the Moon

Trinity’s new season of Theatre and Dance is all about celebrating change and features a strong cast of female led  performances - launching with Keisha Thompson’s Afro futuristic journey of displacement and family relationships, Man on the Moon (March 23) and Ella Mesma’s emotionally charged fusion of hip hop and latin dance, Ladylike (24 March).

Thompson’s Man on the Moon is a bruk down journey, through space and time, fuelled by love and fear. Using poetry, looped sounds and story-telling, Keisha’s intimate performance explores the Black British experience of mental health and how that can impact the family dynamic. While Ella’s Ladylike fuses Afro Cuban, Breaking, Rocking and Contemporary dance theatre to fight & undress preconceptions of what it is to be ‘Ladylike’.

Uchenna Dance’s The Head Wrap Dairies (13 April) is “ an amazing piece that I know that a lot of people have been dying to see” says Natasha Benjamin who runs the award winning weekly urban dance group Hype at Trinity.

“I think Head Wrap Diaries really embraces the struggle that the Afro Caribbean community is going through at the moment, especially young girls and women, for many years of growing up not knowing when or where the natural form of their hair will be accepted, so I think seeing this piece will be an eye opener to those that may not be aware or may not understand the struggle of this issue.”

Natasha, sits on Trinity’s programming forum – who share their thoughts on possible shows for our in-house programme. Collaboration is at the heart of what we do, so asking communities to help us shape our programme means the work we bring here is relevant to our audiences.

IGNiTE Launches with Man on the Moon, March 23. 7.30pm at The Trinity Centre. For tickets and more, head to IGNiTE's what's on.

About IGNiTE

Trinity's in house programme of world-class, innovative theatre and dance about issues that matter to people now, starting conversations and sparking debate. IGNiTE is supported using public funding by the National Lottery through Arts Council England

Student writes lyrics during a youth music session

“The Trinity Centre has a proven track record of helping young people channel their energy into music, young people who may have struggled to find their way in school and have a raw musical talent but no way of developing this. We’re delighted to be partnering with Basement Studios and ACE for this important youth music project.” Emma Harvey, Trinity’s Centre Director

We are really excited to announce that we have join forces with Basement Studio at The Station and ACE at Docklands Youth Centre to provide life-changing music-making experiences for young people in Bristol.

Funded by Youth Music, Making Tracks is a two year collaborative partnership that offers young people from the inner city communities of Easton, Lawrence Hill and Ashley and Central Bristol to take their first steps into their music making journey. Young people can take part in music-making sessions, workshops and showcase events and will have access to 1-2-1 support and performance opportunities - to take the next steps in their own music-making journey.

Young people will have the chance to take part in a range of activities: tailored 121 and small group music making sessions mentoring, peer learning and joint-project activity showcase events and performances live-learning Q&As with artists & industry professionals.

Are you an aspiring musician wanting to get involved ? Would you like to refer a young person? Find out more here or email davet@3ca.org.uk.

My name is Imoleayo and I live in Bristol. Before I started the Youth Music sessions at Trinity I wasn't doing very much, I was doing okay at school and doing some music sessions in a group - but not really learning very much.

I came here to get guidance and help so that by the time I get back to school I wouldn’t be lost. I would know what I’m doing, so yeah, Trinity really helped out.

My Mum found out about Trinity by searching online and we though that Trinity's courses would suit me the best, they are local and the people seemed really nice.

When I first came I was really shy, so my Mum came along and I just forgot she was there. I got totally involved in the session and it was like heaven. My confidence has grown and now I am like; ‘okay, if I can do it through music then I must be able to do it through just speaking to someone or meeting new people’.

Since being at Trinity I joined the BFI Film Academy and made a documentary! I've also been on Ujima, the communtiy radio based in Bristol, have gained work experience with a few companies and I am studying for my A Levels.

Photo credits @ Khali Ackford

From tapestry to pews, to the ornate floor and ceiling tiles - woodcarving, clay, textiles and stained glass all highly featured both inside and outside the Holy Trinity Church (now the Trinity Centre) when it opened in 1832. Whilst many of these features are no longer with us, you can still see the remains of the artisan crafted features if you look up in the Fyfe Hall or, walk past the beautiful stained glass windows. As part of our Heart & Soul project, we want to give residents the opportunity to find out more about the heritage of Trinity, through learning the traditional crafts and skills used in building the centre.

“Loved it! Best way to spend a Saturday hands-down. Learning new skills, meeting new people – fab!!”

Our first block of workshops started on Saturday 10 Feb, delivered by stained glass artist Liz Barton, ceramicist Joanna Espiner, textile artist Ruth Ramsey and woodcarver Daniel Bendel. They will be working with participants, across two blocks of workshops, to create collaborative artwork to display across Trinity.

In these initial workshops participants explored Trinity’s features, looking at how the crafts were originally used across the building. Using this as inspiration, participants spent the morning designing their artwork and the afternoon learning the basics of the traditional crafts.

Missed out on these workshops? Our second block of workshops starts in April, sign up here! Please note we have limited spaces and that you will need to complete all sessions (this are not taster workshops).

While you are here, we have a big favour to ask, we need your help.

The Trinity Centre is at risk, and you can help to safeguard it’s future.

Break
Calyx & TeeBee
SpectraSoul
Boston

Hosts
SP:MC
LX One

Sound: Electrikal Sound System
Lighting & Projections: Inhouse
Supported By: Inkh.

'Caution: excessive sound levels' - earplugs are available at the bar for 50p

I joined one of Trinity's Youth Music courses when I was 17, I was having a really hard time, I'd been kicked out and was on probation. When my probation officer suggested the course to me I didn't even know they existed.

I separated myself from the bad people around me and I had something to focus on - it was a place to come where you don’t feel judged. It's really welcoming and it was nice to have people that believe in you.

So I joined up to the sessions and the tutors helped me put together a CD. To build up my confidence I worked with a lady who worked at Trinity at the time, she helped me with performance - standing on stage singing, things like that. It was just a big self confidence booster for me and gave me the determination to actually do something. I then went off to Access to Music and got my diploma in Music and it was an upward spiral from there on really.

Now I am studying part-time at university whilst also working at a residential young person's care provision with young people aged 8-18.

Binbag Wisdom

Nuala Honan

Sally Reader (hosting)

DJ Dad

With generous support from Trinity Community Arts this event is a fundraiser for the fantastic Misfits Theatre Company - providing creative opportunities for people with learning disabilities in Bristol.

'I love this crazy place and these people. I'm a performer.' Nick (Misfits actor).

Honeyfeet. Bristol’s favourite Mancunian export, Honeyfeet touch blues, folk, soul, jazz, hip hop and rock. Someone once called it ‘folk-hop and barrelhouse-pop’. Honeyfeet have spent 8 years tearing up festivals, theatres & clubs far & wide. It helps that they are fronted by Ríoghnach Connolly, Real World’s newest signing and “a remarkable singer and flautist who can ease from Irish traditional influences to soul.” (The Guardian).

Honeyfeet are proud to be part of the Wah Wah 45 family. The  single “Sinner” was released in October 2017, with “Whatever You Do” following in early March 2018. Their new album, Orange Whip is expected late March 2018.

“I'm in love with Honeyfeet” - Benjamin Zephaniah

“Great” – Jools Holland

“Remarkable” – The Guardian

Nuala Honan. Close your eyes. Imagine Emmylou Harris, Gillian Welch & Bonnie Raitt’s Australian love child. She’s alone on a massive stage in a cotton print frock and farmer boots, singing self-penned, heart-melt songs – just to you. This will happen.

Binbag Wisdom. Original organic Bristol hip hop. Flitting between darkness and light, heartfelt and flippant, serious and stupid, Binbag wisdom will delight your peepers & ear oles.

DJ Dad. Turning the tables before, between, after & forever.

Sally Reader. Mixed in Doncaster, proofed in Bristol & Brighton and currently baking to perfection in the Forest of Dean, Sally is our poetic hoster & toaster.

Rhythm of the Night

The Misfits Theatre Company would like to invite you to Rhythm of the Night. This month we are dancing to 90's music hits!

So put on your dancing clothing on, be entertained and join us for a fun night at Trinity!

A great and fun way to meet new people and have a chat over a drink or two, along with some great music to do some dancing and socialising.

Disco starts at 7.00pm

Tickets £5 - on the door

Bar open - please note you have to be over 18 to buy alcoholic drinks from our bar. You will be asked for an ID, so please bring one with you.

If you can't make it to this one, don't miss our next Rhythm of the Night on Thursday 29th of March 2018.

Please note that Trinity has a public pay and display car park. It applies to anyone parking at the Centre, including staff, hirers, centre users and blue badge holders. The rates start at £1 (for 1hr) and go up to £5 for 12hrs. More info about Trinity's car park can be found here

New intern Davontay Benjamin checks out the damage to the stone with specialists.

Last October, work commenced a 11 month project to undertake vital repairs to the building's fabric and structure.

Enabled through the help of Heritage Lottery Fund, Historic England, Allchurches Trust and 13 other funders, as well as generous donations from members of the public, works began on the lead-roof, original stained glass windows and stonework structure, including the iconic Georgian towers.

With full scaffolding in place, specialists have been able to undertake a more comprehensive metalwork survey. Investigations to metal cramps that hold the stonework in place, reveal the damage to the building is far worse than anticipated.

If we don't do these works now, Trinity will be placed back onto Historic England's At - Risk Register. In real terms this means we are going to have to raise an additional estimated £200k other wise Trinity will be at risk of closure- and we need your help to do that.

How you can help

Trinity is and has always been a central part of the community. Our mission it to keep it that way and protect the building's future and to ensure that Trinity’s doors stay open.

A donation, however big or small, will help us to bridge the gap and ensure we are able to complete these important repairs.

Your support will secure the future of our much-loved community space.

Click here to donate today.

Some of the damaged stoneworks

Get involved

Last year Trinity was used by over 50,000 people. Everyone has a story about Trinity - attending a gig, taking part in a community garden activities, taking part in one of the many community led programmes or even being one of the 200 young people attending our bespoke music courses.

If you're interested in becoming a part of our heritage story - a part of a community and a part of this much-loved building's journey - why not get involved in our Heart & Soul Heritage project? Click here for more info...

I am a 21 year old singer songwriter from Thornbury. I enjoy music and skateboarding.  A friend recommended Trinity's music session to me and I’ve really benefited from attending. It’s really good to be in a creative environment working with other musicians and collaborating with them. Coming in to Trinity means I was able to record my album.

It’s a comfortable environment. I’m comfortable with it. It helped me to be more productive and get work done. The staff at Trinity are professional but can have a laugh too, they also know when to knuckle down, which is good for me. I have definitely got more confident since I started. It’s been a boost to my confidence working with other people in a legitimate studio environment. It’s always interesting and enjoyable here at Trinity. There are always great opportunities going on.

Since attending the 121 sessions at Trinity I have gone on to attend a course a the renowned music school BIMM. Last year I performed at Trinity's AGM and played a professional gig at the Fleece in Bristol.

Bristol Drum & Bass Events presents:

We are very proud to welcome to back Dispatch Recordingsto Bristol and for our first time we are hosting the event at the mighty Trinity Centre.

Lineup:

Zero T - Album Launch
Amoss - Album Launch 
Nymfo
Xtrah
Kid Drama
Kyrist

Hosts:

Codebreaker / Fokus / Remidy